Top 184 Quotes & Sayings by Michael Eric Dyson - Page 3

If white and black and red and brown can come together to focus our energies on overcoming the racial malaise that persists, then this will have been a great moment.

Blackness also has positive dimensions, those that bear the political meanings of African American people, among other blacks, who have struggled for self-determination and freedom for centuries. The absence of such an identity doesn't automatically guarantee that we will be free of the images and ideals that fuel stereotypes about black identity. Changing the name will not alter the reality.

The emphasis on personal responsibility is something we've had in black America from the get-go. Every major leader and intellectual worth her salt has advocated for black folk to better ourselves and push ourselves to the limits of our abilities and gifts. At the same time, we've got to focus on creating a society that recognizes our worth, regardless of race and other factors.

Bigotry is surely an exportable American commodity, especially when it comes to race.

The culture will not be able to persist in light of the rigid systems of its own innocence.

Light-skinned black people are seen to be closer to white people. The allegiance to lighter-skinned people has operated in a very destructive way that we have internalized ourselves inside black communities. You look at many of the prominent black people in this society who have been able to do well. Many have been lighter-skinned.

A lot of the commercial expression of hip-hop leaves a lot to be desired - but then, there's a lot of whack gospel music, but I'm not leading a crusade against it. Of course, the vices of hip-hop are far more influential, I understand. But the good that hip-hop transmits, the power of the culture to rally the best of our protest, and uplift, and resistance, traditions, is often unfairly overlooked.

America is capable at single moments of receiving the depth and the breadth of the homiletical vision of black America when a black preacher rises to his or her craft at the height of his or her ambition and the desire to tell America the truth.

I received my calling and accepted it at around 18.

You must address the historical and political differences in race and ethnicity in this country before you hold tenaciously to insubstantial, and unsubtantiated, beliefs.

I think that what Donald Trump is doing, the way in which racism, xenophobia, anti-Muslim belief and the like are being expressed through the campaign of Donald Trump, calls for, I think, a very vigorous and aggressive response to what he's saying.

I had an exciting, interesting childhood, to be sure, with all of the challenges that ghetto life provides - but had loving parents.

When I was 12 years old, my pastor came to the church: Dr. Fredrick Samson. And that was revolutionary because he mentored me and I got a chance to see up close the impact of a rhetorical genius.

The issue of redistribution of resources and wealth needs to resolved systemically, but in the meantime but there are individual spots you can occupy. There are things that you can do on a daily basis that will make a difference in moving the needle in individual lives. When we look at the mentoring of young black kids, for instance, the number-one mentor group is white women. I think after that maybe it's black women, and then white men, and then black men. We can make all kinds of arguments about that.

I've written a lot of other books and this book [Tears we cannot stop] was different. I couldn't just say what I wanted to say in the same style that I said it in those other books. I felt compelled to preach.

That kind of peer learning, that peer teaching, that peer evaluation, and then administration of insight.

Black people watch more television than anybody else, which makes it legitimate to talk about television. Its anesthetizing effect has been quite real. But that concern isn't new.

What are you for? It may be, to a degree, consoling that white brothers and sisters did not vote for [Donald] Trump, and do not participate in that brand of animus, that gas-bagging of enormous bigotry.

I've been a social gospel-er and a person who sees politics as a central dynamic to the encoding of religious rhetoric.

We began to connect literacy and learning and the lively effects of biblical knowledge and preaching pretty early. That was a tremendous impact.

The problem is we are left only with empathy - which is critical, if it can be developed - without substantive manifestations of that empathy. It's one thing to attain it intellectually, but it's another thing to do something about it.

I think that Michael Jackson, just as an entertainer, as a figure who embodies the contradictions of Black identity, and the possibilities of R&B music in the '70s and '80s will continue to be one of the most recognized and formidable human beings that we've ever produced in our tradition.

What he [Michael Jackson] did was he allowed us, through his voice and his instrument, to see a glimpse of the heaven that he himself was denied. That sacrifice was the ultimate source of redemption that he gave to us.

I don't think that an emphasis on the peculiar plight of black males at all suggests that others are not suffering, or that such attention suggests that black men and women feel sorry for themselves.

I'm not trying to say stop Donald Trump from being elected as his party's nominee. I'm saying that we have a responsibility to raise our voices, to say what he does as an American citizen is pretty destructive to the practice of goodhearted and conscientious politics.

Elvis [Presley] had a stepstool, if you will, to success because he came from the dominant culture. They identified with him. Michael Jackson had to come further and go deeper into the pit of possibility of American democracy and of cultural expression.

We need all the newfangled web-based Internet spread, you know, social media that can catalyze, you know, some serious consciousness about what's going on. But we also need people on the streets pounding the pavement to make a significant and dramatic appearance to suggest that what's going on here is unacceptable.

I went to the library and began to read some stuff on my own. My discovery of James Baldwin was life-changing. I read Go Tell It on the Mountain first, and that was hugely impactful.

The demonizing of black identity is much more of a global phenomenon than many would like to admit. I've traveled abroad extensively, and it's hard to ignore the subordination of darker peoples to lighter peoples the world around.

Michael [Jackson] reconstructed his face and deconstructed the African features into a spooky European geography of fleshly possibilities, and yet what we couldn't deny, that even as his face got whiter and whiter his music got Blacker and Blacker. His soul got more deeply rooted in the existential agony and the profound social grief that Black people are heir to.

The parallels between Elvis and Michael Jackson as incredible artists is evident. But I think that where Michael Jackson even transcends Elvis Presley.

