Top 97 Quotes & Sayings by Nicholson Baker

I keep thinking I'll enjoy suspense novels, and sometimes I do. I've read about 20 Dick Francis novels.

Spoon the sauce over the ice cream. It will harden. This is what you have been working for.

It's true that I don't rearrange that much in the fiction, but I feel if you change even one name or the order of one event then you have to call it fiction or you get all the credits of non-fiction without paying the price.

I don't do all that well in the writerly world. I'm happier being outside the flow.

Haven't you felt a peculiar sort of worry about the chair in your living room that no one sits in?

When I really want to be soothed and reminded of why people bother to fiddle with sentences, I often read poetry.

Wikipedia flourished partly because it was a shrine to altruism.

Printed books usually outlive bookstores and the publishers who brought them out. They sit around, demanding nothing, for decades. That's one of their nicest qualities - their brute persistence.

I'm often called obsessive, but I don't think I am any more than anyone else.

The great thing about novels is that you can be as unshy as you want to be. I'm very polite in person. I don't want to talk about startling or upsetting things with people.

The music wasn't going to happen, and I realized I had read so little. I didn't know my way around any century. I was very under read.

Wikipedia is just an incredible thing. It is fact-encirclingly huge, and it is idiosyncratic, careful, messy, funny, shocking and full of simmering controversies - and it is free, and it is fast.

While I was writing I assumed it would be published under a pseudonym, and that liberated me: what I wrote was exactly what I wanted to read.

Shoes are the first adult machines we are given to master.

That was the problem with reading: you always had to pick up again at the very thing that had made you stop reading the day before.

For me, as a beginning novelist, all other living writers form a control group for whom the world is a placebo.

I like shelves full of books in a library, but if all books become electronic, the task of big research libraries remains the same - keep what's published in the form in which it appeared.

Maybe the Kindle was the Bowflex of bookishness: something expensive that, when you commit to it, forces you to do more of whatever it is you think you should be doing more of.

From my music training, I knew that, some Spanish rhythms apart, 5/4 is a time signature used only in the modern era. Holst's Mars from the Planets is 5/4. But if you speak lines of poetry in that pattern you just end up hitting the off-beats. It's only when you add a rest - a sixth beat - that it sounds as it surely should sound.

Many good poets are really essayists who write very short essays.

One's head is finite. You pour more and more things into it - surnames, chronologies, affiliations - and it packs them away in its tunnels, and eventually you find that you have a book about something that you publish.

I've never been a fast reader. I'm fickle; I don't finish books I start; I put a book aside for five, ten years and then take it up again.

True, the name of the product wasn't so great. Kindle? It was cute and sinister at the same time - worse than Edsel, or Probe, or Microsoft's Bob. But one forgives a bad name. One even comes to be fond of a bad name, if the product itself is delightful.

Until a friend or relative has applied a particular proverb to your own life, or until you've watched him apply the proverb to his own life, it has no power to sway you.

I no longer want to live in an apartment furnished with forklifts and backhoes.

I really practiced hard and got to a certain level of technical proficiency. I overcame some of my limitations. I was a hard-working, dedicated bassoonist, but I have to say I'm not a natural musician.

I think I am done with Wikipedia for the time being. But I have a secret hope. Someone recently proposed a Wikimorgue - a bin of broken dreams where all rejects could still be read, as long as they weren't libelous or otherwise illegal.

First, if you love the Kindle and it works for you, it isn't problematic, and you should ignore all my criticisms and read the way you want to read.

I hadn't played any music since freshman year of college, more than thirty years ago, so I had to relearn everything. I started writing songs. Some were dance and trance songs (I listen to them a lot while I'm writing), and some were love songs, because that after all is what music is about - dancing and trancing and love and love's setbacks.

E.B. White's essays are the best things I've read about Maine - especially the one in which he's not sure if he can go out sailing any more in his sloop.

I ordered a Kindle 2 from Amazon. How could I not? There were banner ads for it all over the Web. Whenever I went to the Amazon Web site, I was urged to buy one.

