Top 60 Quotes & Sayings by Melanie Lynskey

I've done a gazillion readings that have gone on to be movies that are made without me.

To take a job just so I can go on a fancy vacation doesn't really seem worth it.

I like to play the grey areas in life - that's the most uncomfortable place to be. Nobody likes to be in that in-between state where there don't know what's going to happen. There's a lot of tension in that, and a lot of stuff to play with - where it's uncomfortable and awkward and sad and scary.

I was a kid who didn't have a lot of self-esteem.

I was at university and I was studying modern drama and studying English, and I just was like, 'I don't wanna be in this place. I wanna be acting.'

The interesting thing about acting is using all your own stuff and having some kind of personal catharsis while you're working.

I feel so grateful when I see a movie and there's a woman who looks somewhat like me. I'm like, 'Thank you, Samantha Morton!' You know, a woman who feels like a human being. That means so much to me.

I love festivals because I feel like I'm more of a movie fan than a person who's in the film industry.

I think filmmakers are always interested in getting the best actor that they can find, the person who's the most right for it.

There's not much of a follow-your-dreams kind of vibe in New Zealand or my family.

Usually when I am in a movie that is about to come out, if people don't love it, that is fine - I can handle it.

I know my mother-in-law would drive two hours to go see a movie that I'm in.

I guess I've never really had a great desire to be a leading lady, or be seen as an ingenue.

Even when I'm reading a script where I'm supposed to be looking at the lead role, I'll find myself gravitating toward some small weirdo in a few scenes instead. I'm very instinctive like that and I love the challenge of not having a lot of time to create someone who feels real.

I think that for me as a person, it's very easy for me to hear, 'It's too difficult.' Or, 'You're not easy to cast.' And, 'You're not beautiful,' and this and that.

I'm not one of those people who can cry on cue. If I have to cry in an audition, I'm like, 'Okay, let me see what I can do.'

I feel like any actor should always be thinking about how to serve the story. The thing to be cautious of is trying to make too much of your 'moment,' or whatever. The story is a lot bigger than you, and you're there to help it along.

I don't know, I love it when I see movies with people who are not super familiar to me or people who I've seen in smaller parts who are suddenly getting a chance to do something bigger. For me that's very exciting.

Everybody goes through challenges. There's stuff that happens personally that's challenging, stuff in work that's difficult, disappointments that happen.

I guess I have a strong constitution.

If a movie is received badly, and I'm in only one scene of it, I still feel responsible. I feel like it was my fault at all times. If people were like, 'This movie sucks!' I'd be like, 'Well, that's because I'm terrible.'

People in New Zealand go out of their way to not be impressed by things.

I've definitely had times in my life where I've been depressed and not able to do anything at all.

New Zealanders can be a little hostile.

I know a lot of actors have all these expectations and believe that one thing should lead to another thing, and that's probably the right way to build a career. I don't know what's wrong with me - I just don't think like that!

For a while, I was only being sent fat-girl parts. Seriously? Sometimes I feel like I'm making some kind of radical statement because I'm a size 6.

I feel weird when I go to the movies and everybody's faces are perfect.

The acting life is different than I thought it would be. I love it - it's actually a lot less pressure than I thought it would be.

I don't think I've played a lot of crazy people.

If I could be working every day, I would be.

I used to write stories and poetry, but for some reason I have it in my head that if I'm going to write, I have to write a script.

I read every single review, because I love film criticism and I'm interested.

I really like 'Girls.' I know everybody does, but I love 'Girls.'

I'll audition for something and then the feedback has been, 'The director wants you, the creative people want you, but the studio is saying no.' It's depressing, but I understand. People are investing a lot of money and they want somewhat of a guarantee; they want someone who's been on the cover of magazines.

I feel like a character actress - it's where I'm comfortable.

I feel like I'm kind of faking something if I'm talking as myself and putting on an accent.

I was a very independent teenager.

There's a rhythm to script [ in "I Don't Feel at Home in This World Anymore"], as well, especially the pacing of it. But there definitely were times when I would say something and [ Macon Blair] would say, "I didn't think to deliver it like that" or, "I didn't think it had that meaning." And he'd say, "I like it. I think it's good." So he's open. He's not battering it into you.

I always like [while filming] to have a sense of what led this person to this point.

I felt like the script [of "I Don't Feel at Home in This World Anymore"] was so clear. It was sort of packed full of information. [Macon Blair] puts in a lot of discussion in the script. Characters are introduced very thoughtfully. The way he described walking into particular environments was very specific.

People have something on their mind. It almost feels [on marches against now-President Donald Trump] like after-tragedy. People seem sort of preoccupied.

I feel so lucky to have done so many things that I love in the past few years so I'm just going to keep trying to do them.

For "The Intervention" I came up with a back-story and Clea [Duvall] was like, "No." And I was like, "I don't care."

I'm not one of those people who can cry on cue. If I have to cry in an audition, I'm like, 'Okay, let me see what I can do.

Honestly, I think if I had to stop acting I'd be like, 'Well, I guess I have to go live in the mountains now.' I'd probably be a good assistant.

I really like 'Girls.' I know everybody does, but I love 'Girls.

I'm pretty active, so I wasn't really worried [about filming "I Don't Feel at Home in This World Anymore" ]. But there was a day when I was like, "God, I've been rowing for two hours."

Sometimes you just feel so fortunate to be in the company that you're in and you just want to soak it all up.

Even though it's still, annoyingly, something everybody feels the need to bring up to anybody who doesn't look like a model, there are more women now who are super successful and have different body types. You know, like men do. That feels like progress to me.

I don't think I've played a lot of crazy people. If ever I had a choice between two movies, I'd try to do whatever was the opposite of what I did last time.

I think there's so many little specific things in the script [of "I Don't Feel at Home in This World Anymore"]. And the script was also structured so beautifully that I didn't want to mess with it.

I feel like any actor should always be thinking about how to serve the story. The thing to be cautious of is trying to make too much of your "moment," or whatever. The story is a lot bigger than you, and you're there to help it along. The thing to think about is whether what you're doing is true to the moment and where the story's going, rather than going, "Here are my scenes. What can I try and do to make the most of them?"

It's always nice for me to get to explore somebody who's feeling that and then does something with it and takes it in a different direction or does something with it. It feels very powerful. It helps me with my own.

I talked with [ Blair Macon] a lot. I always like to come up with it - sometimes the filmmaker is not into it at all.

I want to go and have a real experience and it's just lovely to sit and watch a movie and just be really transported by a story and care about the characters. That's always what I'm looking for.

I've had a lot of struggles with depression. It's very easy for me to go to a bleak place, or for me to doubt humanity, myself, the world, my choices.

I feel like I'm always put with someone who's like, "Come on! Please be happy!".

Even just reading "I Don't Feel at Home in This World Anymore,"I got a sense of the world and the story [Macon Blair] wanted to tell. And then I had a meeting with him and understood how he likes to work. I really trusted him from the beginning.

It's good to feel tired at the end of the day. It's not often as an actor that you're like, "Oof. Ow. I feel like I've been out working."

Some scripts are pretty sparse.