Top 331 Quotes & Sayings by Nick Hornby - Page 3

Explore popular quotes and sayings by an English writer Nick Hornby.
Last updated on December 23, 2024.
Most people have a rope that ties them to someone, and that rope can be short or it can be long. (Be long. Belong. Get it?) You don't know how long, though. It's not your choice.
You don't ask people with knives in their stomachs what would make them happy; happiness is no longer the point. It's all about survival; it's all about whether you pull the knife out and bleed to death or keep it in.
I lost the plot for a while then. And I lost the subplot, the script, the soundtrack, the intermission, my popcorn, the credits, and the exit sign. — © Nick Hornby
I lost the plot for a while then. And I lost the subplot, the script, the soundtrack, the intermission, my popcorn, the credits, and the exit sign.
I can see that now. I can see everything once it’s already happened — I’m very good at the past. It’s the present I can’t understand.
Did I do and say these things? Yes, I did. Are there any mitigating circumstances? Not really, unless any circumstances {in other words, context) can be regarded as mitigating. And before you judge, although you have probably already done so, go away and write down the four worst things you have done to a partner, even if - especially if - your partner doesn't know about them. Don't dress things up, or try to explain them; just write them down, in a list, in the plainest language possible. Finished? Ok, so who's the arsehole now?
It's brilliant, being depressed; you can behave as badly as you like.
Love, it turns out, is as undemocratic as money, so it accumulates around people who have plenty of it already: the sane, the healthy, the lovable.
Over the last couple of years, the photos of me when I was a kid... well, they've started to give me a little pang or something - not unhappiness, exactly, but some kind of quiet, deep regret... I keep wanting to apologize to the little guy: "I'm sorry, I've let you down. I was the person who was supposed to look after you, but I blew it: I made wrong decisions at bad times, and I turned you into me.
The trouble with history is that there are too many people involved
The artistic temperament is particularly unhelpful if it is just that, with no end product.
Books are, let's face it, better than everything else.
I have less time, less tolerance for bullshit, more interest in good taste, more confidence in my own judgement. The culture with which I surround myself is a reflection of my personality and the circumstances of my life, which is in part how it should be.
And mostly all I have to say about these songs is that I love them, and want to sing along to them, and force other people to listen to them, and get cross when these other people don't like them as much as I do.
I don't want anyone writing in to point out that I spend too much money on books, many of which I will never read. I know that already. I certainly intend to read all of them, more or less. My intentions are good. Anyway, it's my money. And I'll bet you do it too.
It's just that romance, with its dips and turns and glooms and highs, its swoops and swoons and blues, is a natural metaphor for music itself
I don't even feel as if I'm the center of my own world, so how am I supposed to feel as though I'm the center of anyone else's?
It's often the way that people who take their work seriously laugh at stupid jokes; it's as if they are under-humored and, as a consequence, suffer from premature laugh-ejaculation.
For alarmingly large chunks of an average day, I am a moron. — © Nick Hornby
For alarmingly large chunks of an average day, I am a moron.
Because music, like color, or a cloud, is neither intelligent nor unintelligent - it just is. The chord, the simplest building block for even the tritest, silliest chart song, is a beautiful, perfect, mysterious thing, and when an ill-read, uneducated, uncultured, emotionally illiterate boor puts a couple of them together, he has every chance of creating something wonderful and powerful. All I ask of music is that is sounds good.
I'm a good person. In most ways. But I'm beginning to think that being a good person in most ways doesn't count for anything very much, if you're a bad person in one way.
The plain state of being human is dramatic enough for anyone
We all spend so much time not saying what we want, because we know we can't have it. And because it sounds ungracious, or ungrateful, or disloyal, or childish, or banal. Or because we're so desperate to pretend that things are OK, really, that confessing to ourselves they're not looks like a bad move. Go on, say what you want. ... Whatever it is, say it to yourself. The truth will set you free. Either that or it'll get you a punch in the nose. Surviving in whatever life you're living means lying, and lying corrodes the soul, so take a break from the lies for just one minute.
Is it wrong, wanting to be at home with your record collection? It's not like collecting records is like collecting stamps, or beermats, or antique thimbles. There's a whole world in here, a nicer, dirtier, more violent, more peaceful, more colorful, sleazier, more dangerous, more loving world than the world I live in; there is history, and geography, and poetry, and countless other things I should have studied at school, including music.
It's not what you like but what you are like that's important.
But the internet had changed everything: nobody was forgotten anymore.
One thing about great art: it made you love people more, forgive them their petty transgressions. It worked in the way that religion was supposed to, if you thought about it.
The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.
Look at all the things that can go wrong for men. There’s the nothing-happening-at-all problem, the too-much-happening-too-soon problem, the dismal-droop-after-a-promising-beginning problem; there’s the size-doesn’t-matter-except-in-my-case problem, the failing-to-deliver-the-goods problem…and what do women have to worry about? A handful of cellulite? Join the club. A spot of I-wonder-how-I-rank? Ditto.
Being a reader is sort of like being president, except reading involves fewer state dinners, usually. You have this agenda you want to get through, but you get distracted by life events, e.g., books arriving in the mail/World War III, and you are temporarily deflected from your chosen path.
