Top 98 Quotes & Sayings by Naomi Watts
Explore popular quotes and sayings by an English actress Naomi Watts.
Last updated on December 23, 2024.
It's always nerve-racking to take off your clothes on film. But doing it with a woman felt safer than with a man. You know you can say, 'Don't grab me there: That's where my cellulite is'!
As much as my kids keep me young, they also have the reverse effect when I don't have the energy.
There's so much focus on celebrity these days; we're in the Kardashian era, and it's slightly scary.
When I was about 14, my family emigrated from England to Australia, and we decided to stop in Bali on the way through.
Of course, I want to look the best I can, but I am playing characters that should match my age, and the women and the material that I am interested in are usually going through something. I have to be able to live in my face and tell the story of the character I've taken on.
The biggest place I look for validation is from my mother. That's the little girl in me that will never grow up.
If I have to produce movies, direct movies, whatever to change the way Hollywood treats older women, I'll do it. If I have to bend the rules, I will. If I have to break them, I will.
I know it's silly, but I still think I'm 28.
I'm not sure why I still think of myself as 28 - maybe that's the point where you start growing up, and then you just feel the same for evermore.
Whenever I am in Paris, all I want to do is inhale a big plate of cheese. And in New York, my favourite thing is a toasted bagel with cream cheese. Not only do I not avoid carbs, I more or less have them in every meal. When I start denying myself foods, that's when I crave them.
I'm not this dark, twisted person. Yes, I have my demons and this is my way of exorcising them. It gets them out - and better out than in.
We're so afraid of death in our culture, but I think if we understand it better, then we'll appreciate the life we have more.
Mum put me in drama classes when I was about 14. I'd been going on about it for some time, so maybe it was a way to shut me up.
I think it's good to explore it. I don't feel bad about that... I mean, I think everyone has a sense of - has a dark side, has a - carries some sort of pain with them. And I find it fun to crack it open and go there.
You won't find me in a romantic comedy. Those movies don't speak to me. People don't come to talk to me about those scripts, because they probably think I'm this dark, twisted, miserable person.
I had gotten to a place where I truly believed everything I was called: 'not sexy,' 'not funny,' 'too intense,' desperate.' All those labels they gave me, I took them because there wasn't a trace of my true self left.
I wish I'd started having kids sooner so I could have had a few more.
Parisian women have an inner elegance that's envied the world over. They are so relaxed about ageing and seem to acquire more charisma and beauty with time. Who wouldn't want to be like them? That's the trick - to embrace the natural progression of life and to be confident.
On set is where I feel comfortable. The red carpet stuff, talking about the film, explaining your own life, it doesn't come naturally. It's all necessary stuff I suppose but it's not my strength.
Women in their 40s have gone through quite a few different things, and so the roles are going to reflect that. People say, 'Oh, it's done by 40,' and now everyone knows it's not. I actually feel like the roles are a lot more interesting.
The use of violence in movies is a subject that's worth addressing. I'm not standing on a soapbox or wagging a finger, but I'm interested in those subjects for sure.
Directors are our teachers, and I'm always craving to work with a great director. They're pretty much the first thing that interests me about a project. Let's put it this way: It'll take me a lot longer to read a script if there's no director attached.
I can't see the film industry coming to a grinding halt any time soon. I think we may be more open to negotiations and things like that, but I think the art world tends to thrive in times of recession.
I actually have a fear of the water because I nearly drowned. I got caught in a rip tide, and I wasn't a good swimmer because that was when I was emigrating from England to Australia.
Oh, I'm definitely a wild child.
I hate diets. Restriction makes me feel rebellious. I find that I look my best when I feel my best, whatever that takes. For me, above all else, it means being around the people I want to be with.
Personally I feel, for me, it's tough to do Botox - but it's also tough not to! Sometimes, I think I need the help. Whatever anyone else chooses is fine with me - no judgment.
Pain is such an important thing in life. I think that as an artist you have to experience suffering.
