Top 147 Quotes & Sayings by Melanie Martinez - Page 3

I have a few songs that I'm figuring out and writing. I'm still figuring out the whole concept and how it's gonna connect to Cry Baby, but I have some ideas, yes.

Cry Baby is just a character in this world that I'm trying to create, and the music videos are really important to me, and I've fought to obviously get all of them approved.

The title is the first thing that I have. Then when I have that title, I have to make sure that the title...is like, so...I have to make sure I can tell a whole story from that one title and like make sure that it, from beginning to end it makes sense.

So like what I want to do is connect all of my albums and make it tell a bigger kind of story. So the first album is very focused on her family life and her love life.

I don't really think about what people think of my music, and how they listen to it or what my demographic is.

I'm probably the most proud of "Mrs. Potato Head," because I had that idea in my head for so long, and I tried writing that song one time and I just couldn't tell the story the way I wanted to, and I couldn't figure it out.

I was very vocal about how I wanted to be portrayed on the show, and how I wanted the stage setup to be.

I think that the next album is specifically for sure from Cry Baby's perspective, but it's not necessarily about her family-life or her love-life, or anything like that, it's more about this place in this town. The place has different characters in there, so in every song there's gonna be different characters that appear.

Everyone got to choose what they wanted to wear on stage, and by the third time going into wardrobe the stylists already knew what I'd love and what I would never throw on my body in a million years. They were fantastic, and it was so lovely working with them.

I was genuinely happy when I wrote that song [Training Wheels] and very in love. That's a very rare emotion to evoke out of me.

I'm pretty excited for people to listen to the story of each song. It's definitely like a giant book with different stories in it. They are all very child-like but also a balance between light and dark.

I like pop music because it can really affect a large amount of people and if I tell stories and spread messages that I think are really important for people to be aware of, I would want it to be on the biggest platform and I feel like pop is that. I use it as a way to tell stories.

I just don't really get to watch a lot of movies, like recently at least I haven't been able to but I did watch The Exorcist for the first time ever, recently, and it didn't scare me like I thought it was gonna scare me.

I love directing my music videos and writing video treatments, and I think it's all just because I love the visual aspect of it as well.

It's just interesting how people relate my success when I would like to think that I worked my ass off for a reason and that it's about the music and not because I was on a TV show.

I think because "Dollhouse" was the first story that I put out. It was the first thing that people were able to listen to and find the aesthetic of my music, so I figured we could use that as a title.

And still as an adult like I do as well, you know what I mean like I literally just cried in the first interview that I had today. Like, I'm just a very emotional human.

I think the transition between singing covers on a reality show to being able to do my own thing was really exciting. I'm no longer singing covers every second, and people are actually getting to hear my own original music.

Cry Baby is a character so I think that the next album is going to be about a specific thing in her life or another place in her world. It's going to be a bit deeper into a bigger picture.

I also made a lot of really great friends on that show [the Voice], so that's one of the most important things that I've taken out of that experience.

It's like visual is super important to me. So if I am writing a song, like, I have to have the title.

Cry Baby is about Cry Baby and the next album [which I think I have a title for but I don't wanna say anything yet because I don't know and it's too early] is a place in the weird town that I'm trying to create and its Cry Baby's perspective throughout this album. You're not learning about her, you're learning about the place that she's in and her perspective. Down the line for sure I will think of other characters in this world.

Even if the song meant a lot to me, I would still probably perform it live.

My favorite performance would definitely be "Toxic," which was my blind audition song. It was the start of it all and it was a song I had been covering before the show, so it was very dear to my heart.

I'm always going to hear people make that connection and I've just accepted it. It's alright. I'm just happy that I get to do my own thing now. I learned a lot from the show [the Voice] as far as being in the TV world and being in front of the camera, which is really great because I'm not as nervous in front of the camera as I was before.

It's just weird because like when I was writing Cry Baby I like...the only thing that I was thinking about, when writing it, was the concepts and the visuals, and the way that it sounded kind of happened naturally.

The Cry Baby character is so, like, based off of myself that it just really is just from personal experience. And when I was younger I was called a cry baby and made fun of for being super emotional and taking things way to personal.