Top 13 Quotes & Sayings by Maurice Jarre

Explore popular quotes and sayings by a French composer Maurice Jarre.
Last updated on September 18, 2024.
Maurice Jarre

Maurice-Alexis Jarre was a French composer and conductor. Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from Lawrence of Arabia (1962) to A Passage to India (1984). He was nominated for nine Academy Awards, winning three in the Best Original Score category for Lawrence of Arabia (1962), Doctor Zhivago (1965), and A Passage to India (1984), all of which were directed by Lean.

Soon I worked during twelve years in theater works of the prestigious Theatre National Populaire. It was the best time of my life, the most difficult, the most interesting, the most exciting.
For Ryan's Daughter I used a total of eight harps, something that was, at least, weird.
A Passage to India. It is my favourite movie. — © Maurice Jarre
A Passage to India. It is my favourite movie.
My parents did not have any interest in music.
I began to write a kind of waltz and in a little more than an hour I had the theme written.
Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that if they change the music, the film will become a masterpiece.
With Hitchcock I had little relationship. I was called to replace Bernard Herrmann, his favorite composer, in Torn Curtain, after the bitter fight between them.
When I was 15, I did not know nothing about what concerned the world of music.
In that long sequence, when Lawrence enters in the desert to rescue a lost man, Lean listened the music I wrote and wanted to extend the scene to let my work stay completely.
But, yes, now I wouldn't do some of those soundtracks the way I did them.
The idea in The Man that Would Be King was that the music should recreate all that majestic surrounding and emphasize the adventure, but also speak about the frustration or, rather said, the curse of both protagonists, even before happened what happens them.
Some months ago, while I was preparing a new work, I told a young cinema executive my intention of including in a soundtrack two themes from Bach. But when he asked me which has been the last hit from that Bach?, then I knew that I had no longer place in cinema.
I was lucky Mozart was not eligible this year.
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