Originality doesn't consist of saying it first, originality consists of saying it in a way that is specifically tailored to the moment in which you are addressing - and at the moment when the complications arise, challenging the logic of what you're doing.

If journalism is the first draft of history, then digital literacy is the first blush of the first page of history.

Mrs. James, my fifth-grade teacher, introduced us to some of the great literature of African American culture. I won my first blue ribbon reciting the vernacular poems of Paul Lawrence Dunbar, in particular "Little Brown Baby."

I do believe that it is quite necessary for us as a people to reach back, over and down to help the less fortunate of our number.

I have written 5 books that address major figures in our culture: books on Malcolm X, Martin Luther King Jr., Tupac Shakur, Marvin Gaye and Bill Cosby. But even in the books that take up major figures, I hope to provoke conversation, insight and understanding about these personalities by providing new, fresh and vital information and analysis about them.

I think the reality is Michael Jackson's humanity is so deep, the implications and inferences of his art so monumentally and magnificently global, that nothing American television could do to besmirch his character could ever, if you will, deny the legitimate genius that he represents and America has responded, as indeed has the globe.

Blackness is not simply a reactionary title or identity; that is indeed the "negative" way of characterizing African American identity.

The demand for racial (and sexual) justice gets reduced to politics of identity - and excoriating the so-called perpetrators of the identity politics.

What the left ends up missing is that politics have always been at the heart of American culture; it's been a white identity that's been rendered invisible and neutral because it's seen as objective and universal. As a result, we don't pay attention to how whiteness is one among many racial identities, and that identity politics have been here since the get-go.

I hope [white brothers and sisters] read this book [Tears we cannot stop] and engage with it, but other white people have a better chance of speaking more directly to the white folk they know, because they're less likely to be subject to ridicule. They're insiders, so to speak.

No other group has internalized its self-hatred as much as blacks have. It would be difficult to find other groups who behave similarly in that their most esteemed members berate its poorest members.

What I'm talking about is both political and then also extra-political. Because what Donald Trump is doing is not simply to be measured in terms of its political effect. It's the very spiritual uplift of the nation. It's the very tenor and tone, morally speaking, of what this country is about. And so the unleashing of these fierce and ferocious beliefs have a potential impact that is quite deleterious, quite negative, quite destructive. And I think we have to say something.

I was born in '58, so the riot in Detroit in 1967 was a memorable introduction to the issue of race and how race made a difference in American society. And then the next year, of course, Martin Luther King Jr.'s assassination. And the Detroit Tigers winning the World Series. All of that made a huge impression on my growing mind.

..And the same rapper who revels in a woman's finely proportioned behind may also speak against racism and on behalf of the poor, even as he encourages them not to look at hip-hop as their salvation.

That is an extremely important role: how white brothers and sisters laterally spread knowledge, insight, and challenge in a way that white brothers and sisters will not hear it from a person like me, necessarily.

We come from a proud tradition of people who have insisted that none of us can be truly successful until at least the barriers to such success and thriving are completely removed. I think the black narcissism that prevails, along with the stylish materialism and self-satisfied, smug attitudes among many of our upwardly mobile brothers and sisters should be identified and criticized.

I grew up in the church and began to recite set pieces at the age of four and five, like many of the other kids.

I was trying to write a straightforward book of sociological analysis, or at least cultural criticism, and I failed.

I'm nervous about the prospects of an America that refuses to abide by its best conscience and its best lights and its best angels.

I think that he [Michael Jackson] did derive an ultimate sense of joy and satisfaction in what others enjoyed from him that was denied to himself. There's no question that the transcendent art that he created was a means, an instrument, a vehicle for others to experience what he didn't.

[The World Series] introduced me for the first time to a team with a lot of black players. Detroit had about three of them: I think it was Willie Horton, Gates Brown, and Earl Wilson - might have been one or two more in '68.

Black women must help black men understand their full potential lies not in denying black women full access to their humanity and opportunity, but in working diligently to overcome the odds that hamper our progress. Yes, some of that is self-imposed, and we must confront it; and much of it comes from outside. But without courageous and brilliant black women, our communities are greatly diminished.

I went to see Chris Rock on Saturday night here in Atlanta, and he made a statement in his comedy. He said, look, when you're the big person, when you're the rich person, poor people can say stuff about you, but it's downright wrong and brutal for rich people to beat up on poor people. He said people who are larger can lampoon people who are skinnier, but not the opposite.

Tony Morrison said, 'Can't I love what I criticize, criticize what I love.'

It's not enough to be against something.

When you saw the movie "The Curious Case of Benjamin Button," that was Michael [Jackson]'s story write large. Born as an elderly person, Benjamin Button was, in the F. Scott Fitzgerald novel and in the film starring Brad Pitt, he dies as a newborn child. Michael Jackson's childhood was one of enormous, prodigious production.He was a child prodigy, he was a wunderkind.

America certainly has made extraordinary progress. The collective unconscious of the nation has certainly shifted as a result of the civil rights movement and the developments in the '70s and '80s. We have witnessed a great expansion of the black middle class.

That is my job as an intellectual, as an extension of my vocation: to engage in a serious reckoning with the present manifestation of both white supremacy, white refusal to acknowledge culpability, and the attempts of black people to re-describe the harm and trauma we've endured, as well as to say afresh what it is that must be done if we are to be conscientious.

I grew up on the West Side - the "near West Side," [in Detroit], as they say - in what would be considered now the inner city.