Top 70 Quotes & Sayings by Mena Massoud
Explore popular quotes and sayings by an Egyptian actor Mena Massoud.
Last updated on December 21, 2024.
Aladdin' was one of the few things that I watched as a kid where I was like, 'Oh, that guy looks like me and has a similar culture to mine.'
There is such a peace out in the middle of the desert. There's nothing like it.
I grew up speaking Arabic at home.
Growing up, I didn't see anybody with my skin color or my background. I didn't know it was possible to have a Middle Eastern actor in a lead role.
My exercise regime for the film was really intense. I'd work out with a trainer six days a week, and then I had a stunt rehearsal team that would do boxing, stretching, and a little bit of parkour. And yet, people don't get to see me shirtless in this movie. I don't know if you've seen the trailer, but this Aladdin wears a shirt.
I'm pretty good at going incognito.
I think Middle Eastern hair is very resilient.
My first professional gig was on a show called 'Nikita,' and I played Al Qaeda No. 2. At that time I had to take those roles because I just wanted to get my foot in the door.
I was told growing up that the arts were just a hobby - that I couldn't do it as a career.
I think it's time we start chipping away at the stereotypes in Hollywood about the Middle East, and the Arab World, because it's one of the most beautiful regions in the world.
I've always envisioned working with the best directors in the world.
I have two older sisters.
How often do we get to go to the biggest cinemas in the world and see diverse actors make up the majority of the cast?
All I want for my career is I want to work with the best directors and I want to be treated like a Caucasian man would be.
I put in my time, I worked hard and I followed my dreams.
I can't compete for roles that require me to be Caucasian or African American, even if those characters really connect with me and intrigue me.
I would wish we would get to a place of colour-blind casting, where it didn't matter what colour skin you are, where you came from, anybody could play anybody and we didn't judge it.
I try to support all the women in my life. So absolutely, Aladdin tries to do that as well, and rightfully - rightfully so.
I grew up in a culturally different household.
I grew up loving okra.
I grew up on Abdul Halim Hafez and Esmail Yassine, a great comedic actor. I think Adel Imam also changed and revolutionised the game and comedy in Egypt.
In the industry, artists of of color struggle the most. Caucasian artists have really solidified themselves in the industry, and with African Americans now we see directors and producers who vow to only produce work that shines a light on African American artists. But everybody in the middle gets lost.
My parents knew about the story of Aladdin far before the animation film. It's a folk tale that is very prevalent in Egypt.
There's always a wild card or two when you're casting. I'm usually the wild card. In a room of Caucasian guys, a director might be like, 'OK, let's see, like, two guys who aren't. And maybe they'll be the wild card choice.'
I think since 'Aladdin' my expectations for things releasing and what they're going to do in my career, I've had to really pull them back.
You never know how things will work out.
We're trying to give back to artists of colour and make the journey for them a little easier.
In fact, in the original folk tale, Aladdin was actually of Chinese descent. So what we wanted to do with this was represent as many different cultures from that part of the world as possible.
It's a funny thing that's happening online. The Middle Easterners want 'Aladdin' to be a Middle Eastern story, and the Indians want 'Aladdin' to be an Indian story. The truth is, it's really a folk tale from the 1800s, and Agrabah is a fictional place that's a culmination of India and Asia and the Middle East.
Even though I'm very fortunate and grateful to have played Aladdin, there were still four, five casting directors who never gave me a shot in Toronto. They didn't give me the time of day. I never got to audition for them.
I went through it in high school. It's like, 'Who am I? Am I good enough? Is my background good enough? I know I'm different, but do I have a voice?'
I always view auditions as the first and last time I'll ever do a character, so that's how I like to see the joy in it. Assuming I don't ever book this, I get to play this character this one time and give it my all because I'll never play it again.
Art is very subjective and having to put numbers on it seems counterintuitive.
When we represent all cultures with sensitivity and truth, we foster a society that supports all people.
You've got to have confidence that the universe is working out for you.
My parents saw certain things differently than other people.
We've got to celebrate all diverse artists and actors and 'Aladdin' does that really well.
Christoph Waltz, you know, blew up in Hollywood at a very old age. He won two Oscars back-to-back so I thought, 'You know what? Even if it happens when I'm 50, that's fine.' You know, I'll always keep going, always keep trying.
The beautiful thing about art is that there's always somewhere to go. There's always something new to explore and, as an artist, that's just what I want to do. I wanna keep exploring new things with different directors with different producers and different styles and tones.
We don't tell Canadian stories enough.
I grew up not really seeing a lot of leads in the industry that weren't like - and I look up to these people - but like Ryan Gosling and Christian Bale.
I went to theater school in Toronto for four years and grew up around actors, and things like headshots could cost you from $500 to $1,000. That can be a big deal for a struggling artist.
I went to schools that had a significantly large Caucasian population and I feel very fortunate because I was able to compare that perspective with my family's. It allowed me to create a wider world view on things.
We immigrated when I was 3 1/2 years old, to Toronto. But I'm still very, very close to my culture and - back home in Egypt.
I want people to know that it's not always dandelions and roses when you're doing something like 'Aladdin.'
Guy Ritchie likes to ground things in realism.
When we uplift artists who reflect diverse perspectives their stories not only tell us how people view others, but how they view themselves.
We're - we're Coptic Christian.
I was very different than everybody else growing up. I spoke a different language at home, I ate different food, and I looked different. So I could always relate to Aladdin in that way, being the outcast.
I don't like the word 'vegan' on its own, and the reason I started Evolving Vegan, is because the people associated with that word can be very militant.
I get really quiet when I'm nervous. I don't freak out.
I can't change what casting directors do or what producers do. I can only change what I do.
My wish would be for positive representation and more diversity coming from Hollywood.
As artists we have an extraordinary and rare privilege to tell the stories of our people, our land, our culture. They grip us, tear us apart, and put us back together. We are our stories.
I shocked my parents with a lot of things, whether it was becoming an actor or when I was dating someone outside the Egyptian community or when I moved away from home before getting married.
Actions speak louder than words, and the best way to set an example is to just go out and do a good job.
Growing up in a Mediterranean household ruined my tastebuds a little bit because my mom, my sisters, and my aunt were all great cooks, and ever since I went plant-based, I've been missing a little bit of that Mediterranean affection.
I was in AP chemistry in high school, and I really liked it.
Aladdin is a good soul. He is very selfless and usually does things for other people, but as he falls in love, he loses himself a little bit and starts to become someone that he is not. But he is a person with good intentions and has good people surrounding him who lead him back to where he is supposed to be.
We've got to be able to get to a point where we represent everybody equally.
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