Top 92 Quotes & Sayings by Michael Stipe - Page 2

To be called an elder statesman is so unbelievably insulting. Brad Pitt is exactly three years younger than me.

I went through this difficult time [in the 1984] when we were making our third record where I kind of lost my mind. That's when the bulimia kicked in. And that's when I got really freaky.

I distinctly remember a conversation with my band in the van where I was having a complete meltdown. It was 1984, I think, and I was huddled in the back corner of our van and saying, "I can't do this. I can't do this. I can't do this." I didn't want to play any more shows. I just wanted to stop.

I knew [Kurt Cobain] and his daughter. And Courtney [Love] came and stayed at my house. R.E.M. worked on two records in Seattle and Peter Buck lived next door to Kurt and Courtney. So we all knew each other. I reached out to him with that project as an attempt to prevent what was going to happen.

The artwork for the record is kind of an homage to that. It's a collage, which rhymes with homage, I just realized. It's an homage to this kind of almost like a teenager's idea of what the future might look like, if he were using a Xerox machine and cut-and-pasting it together. Which is exactly what we did to come up with the artwork.

I was vulnerable every day. Every night that I stepped on stage I was laying myself open.

By the time I was 18, I had absorbed punk rock from America, Britain, and the West Coast. All of it was so dark and weird and different and cool and hot and sexy and rebellious. It was a fist-in-the-air kind of rebellion that I wasn't getting from the '70s mainstream.

The whole punk ethic was do-it-yourself, and I've always been very literal, especially as a kid. When they said that anybody can do this, I was like, 'OK, that's me.'

Everybody hurts sometimes Everybody cries

AIDS had landed and I was terrified. I was very scared, just as everyone was in the '80s. It was really hard to be sexually active and to sleep with men and with women and not feel you had a responsibility in terms of having safe sex.

We're kind of an international phenomenon.

They spoke truth and a lot of people listened.... that voice, Kurt we miss you.

For me, as a music fan, visuals kind of steal away the purity of the song. My instinct is not to provide a visual to go with a piece of music. But here's MTV. It's really powerful.

[Columbia House] magazines were how I found out about the punk world going on in New York. Because of what I read, at the age of 15, I hounded the local record store to order a copy of Horses [1975] for me by Patti Smith.

I don't find R.E.M. to be nihilistic. There is a constant undertone of joyous optimism. I'm not going to kill myself to Patti Smith or R.E.M.

I was born in Georgia. That's where my grandparents-and all my people-are from. But my family traveled a great deal because my dad was in the army as a helicopter pilot.

Punk-rock records came out and you bought whatever you could find. But Devo didn't happen for another three years. Sex Pistols didn't tour the States until '78. At that time, for me, it was really about CBGB, Patti Smith, Talking Heads, the Ramones, and Television.

I started lip-synching with "Losing My Religion." There were a few horrendous mistakes we made, but I own those mistakes. I'm embarrassed by them. I always say when I look back at anything I've ever done, it's with equal dollops of humiliation and triumphant glory.

At the [teenage] time, I did have an inkling of my sexuality. And I had an inkling that I was different from other people in ways beyond my sexuality. But I didn't get into music because I thought, Oh, these people will understand me.

By the time [of modern] generation was coming of age sexually, there was already this idea of safe sex. But that didn't exist for me. I came out of the free-swinging '60s and '70s. It was free love, baby. That was it. We had very liberal sex-ed classes in 1973, a yearlong environmental science class, and then Women's Lib and Gay Liberation. So it's insane to go from that to Reagan and AIDS. It was like, "What happened? Where's my future?"

I came to New York for the first time with Peter Buck at age 19. We spent a week living out of a van on the street in front of a club in the West 60s called Hurrah. It's where Pylon played. I saw Klaus Nomi play there. And Michael Gira's band before he did Swans-they all wore cowboy boots and were so cool and had great hair. I was so jealous.

Anything you do as a group is fraught with compromise... But everyone 's got to do that, right? It's part of being a good parent, or a good boyfriend, whatever.

I'm kind of quoting Thurston [Moore] and Kim [Gordon] in saying that about not being great with addicts, because they are the ones who said it to me.

I'm afraid of everything. I'm not a naturally courageous person.

I think my apocalyptic feelings went deeper than [heavily influenced by Reagan and AIDS]. I'm really at peace with how afraid I am.

Our generation was supposed to be about trying to deal with nuclear concerns and environmental disasters.

I simply constructed a project to try to snap Kurt [Cobain] out of a frame of mind. I sent him a plane ticket and a driver, and he tacked the plane ticket to the wall in the bedroom and the driver sat outside the house for 10 hours. Kurt wouldn't come out and wouldn't answer the phone.

It was '86. We were a big enough name and we had enough cache that MTV wanted to play us, so, along with Michael Jackson and Madonna, they played our upside-down, black-and-white, backward, single unedited footage of a rock quarry with orange letters over the top of it and called it art.

Frankly I'm not great with heroin addicts. I tried heroin, but it was by accident. I'm not great with that level of substance abuse.

In fact, a lot of critics seemed to consider R.E.M. the first American music since the '60s to break out on its own and develop a stand-alone sound.

We don't get groupies.We get teenagers who want to read us their poetry.

The song "Sing for the Submarine" presents my dream world, which is way different from my waking world. It's set in the future and it's post-apocalyptic.