Top 145 Quotes & Sayings by Mark Helprin

Explore popular quotes and sayings by an American novelist Mark Helprin.
Last updated on December 23, 2024.
Mark Helprin

Mark Helprin is an American novelist, journalist, conservative commentator, Senior Fellow of the Claremont Institute for the Study of Statesmanship and Political Philosophy, Fellow of the American Academy in Rome, and Member of the Council on Foreign Relations. While Helprin's fictional works straddle a number of disparate genres and styles, he has stated that he "belongs to no literary school, movement, tendency, or trend".

When people ask me why is 'Winter's Tale' a fantasy, I point out that it is not a fantasy.
The best way to meet a woman is in an emergency situation - if you're in a shipwreck, or you find yourself behind enemy lines, or in a flood.
If Shakespeare thought comedy worthwhile, that means the rest of us can take a break from tragedy now and then without betraying our calling, even if the modern professional intellectual, a poseur by nature, has yet to discover this.
In the Freudian age, parents say to their children, 'Don't be defensive,' meaning, 'You have no argument,' but I was born in the age of Rommel, when defense was considered an honorable thing.
Unlike Hezbollah, Israel's more modest aim is to survive, and that it has done. — © Mark Helprin
Unlike Hezbollah, Israel's more modest aim is to survive, and that it has done.
No good case exists for the inequality of real and intellectual property, because no good case can exist for treating with special disfavor the work of the spirit and the mind.
Of course, you would have to be insane to hope your child grows up to be a playwright or poet. Given the odds, you would have to be quite cavalier about your children's future.
Reason is a fine thing, but it is not the only thing available to a writer. It's just part of the arsenal of many things available to a storyteller. Revelation, for example.
I don't aspire at present to be king of the hill in American literature.
My father was famous for his photographic memory. He was in the OSS. They trained him to be captured on purpose and to read upside down and backwards and commit to memory every document in Germany he saw as he was being interrogated - every schedule on every wall. So, that photographic memory somehow made its way to me when I was young.
The greatest fight is when you are fighting in the smoke and cannot see with your eyes.
Accident is as much a part of fiction as anything else, symbolic of the grace that, along with will, conspires to put words on the page.
'Freeing' a literary work into the public domain is less a public benefit than a transfer of wealth from the families of American writers to the executives and stockholders of various businesses who will continue to profit from, for example, 'The Garden Party,' while the descendants of Katherine Mansfield will not.
Of course, everyone in the New World is an immigrant or a descendant of immigrants, and immigrants have built America and continue to do so. Legal or illegal, they are almost universally good people who work to better their lot and that of their children.
If one accepts Hezbollah's self-description as a resistance movement, in which case one must, in light of the fact that Hezbollah never ceases to provoke, view Israel's mere existence as a continuing act of aggression, then Hezbollah has indeed shown that it can initiate conflict, resist, and survive.
I have to confess that I have so rarely experienced triumph that I cannot claim to know it well enough to judge, but it seems to be at best a momentary joy followed instantly by sadness, and, then, of necessity, by wariness.
In an interview, I lose control even of what I am, for it is the interviewer who edits me, finally, into what he thinks I am, and never have I been happy with someone else's version of my life after that person has spent an entire two or three hours fathoming it.
Mozart and Neil Diamond may have begun with the same idea, but that a work of art is more than an idea is confirmed by the difference between the 'Soave sia il vento' and 'Kentucky Woman.' We have different words for 'art' and 'idea' because they are two different things.
The human race is intoxicated with narrow victories, for life is a string of them like pearls that hit the floor when the rope breaks, and roll away in perfection and anarchy.
I have seen lonely people of advancing age, yet as constant as angels, keeping faith to those they loved who fell in wars that current generations, not having known them, cannot even forget. The sight of them moving hesitantly among the tablets and crosses is enough to break your heart.
As much as I love art, there is no art as fine as the world we have been given. — © Mark Helprin
As much as I love art, there is no art as fine as the world we have been given.
One of the things I worked very hard on all my life was to be like everyone else. I tried very hard to fit in.
Marxists are people whose insides are torn up day after day because they want to rule the world and no one will even publish their letter to the editor.
You will most appreciate 'Freddy and Fredericka' if you are familiar with the story of the Fall, the Good Hermit, 'Tom Jones,' 'Huckleberry Finn,' 'Paradise Lost,' 'Henry V,' and 'My Cousin Vinny.' That doesn't mean that you can't enjoy or understand it on an emotional level, free of all allusion, which is the test of any book of fiction.
To assert, as some have, that illegal immigrants do not depress wages because they do the jobs Americans refuse is the kind of nonsense economists speak when they strain to be counterintuitive. It is similar to saying that cheap imports do not hold down prices.
My father ran London Films. He made films like 'The Red Shoes,' 'The Third Man.' And he had had a long career in the film business, which was bifurcated with a career in intelligence. He had to deal with gangsters, and sometimes he would take me with him. Also, I went to school with their children.
When I was very young, I used to clean up after my parents. If I stay in a hotel, I make the bed and clean the room when I get up, even the bathroom mirror, for which I carry a tiny bottle of ammonia.
Not born to be rich, by 1981 I had nonetheless begun to use a PC that required for its operation the absorption of several hundred pages of protocols and the placement of very large floppy disks in the freezer to fix frequent crashes.
Well-timed silence is the most commanding expression.
