Explore popular quotes and sayings by an American designer Milton Glaser.
Last updated on December 21, 2024.
Milton Glaser was an American graphic designer. His most notable designs include the I Love New York logo, a 1966 poster for Bob Dylan, and the logos for DC Comics, Stony Brook University and Brooklyn Brewery. In 1954, he also co-founded Push Pin Studios, co-founded New York magazine with Clay Felker, and established Milton Glaser, Inc. In 1969, he produced and designed "Short Subject", commonly known as "Mickey Mouse in Vietnam", a short 16mm antiwar film directed by Whitney Lee Savage. His artwork has been featured in exhibits, and placed in permanent collections in many museums worldwide. Throughout his long career, he designed many posters, publications and architectural designs. He received many awards for his work, including the National Medal of the Arts award from President Barack Obama in 2009 and was the first graphic designer to receive this award.
I've been a printmaker and designed objects. I've done 500 posters.
The real issue is not talent as an independent element, but talent in relationship to will, desire, and persistence. Talent without these things vanishes and even modest talent with those characteristics grows.
I have been an art director, a book designer, a book-jacket designer and an interior designer.
I do virtually nothing except my work. No hobbies.
Color is so intuitive.
We're very good in America at talking about stuff, often stuff to buy. We tend to talk about our iPods. We tend to talk about cars or new fads.
Computers are to design as microwaves are to cooking.
If we don't have a vigorous questioning, aggressive journalistic community and mythology, democracy itself is in great jeopardy.
To design is to communicate clearly by whatever means you can control or master.
I do not want to say I'm a product designer. I've been trying all my life to not be categorized, to learn something and then to forget about it.
All the things you're not supposed to do at the beginning of your professional life - transgressiveness, arbitrariness and violating expectations - you find more attractive at the end of your professional life.
The next time you see a 16-color, blind-embossed, gold-stamped, die-cut, elaborately folded and bound job, printed on handmade paper, see if it isn't a mediocre idea trying to pass for something else.
Less isn't more; just enough is more.
Certainty is a closing of the mind. To create something new you must have doubt.
What I feel fortunate about is that I'm still astonished, that things still amaze me. And I think that that's the great benefit of being in the arts, where the possibility for learning never disappears, where you basically have to admit you never learn it.
Everyone interested in licensing our field might note that the reason licensing has been invented is to protect the public, not designers or clients. 'Do no harm' is an admonition to doctors concerning their relationship to their patients, not to their fellow practitioners or the drug companies. If we were licensed, telling the truth might become more central to what we do.
The idea of trying able to explain why you do what you do is absurd.
In an age of computer manipulation, surrealism has become banal, a shadow of its former self.