Explore popular quotes and sayings by an English singer Mick Hucknall.
Last updated on April 14, 2025.
Michael James Hucknall is an English singer and songwriter. Hucknall achieved international fame in the 1980s as the lead singer and songwriter of the soul-influenced pop band Simply Red, with whom he enjoyed a 25-year career and sold over 50 million albums. Hucknall was described by Australian music magazine Rhythms as "one of the truly great blue-eyed soul singers", while Q credited him with "the most prodigious voice this side of Motown".
My dad knew I was mad about music. While he worked as a barber he would hear songs on the radio and we'd have endless discussions about them. So I got my first record player when I was 11 years old.
Whatever I do winds people up. I've been tattooed with every one of those criticisms.
Privatization of utilities costs would be astronomical, as would setting up a National Bank.
At art school, a teacher said: 'The best paintings are when you get lost in a piece of work and start painting in a stream of consciousness.' I wanted to do music, not art, so started writing lyrics that way. The first song I wrote was called 'Ice Cream and Wafers.' The next was 'Holding Back the Years.'
I'm a troublemaker.
I am a 'champagne socialist,' and I'm proud of it.
I first sang 'Holding Back the Years' in my earliest band, Frantic Elevators. When the Elevators split and I started Simply Red, I returned to the song and wrote the 'I'll keep holding on' chorus.
Corbyn Labour's budget numbers simply don't add up on the NHS and the economy.
I have sensitive skin, so if I shave every day, I go blotchy. I tend to shave and leave it a couple of days. Then a couple of days becomes a week, I look up and I've grown a beard.
You're damn right I'm comfortable, I've worked very hard to be comfortable. But something I've always tried to impress upon people is that these folks in the houses of parliament affect what's in your wage packet, the welfare of your kids, your health. Why wouldn't we be interested in it?
I first heard Miles Davis as a student, when I was struck by his extraordinary musicianship, and his work did affect some of the sounds of Simply Red. He was one of the reasons I chose to have a muted trumpet on 'Holding Back the Years.'
Around 1988 I started to 'dread' my hair; because it's curly, it would go into dreads naturally if I stopped combing it. But the dreads went down only one side, so I had to have extensions put in.
Strong copyright protection is not only compatible with future digital business models: it is an essential pre-condition of their success.
Whatever the means of delivery, whatever the technological and corporate structures, music will always be about groups of talented individual performers communicating emotionally with individual fans.
People always tell me that redheads go silver. Long, silver-grey hair would be my ideal way of ageing.
I loved the African-American culture, but racism was still a big problem and white America was exactly what I didn't love.
I am one of the best singer-songwriters this country has produced. Ever.
The way I'm distorted and intentionally misquoted has been going on since 1985.
I'm quite happy being famous for what I do but I'm not happy about being famous for the sake of being famous.
A red-headed man is not generally considered to be a sexual icon.
People strive for success, but it's very lonely at the top. Now I realise the ultimate prize is a family.
As I've gotten older I've got more bass in my voice but also because I don't talk very much during the day I've managed to keep my voice in good condition.
I just want to write songs in my little corner. And I still love music, I've not been worn down by cynicism.
I actually felt sorry for Liverpool bands like Bunnymen and Wah!, having this immense pressure of following the Beatles. I suppose I responded to that challenge by being nothing like them. I carved my own thing.
I wish I had known my mother, but I've only met her twice. I can only figure about people who were there for me and she wasn't.
My long-term girlfriends have always had something special about them.
I feel enormously privileged to be part of the generation that witnessed the magic of the Beatles first hand, and I think 'A Hard Day's Night' connected with my four-year-old self because it was the whole package: an album and a movie.
The Beatles and the Stones had Elvis and Hollywood, but when it came to my generation America meant Richard Nixon and Vietnam.
I don't want to be a slave to commercial success any more.
I've read some amazingly derogatory things about me over the years and I've sat there and thought: if you replaced 'ginger' with 'black' or even 'Asian,' you'd be up in front of a judge.
I feel a bit like the antichrist as I had the bulk of my success in the 80s and I hate 80s music.
I like good food and I've always had a very natural empathy with women.
Tom Jones told me only a few singers have got the pipes, and he's right. He has. Sinatra did. I have.
Being abandoned by my mother gives me a sense of insecurity that I will never recover from. I have to try and recreate that balance by trying to create a sense of self-worth. And yes, being on stage is a part of that.
I knew I was famous the day I played football with mates in L.A. I scored a goal and Rod Stewart jumped on top of me. I thought: 'I had a poster of you on my wall when I was 12.'
Otis Redding was the ultimate 60s soul singer. We only get an indication of what he might have become, but he had the best soul pipes a lad could wish for.
I always used to listen to quite a bit of classical music because my dad liked it, and if you've got any ear for music at all you have to enjoy Mozart.
Allowing valuable sound recordings to pass into the public domain does not create a public asset: it represents a massive destruction of U.K. wealth and a significant loss to the U.K. taxpayer.
I had a spate of being run over between the ages of 11 and 13. I was quite a rambunctious child, I had a little moped I used to ride illegally. I got hit by cars three times because I was a very day-dreamy kid.
Copyright is fundamentally socialist - it is radical and redistributive, subversive even. How else would you describe a form of property that anyone can create out of nothing?
In January 1999, I proposed an initiative to the Music Industry Forum which I called Communities In Tune. Its aim was to bring community centres to the Internet generation.
The reason I'm uncomfortable with celebrity and don't care about it is that none of that matters. I think that's why people attack me and think I'm arrogant. I've never felt the need to justify myself. If I make good music, that music will do the job for me, even when I'm dead and gone.
A Hard Day's Night' is the most perfect pop album you'll ever get to hear in your life; it's filled with definitive versions of the two-minute pop song.
Fatherhood has changed me completely.
Money's Too Tight to Mention' was about as big an anti-Thatcherite message as you can get in pop music. There was a vast swath of the British media at that time that were rabid Thatcherites; do you think they are going to take kindly to me? Then I got hit by the left, because we were too popular.
I have great memories of my time at Manchester Poly. I still enjoy DJing from time to time.
Tony Blair's a friend.
Comfortable and political can go together quite well.
I've got one of those heart-shaped faces and I take weight on my cheeks and jowls and gut, so in pictures I look much heavier than I actually am.
I wanted love from every single woman on the planet because I didn't have my mother's love.
I love quality drinks - a really good beer, or a great wine.
Copyright's democratising effect is seen most clearly in the music business. Anyone who can speak, sing, rap or hum and operate a simple sound recorder can create a copyright song. Imagination is the only limit.
My mum left when I was three and my dad never remarried.
People are racist about redheads in a way they'd never dare to be about black or Asian people.
For some, music is a limitless source of cheap content, just waiting to be exploited.
Copyright promotes artistic creativity and the free circulation of ideas.
To properly fund the NHS, we must ALL chip in. As a fully paid U.K. tax resident since 1985, I'd be proud to contribute to that.
When we treat music as an industrial commodity, and young people as merely consumers, we overlook the joy of participating in music... of learning to play an instrument, of joining a band or an orchestra, and playing gigs.
I'm from the punk generation, but I make romantic, soft soul music. I like the bizarre disconnect of that but, clearly, some people don't.
I keep reading that I'm diminutive - why do people call me that? I'm 5ft 11in with size 11 feet. I'd actually like smaller feet. It might be a fetish, but I do like graceful feet, and small ones lend themselves to grace.