Explore popular quotes and sayings by an English actress Maxine Peake.
Last updated on November 21, 2024.
Maxine Peake is an English actress and narrator. She is known for her roles as Twinkle in the BBC One sitcom dinnerladies (1998β2000), Veronica Ball in the hit Channel 4 comedy drama Shameless (2004β2007), Martha Costello in the BBC One legal drama Silk (2011β2014), and Grace Middleton in the BBC One drama series The Village (2013β2014). In 2017, she starred in the Black Mirror episode "Metalhead". She has also played the title role in Hamlet, as well as the notorious serial killer Myra Hindley in the critically acclaimed ITV dramatization of the Moors murders, See No Evil: The Moors Murders (2006).
I love hoovering. People go to therapists; I've got a Hoover.
They always said to me that I needed to be more feminine. I think it's so wrong. Being boisterous doesn't mean you are not feminine.
You want to go to your deathbed saying, 'I didn't sell out.' But it's a tough business to keep to what you believe in and get through and do well.
People think I'm clever, which is hilarious. I'm like, 'When did this happen? People used to think I couldn't string a sentence together.'
We shouldn't still be asking, 'Have you got children? Why've you not got children? Ooh, you must have children!' Bog off, d'you know what I mean?
I've always fancied being a bit of warrior, on a horse swinging a sword around, sorting out the men... Oh yes, that sounds lovely.
I take bits and pieces from everything. But I think the Method can be very isolating, and sometimes it's more about ego than playing the character truthfully.
I reckoned my accent and class would count against me; I didn't see actresses as being working-class.
Nobody's impressed back home. All my friends were going, 'Oh right, so you're doing a play up in Leeds? Another depressing one is it? Do you mind if we don't bother coming?' I love that.
When we were doing 'Criminal Justice,' they were filming 'Clash of the Titans' nearby and we kept nicking off to their catering tent and going, 'Look what they've got!'
I think all things are political... How women are portrayed - that's a big thing for me. What is this role trying to say about women? Is this woman weak or victimised, and, if so, do we get to understand why?
When I graduated, I was my biggest ever: 15 stone, with a boyfriend - my first - of just 11 stone. I was 23 years old. It wasn't just affecting my career: it was a health issue as well.
When I'm not acting, I don't feel like an actor.
I'm a big comfort eater, so if I'm feeling sorry for myself, I'll just stuff my face.
I'm always an advocate of 'acting is reacting,' which can be difficult.
We still have an underclass in this country who are constantly ignored and vilified.
At drama school, I was told, 'Lay off the chips, or you'll never play Juliet.' Sometimes, in the stock room of the set of 'Dinnerladies,' I'd put away three or four Mars bars while waiting for a scene. Then, at 24, I lost five stone.
I don't have massive ambitions to be anywhere other than in this country doing good work.
People will always respond to high-class drama.
I went to the Old Bailey, and I met a judge, and I was petrified, but they were like, 'Oh, you're an actor, well, great.' It was a bit like we're cut from the same cloth a little bit.
I think an actor's process should be very personal and private, and sometimes I have thought, 'Oh, please, put it away now.'
Male? Female? It's not always relevant to some people. They are who they are - they might not fit into a specific box.
I was a tomboy. In my clubbing days, my friend Lucy Davies-Hunt - half-Iranian, looked like Yasmin Le Bon - could wear catsuits, while I was the one in the sweatshirt, jeans, and Fila boots.
I think with 'Silk' there's something there for everyone: it's a legal drama, but it's human as well - you get to dip into the lives of the barristers and clerks.
I'm very independent, probably quite selfish, and like being able to disappear at the drop of a hat without having to explain myself - most men would find that a pain, wouldn't they?
Food is important in working out a character. How she eats is a window into her temperament. If I think she likes her food, I'll put on a few pounds, or lose a few if she lives on her nerves.
I get very irate with actors when they talk about how distressing it all is. I mean, it's only acting. Please.
'Toast of London' is a must-watch. Matt Berry's off-the-wall humour is slightly surreal and a little bit deviant. That's why I also love 'House of Fools.'
I watch 'Take Me Out' mainly for Paddy McGuinness. When we were younger, we worked together as lifeguards at the Bolton Leisure Centre.
In my 20s, I was going round seeing agents who were patronising because I was fat and a girl, which was a double whammy. I knew what it was to feel out-of-the-loop.
If I feel like if there's a few too many people on that path with me, then I want to jump off and find another one.
When I was growing up, because I was a bit overweight and boyish, I thought I wasn't attractive to the opposite sex, but I have since met lads from my school who said I just seemed unapproachable.
The first posh meal out I had was on my 10th birthday.
I care about my work, but I don't care about getting it wrong. The more you do, the more you realise nobody's going to die.
Often, when I am playing difficult roles, I have a problem sleeping because I can't leave the character behind.
If I were to appear in a programme like 'Sex and the City,' I'm sure I'd be cast as the downtrodden one staying at home and having seven children while the others jet-setted around the world.
Cooking, you can keep. I've not the slightest interest in it.
Everybody's in a situation; everybody has a story. It's about finding out why.
I'm a big techphobe. Someone else helps me run my Twitter; I wouldn't be able to trust myself.
We take things at face value, don't we? You form an opinion about something immediately, but you ought to step back a bit. Take in the vista first.
You don't want to bash viewers over the head with a blunt message or lecture them - they'd soon get bored with that.
As I've got older, I've got slightly more fussy. You've got less time; you need to use it wisely.
The women I play don't sit in the corner eating lettuce leaves and talking about what designer shoes they have.
It's interesting when people say, 'You always play strong women,' because as far as I'm concerned, women are strong. I think that's what women are. We have got that vulnerability, but we have got that strength. We are survivors.
I find these dramas fascinating - it's a world that many of us fortunately don't dip into. The legal system is all around us, but the majority of us don't have to go into a court, so it's a way into another world that is unusual.
Every job still feels like the first time.
The 'Bolton News' is the best place for online comments. They say I'm an absolute idiot and a communist anarchist. I was never an anarchist; I was a communist!
After my mum and dad got divorced, I was entitled to free school dinners, but my mum said, 'Under no circumstances,' because she was proud.
I don't really engage with that world of technology, which might be to my detriment.
I love 'Splash!' and 'Take Me Out.' Not that I'd ever do 'Splash!' It's the parading on British TV in a swimming costume I couldn't handle.
We need a wider sense of community because we're all on the same planet.
For me, I'm still always that kid from Bolton.
Sometimes the darker the work, the more fun you can have.
I used to think the store detective had followed me all the way home and would knock on the door and go, 'Hello, is this your daughter? She's got three blue lipsticks and a moisturiser from Boots in her bag.' We just used to nick crap. Not even stuff we wanted.
When I was a little girl, there was this unbelievably cool female bus driver who'd work near us. I remember thinking I'd like to be her when I grew up.
A few things make a person stylish: honesty, imagination with a sprinkling of humour. I still keep an eye on trends, but I don't follow them any more.
I think, as a woman, you've got to make so many sacrifices.
When I'm going to work, I often stop and wonder how I've got here. I don't mean literally, but just thinking back to when I first had the idea of being an actress, it seemed so unreal, so unlikely. People like me just didn't become actresses. Every new job I get comes as shock. It's almost as if I'm waiting to be found out.
What is male and what is female? I don't always feel female.
As a human, if you're in a scary situation, you pretty much forget about everything else! You just try and survive.