Top 100 Quotes & Sayings by Mike Will Made It - Page 2

Future was always the person to knock out multiple bangers in one night.

When I do music I don't think about urban music, pop or country, I just think about a good song.

At the beginning of my career before anything started propelling, I used to blow up everybody. I was trying to work with whoever got next.

If you're a super-producer, you can produce whatever you want to produce. That's where I'm at.

Future is my brother. He has no idea how big what he does is.

A lot of people slept on Rae Sremmurd.

I don't sleep.

I'm so into making music and being behind the scenes. I'm such a visionary person that I don't see myself being the person in front of the camera or the person in front of the mic.

It started off with me being all the way influenced by Atlanta and southern music but I knew my sound had to grow - I started learning melodies.

Matter fact, my girl complains about how much I'm in the studio working. But she sees the results as they roll out.

Kanye is one of my favorite producers and artists.

I really believed in 2 Chainz, I really believed in Future, and I was going to the studio with them every single day.

I love Atlanta.

I'm just trying to bring the sound from Atlanta over to the mainstream radio in a way that everybody can enjoy.

When you're on top, you're going to get flack for anything.

I can work with all these different kinds of artists and still be able to come up with huge records. Not just cool records, but game-changing records.

I used to grind. I be telling people, you don't grind, you don't sell. I was like 15, 16 getting dropped off in the city by myself, with my own beat CDs.

With Yo Gotti 'Rack It Up,' that was him hitting me like, bro, I'm about to put out a single next month, I want you to produce it.

When I tried to send him beats in 2010, he told me I was too expensive for him. I told Future we had to work together, that it would be beneficial for both of us, that we didn't have to worry about the money.

I'm creative so I'm always gonna create.

I want to make sure that I sign dope artists, old and new, just to make sure that we come up with something new and creative.

Sometimes I feel like I represent for the misunderstood.

It doesn't matter if it's platinum or 10-times platinum - it's a certification that lets me know that I'm not wasting my time in the studio. That being said, I don't let those certifications run my life.

The 'trap' sound is a sound from the city. We've always liked music with bass. We've always liked old schools with big speakers in the trunks. We like our music loud. We've always had a nightlife scene in Atlanta.

Tupac Back' was the first single I had, but prior to that I already had 20-something songs in the street.

At the end of the day, I was listening to the big homies and they were saying, 'Yo, man, you got talent, man, stay off the streets.'

It's like I have three different brains.

I first heard Trouble in 2008. At that time I was on my grind, trying to work with all the next-up artists. I had sent him a couple beats; he had done a couple songs. We was always around the same age.

Yeah, I co-directed '23.' Yeah, the whole concept of the video... Even with that video, I feel like it's not a video that you can get sick of. You can always go back and watch that and it's fresh.

Those are two artists that I worked with real closely. Me and Miley are real close, me and Future are real close.

I'm just trying to follow the footsteps of God. I don't question him. Just keep moving. He never fails. He always amazes me. It's like, damn, the sky isn't the limit.

I'm not really the type that likes to put out a project just to say I've put it out - I like to make them count.

I like everything rare - cars, shoes, clothes.

We Can't Stop' - everyone said that it wasn't going to work on pop radio, because it didn't have an EDM-type beat. But it went to No. 2 on Billboard and No. 1 on iTunes.

A Red camera is the best. When I started shooting videos, I had to pay ten thousand dollars just to rent one. I was like, 'I do all these music videos, and I still don't own a Red camera?' So I spent about a hundred thousand dollars to buy one. My own bread. Boom!

If I get a Grammy, that would be dope.

I used to listen to songs on the radio and play that junk back on that little keyboard.

Miley Cyrus is the new Madonna.

I don't want to be on the mic, man. I want to stay producing.

I'm looking at EarDrummers like a boutique label, like an Interscope or a Def Jam.