The nice thing about a protest song is that it takes the complaint, the fussing, the finger-pointing, and gives it an added component of sociable harmony.

So I really began as a failed poet - although when I first wanted to be a writer, I learned to write prose by reading poetry.

You can register a political objection in a number of ways.

I was very shy and somewhat awkward. I studied too hard. And to have this exciting dorm life was a whole new thing.

Rarely do pens go dry in restaurants.

I blush easily. I have difficulty meeting people's eye, difficulty with public speaking, the normal afflictions of the shy, but not to a paralysing degree.

I've always thought of myself as shy.

There's a time and place for the Kindle, and I own one now and have books on it that I don't otherwise have. But I don't find that my hand reaches out for it the way it does for a trade paperback, or (in the middle of the night) for the iPod Touch.

Of course, individuals are responsible for individual actions - the pilots who flew over Pearl Harbor and dropped bombs on those ships did a terrible thing as part of an attack on a military base.

The function of a great library is to store obscure books.

But spending your life concentrating on death is like watching a whole movie and thinking only about the credits that are going to roll at the end. It’s a mistake of emphasis.

I would like to visit the factory that makes train horns, and ask them how they are able to arrive at that chord of eternal mournfulness. Is it deliberately sad? Are the horns saying, Be careful, stay away from this train or it will run you over and then people will grieve, and their grief will be as the inconsolable wail of this horn through the night? The out-of-tuneness of the triad is part of its beauty.

I certainly felt I had an idea of World War II, and it's probably the idea that many people share: there was this insane aggressor, and there was really only one way to proceed in resisting him. What I didn't realize is that there were many voices belonging to reasonable, interesting, complicated people who had a different way of interpreting the possible responses to the Hitlerian menace.

Each decision - to kill, to sign a petition, to write a letter, to make a speech, to attack, to lie, to surrender - was made at some point in somebody's day.

Books: a beautifully browsable invention that needs no electricity and exists in a readable form no matter what happens.

Poetry is prose in slow motion.

Just as the people who lived through the Second World War thought different things on different days, I think everybody who goes through that period carefully now thinks different things on different days.

I wanted to apprentice myself to the dailiness of the war's beginning phase. It's truer and more frightening that way - when you're afloat on a little dingy in the midst of it all.

The job of the novel is to be true to the confusion, but not so confusing that you turn the reader off.

Footnotes are the finer-suckered surfaces that allow testicular paragraphs to hold fast to the wider reality of the library.

Friends, both the imaginary ones you build for yourself out of phrases taken from a living writer, or real ones from college, and relatives, despite all the waste of ceremony and fakery and the fact that out of an hour of conversation you may have only five minutes in which the old entente reappears, are the only real means for foreign ideas to enter your brain.

History isn't a seesaw. If you have a really bad regime on one side, the actions on the other side don't automatically become good. It doesn't work that way.

I woke up thinking a very pleasant thought. There is lots left in the world to read.

There is no good word for stomach; just as there is no good word for girlfriend. Stomach is to girlfriend as belly is to lover, and as abdomen is to consort, and as middle is to petite amie.

Some after-the-fact storytelling is inevitable, and, in fact, very good and useful. But then we want always to be able to enrich the stories, or maybe change the stories with a fresh infusion of specificity.

I wanted my first novel to be a veritable infarct of narrative cloggers-the trick being to feel your way through each clog by blowing it up until its obstructiveness finally reveals not blank mass but unlooked-for seepage points of passage.

Most writers are secretly worried that they're not really writers. That it's all been happenstance, something came together randomly, the letters came together, and they won't coalesce ever again.

You can tell it's a poem because it's swimming in a little gel pack of white space. That shows it's a poem.

There's something paralyzing about being a writer that you have to escape. I don't want to think of myself as a guy who's written a bunch of books. The 26 letters distance us from our own hesitations and they make us sound as if we know what we're doing. We know grammar, we know prose, but actually we're all just struggling in the dark, really.