There's a set of rules out there somewhere that says it all ends by 40. I hope to be able to defy that because I truly love my work.
As you get older, you overthink and can talk yourself out of anything. It's good to be a bit reckless and experimental.
I'm a tomboy now. I always wanted to fit in with my brother's group, so I climbed trees and played with lead soldiers. But I'm a woman's woman. I never understood women who don't have woman friends.
Some movies are the kind you take home with you at the end of the day, and some, you can let go.
That's one of the lucky things about getting the success later on. I know how I want to dress, I know what kind of house I want to live in, I just know more about myself, and that's true about the roles I want to play and what parts of myself I want to express. You're just more in touch with yourself.
There's a lot of skeletons in my closet, but I know what they're wearing. I'm not gonna act all ashamed of it.
I find myself gravitating towards drama. It interests me. In the books I read, the paintings I like, it's always the darker stuff.
Whatever is said about roles drying up, I intend to keep working. Certainly now the roles couldn't be more interesting - playing mothers, divorcees. I think it's going to be exciting to play a mother of teenagers. The longer your life, the deeper it gets.
There are no tricks to balancing work and family. It is a struggle all the time, and you just do your best. I think men are much better at compartmentalising.
Whenever a film allows you to think and feel and take it beyond the moment, I think it's achieved something. And 'Funny Games' does that.
You have to make peace with yourself. The key is to find the harmony in what you have.
When I had dark hair I definitely felt that I was more anonymous.
There must be a thread in everything I choose to take on, and I can't say it's a calculated thread, but I think you end up doing the work that's resonating with you.
There was a time I was very much blaming the way I felt on L.A, that it was a vacuum of creativity, of humor or anything organic, and I was really angry at the place. But then today I feel completely different - I love L.A.!
Maybe in the workplace I have more courage than other areas in my life.
I always love being in the company of women. It's all about good conversation and great wine.
It was total naivety that got me to Hollywood. I thought it was going to happen straight away. I told myself 'give it 5 years, there's no way I'll be here after that if it doesn't happen'. Cut to ten years later!
Now that I have kids, I don't want to do so many daredevily things anymore.
I think I have better taste now than I did then.
I feel like personally I have more drive now than I did then probably because I care more and also because I've reached the mid-life point.
Never say never - and I certainly don't judge anyone who does it. But most of the characters I play are going through some kind of emotional turmoil, so my job requires me to have expression. If my face was froze, what right do I have to play that part? All the women who haven't done anything to their faces are still able to play great roles. And some of the ones who have done something have messed it up - they look freakish. Anyway, for me it's about playing women with rich lives - and the longer the life, the deeper the wrinkles.
Since I had children I have taken huge amounts of time off. In a way it's a really good thing, in this show business especially, to have lots of private time, having lots of time to be in the world to observe people and read and take care of my kids helps me to come back into work with a thrill.
I'm not happy unless I've got a little bit of fear going.
If we could just trust the moment that we're in and live it in the way that you best can embrace it, it would be much better for all of us.
I think film is a director's medium and the good filmmakers that I like tell the darker stories. Therefore, I'm always inclined to follow people like David Cronenberg.
I love being outside with trees and water, lying down somewhere or walking. I do transcendental meditation, which keeps me calm and steady.
Sometimes they come to you and it's a small role, so it's about the experience and the journey and mixing with people you know you will learn from. Or sometimes it's a scene in a movie that you think, 'I just have to play this person.'
My mum put me in drama classes when I was about 14. I'd been going on about it for some time, so maybe it was a way to shut me up.
Hotels are temporary people storage, no matter how big the boxes are. Remember that.
The thing that I love about acting is the fact that I can help people feel things, know themselves or feel less alone. It's my form of expression, in the same way that someone might paint a picture or sing a song in that you're hoping that it moves somebody outside of their own way of thinking.
We're all the same, we all think its better somewhere else; its better being older if you're younger - or its better being younger when we're older.
What you want, as an actor, is a great leader. I can't bear it when I work with a director who is wishy-washy and says, "What did you think?"
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