The craftless anarchy of the Beat poets on the one hand, and the extreme control of Henry James on the other, suggest that for most human beings, just as both freedom and discipline are necessary in life, serendipity and design must coexist in a work to make it readable.
'Creative Commons' is the self-congratulatory name of a self-congratulatory movement. Somewhat like kibbutz on the Internet, the idea is to write programs - 'free ware' - and distribute them without charge.
Barnes & Noble is able to publish price-reduced non-copyrighted works not so much because it saves the 10 percent to 15 percent of revenue that would go to the gruel-eating authors, but because it saves the 50 percent that would go to the publishers.
I used to write exclusively with one particular Montblanc fountain pen, although lately I have had to use a roller-tip fountain pen, because I find it harder and harder to control the fine muscles of my right hand during prolonged periods of work. I buy boxes of Deluxe Uni-ball pens, use them until they start to drag, and then change.
I have jumped out of airplanes but I was not technically a paratrooper. I was an infantryman and a night fighter, anti-terrorist.
The trick in nuclear strategy is to maintain stability by balancing potentials and thus to discourage events from converting the hypothetical to the actual.
The British monarchy has the political and constitutional task of subtracting from the government and governors of Britain the papal and kingly airs that in America, because we have no such institution, unfortunately adhere to the president.
The arts community is generally dominated by liberals because if you are concerned mainly with painting or sculpture, you don't have time to study how the world works. And if you have no understanding of economics, strategy, history and politics, then naturally you would be a liberal.
I wrote a great deal of a novel, 'Winter's Tale,' on the roof of a Brooklyn Heights tenement on Henry Street. I was a technical climber, and now and then I would put down my manuscript and get up to walk along parapets and climb walls and chimneys.
The thing that strikes you most about being a soldier in a war zone and in action to the small extent that I was, when actually people start shooting, which happened to me a couple of times, everything goes on automatic and there's a feeling of tremendous elevation and even elation.
I was raised on the Hudson, in a house that had been the stable of the financier and Civil War general Brayton Ives. In midcentury, we had fire pits in the floor for heating, and rats everywhere, because they nested in the hay insulation.
Not a single illegal immigrant should or need enter the United States, not one. Contrary to the common wisdom, the borders are easy to seal, and controlling entry is hardly totalitarian.
Writing is still my main career, but I would love, for instance, to serve in the New York State Assembly. — © Mark Helprin
Writing is still my main career, but I would love, for instance, to serve in the New York State Assembly.
I'm sort of murdered for selling books. The idea is, if you make money your work can't be literary.
Though builders may build, in the main they follow the plans of architects. Teachers teach, but they must have a text. Politicians govern, but only upon the flow of commentary that raises them up or casts them down.
I've never had a cup of coffee in my life. I can't even remain in the same room with coffee.
I have been fighting over commas all my life.
In American military cemeteries all over the world, seemingly endless rows of whitened grave markers stand largely unvisited and in silence. The gardeners tend the lawns, one section at a time. Even at the famous sites, tourism is inconstant.
If it wasn't for music, I would think that love is mortal.
Perhaps passing through the gates of death is like passing quietly through the gate in a pasture fence. On the other side, you keep walking, without the need to look back. No shock, no drama, just the lifting of a plank or two in a simple wooden gate in a clearing. Neither pain, nor floods of light, nor great voices, but just the silent crossing of a meadow.
Words were all he knew; they possessed and overwhelmed him, as if they were a thousand white cats with whom he shared a one-room apartment.
The treasures of the earth were movement, courage, laughter and love.
And how does God speak to you?" "In the language of everything that is beautiful.
The shelf was filled with books that were hard to read, that could devastate and remake one's soul, and that, when they were finished, had a kick like a mule.
Perhaps things are most beautiful when they are not quite real; when you look upon a scene as an outsider, and come to possess it in its entirety and forever; when you live in the present with the lucidity and feeling of memory; when, for want of connection, the world deepens and becomes art.
And if you were a spirit, and time did not bind you, and patience and love were all you knew, then there you would wait for someone to return, and the story to unfold.
He moved like a dancer, which is not surprising; a horse is a beautiful animal, but it is perhaps most remarkable because it moves as if it always hears music. — © Mark Helprin
He moved like a dancer, which is not surprising; a horse is a beautiful animal, but it is perhaps most remarkable because it moves as if it always hears music.
To see the beauty of the world is to put your hands on lines that run uninterrupted through life and through death. Touching them is an act of hope, for perhaps someone on the other side, if there is another side, is touching them, too.
Justice can sleep for years and awaken when it is least expected. A miracle is nothing more than dormant justice from another time arriving to compensate those it has cruelly abandoned. Whoever knows this is willing to suffer, for he knows that nothing is in vain.
You’ll join me sooner than you know in a place with . . . no illusions, where the truth is the only architecture, the only color, the only sound--where that which we sense merely on occasion, and which takes us up and gives us the rare and beautiful glimpses of the things we truly love, flows in deep rivers and tumbles about like clouds in the sky.
As long as you have life and breath, believe. Believe for those who cannot. Believe even if you have stopped believing. Believe for the sake of the dead, for love, to keep your heart beating, believe. Never give up, never despair, let no mystery confound you into the conclusion that mystery cannot be yours.
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