Top 22 Quotes & Sayings by Michael Heizer

Explore popular quotes and sayings by an American artist Michael Heizer.
Last updated on September 19, 2024.
Michael Heizer

Michael Heizer is an American land artist specializing in large-scale and site-specific sculptures. Working largely outside the confines of the traditional art spaces of galleries and museums, Heizer has redefined sculpture in terms of size, mass, gesture, and process. A pioneer of 20th-century land art or Earthworks movement, he is widely recognized for sculptures and environmental structures made with earth-moving equipment, which he began creating in the American West in 1967. He currently lives and works in Hiko, Nevada, and New York City.

The size thing is not some gimmick or attention-getting trick but a genuine undercurrent of the work. Frank Gehry for instance likes to imagine his buildings as sculptures. I like to imagine my sculptures as architectural.
I make static art, not dynamic art. That's what I do.
I'm not a dogmatic, purist psychopath. There's an unfair image of me - mean, crazy, hostile. I'm really a very gentle person. — © Michael Heizer
I'm not a dogmatic, purist psychopath. There's an unfair image of me - mean, crazy, hostile. I'm really a very gentle person.
The type of work I like is pure and simple and profound.
Landscape to me is a planar thing, just a view. Environment is everything down to the ecosystem. Big difference.
I wasn't an academic looking in books for ideas. But I educated myself about historical work that was similar to mine, to provide a frame of reference that wasn't the usual frame of reference of the New York art world and Europe.
Artwork is not like a commercial business; there is no such thing as a schedule for art. You can't hurry art.
I come from an academic background. I wasn't raised to be into promoting myself.
I wasn't political enough to write articles about myself or go to cocktail parties, meaning that not only has my art been pirated and my intellectual property rights stolen, but my work has been misrepresented.
I think size is the most unused quotient in the sculptor's repertoire because it requires lots of commitment and time. To me it's the best tool. With size you get space and atmosphere: atmosphere becomes volume. You stand in the shape, in the zone.
I'm self-entertaining. My dialogue is with myself.
The trouble is, once you say something about a source, then you've pegged it down, and so now I'm reluctant to say anything. If I say I developed 50 different shapes from Mississippian tumuli, that doesn't mean they're copies of tumuli - I'm not ripping off those shapes.
I was taken out of school by my dad when I was 11 and lived in Mexico City, then later in Paris. I went with him to excavate in Bolivia and Peru. I never finished high school. I was a straight F student anyway. My father admitted to me later that he'd thought I would come to no good.
The history of American art, in a way, begins with Jackson Pollock and his big paintings. This theme of bigness - all painters and sculptors have dealt with it ever since.
A strong work of art really leaves people speechless. They feel a little angry because they don't understand it.
This theme of bigness — all painters and sculptors have dealt with it ever since.
Earth is the material with the most potential because it is the original source material.
I’m self-entertaining. My dialogue is with myself.
Frank Gehry for instance likes to imagine his buildings as sculptures. I like to imagine my sculptures as architectural. — © Michael Heizer
Frank Gehry for instance likes to imagine his buildings as sculptures. I like to imagine my sculptures as architectural.
I have looked at so many photographs, I can not see them anymore.
They are works of art that can be considered works of art but don't have to be in the collection of the Metropolitan Museum.
I wasn't raised to be into promoting myself.
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