We had no irony when it came to girls, though. There was just no time to develop it. One moment they weren't there, not in any form that interested us, anyway, and the next you couldn't miss them; they were everywhere, all over the place. One moment you wanted to clonk them on the head for being your sister, or someone else's sister, and the next you wanted to....actually, we didn't know what we wanted next, but it was something. Almost overnight, all these sisters (there was no other kind of girl, not yet)had become interesting, disturbing, even.
You wouldn't believe that so much could change just because a relationship ended.
One has so many more opinions about what has gone wrong than about what is perfect.
Do you ever do that thing where you lie in bed and you can't sleep so you end up writing out recent conversation you've had? So they look like a play?' Well you should. It's fun. I keep them. Look through them, sometimes.
One could argue that most of the trouble in the world is caused by introspection.
There isn't so much to be afraid of, out there. I can remember thinking it was funny to find that out, on the last night of my life; I'd spent the rest of it being afraid of everything.
I love the relationship that anyone has with music ... because there's something in us that is beyond the reach of words, something that eludes and defies our best attempts to spit it out. ... It's the best part of us probably.
Have you got any soul?" a woman asks the next afternoon. That depends, I feel like saying; some days yes, some days no. A few days ago I was right out; now I've got loads, too much, more than I can handle. I wish I could spread it a bit more evenly, I want to tell her, get a better balance, but I can't seem to get it sorted. I can see she wouldn't be interested in my internal stock control problems though, so I simply point to where I keep the soul I have, right by the exit, just next to the blues.
The plain state of being human is dramatic enough for anyone; you don't need to be a heroin addict or a performance poet to experience extremity. You just have to love someone.
But all three of them had had to lose things in order to gain other things. Will had lost his shell and his cool and his distance, and he felt scared and vulnerable, but he got to be with Rachel; and Fiona had lost a big chunk of Marcus, and she got to stay away from the casualty ward; and Marcus had lost himself, and got to walk home from school with his shoes on.
Why does reading freak people out so much? Sure, I could be pretty anti-social when we were on the road, but if I was playing a Gameboy hour after hour, no one would be on my case. In my social circle, blowing up space monsters is socially acceptable in a way that American Pastoral isn't.
That’s the thing with the young these days, isn’t it? They watch too many happy endings. Everything has to be wrapped up, with a smile and a tear and a wave. Everyone has learned, found love, seen the error of their ways, discovered the joys of monogamy, or fatherhood, or filial duty, or life itself. In my day, people got shot at the end of films, after learning only that life is hollow, dismal, brutish, and short.
I couldn’t bear to think about the proper future, so I just tried to make things better for the next twenty minutes or so, over and over again. — © Nick Hornby
I couldn’t bear to think about the proper future, so I just tried to make things better for the next twenty minutes or so, over and over again.
I've committed to nothing...and that's just suicide...by tiny, tiny increments.
We're here for such a short amount of time. Why do we spend any of it building sandcastles?
...self-consciousness is a man's worst enemy.
A good compilation tape, like breaking up, is hard to do and takes ages longer than it might seem. You've got to kick off with a killer, to grab the attention. Then you've got to take it up a notch, or cool it off a notch…oh, there are a lot of rules.
I never really recovered from the shock of discovering that women do what we do; they save their best pairs for the nights when they are going to sleep with somebody. When you live with a woman, these faded, shrunken tatty scraps suddenly appear on radiators all over the house; your lascivious schoolboy dreams of adulthood as a time when you are surrounded by exotic lingerie for ever and ever amen...those dreams crumble to dust.
He has the personality of a child prodigy, but no discernable talent.
A man who wants to die feels angry and full of life and desperate and bored and exhausted, all at the same time; he wants to fight everyone, and he wants to curl up in a ball and hide in a cupboard somewhere. He wants to say sorry to everyone, and he wants everyone to know just how badly they've all let him down.
Reciprocation was a pretty powerful stimulant to the imagination.
Sometimes you know you've got a chance with a girl because she wants to fight with you. If the world wasn't so messed up, it wouldn't be like that. If the world was normal, a girl being nice to you would be a good sign, but in the real world, it isn't.
And it isn't that I'm so unhappy I don't want to live anymore. That's not what it feels like. It feels more like I'm tired and bored and the party's gone on too long and I want to go home. I feel flat and there doesn't seem to be anything to look forward to, so I'd rather call it a day.
There were about seventy-nine squillion people in the world, and if you were very lucky, you would end up being loved by fifteen or twenty of them. — © Nick Hornby
There were about seventy-nine squillion people in the world, and if you were very lucky, you would end up being loved by fifteen or twenty of them.
You'll remember someone who broke your heart, and you'll think to yourself, 'Oh yes, I remember how that feels.' But you can't.
I never mind the accusations of domesticity, as long as people recognise that all of us, even the luckiest, will live lives in which we have our hearts broken, suffer the loss of loved ones, worry ourselves half to death about our kids.
So it's not about what you do. It can't be, can it? It has to be about how you are, how you love, how you treat yourself and those around you, and that's where I get eaten up.
We are never allowed to forget that some books are badly written; we should remember that sometimes they're badly read, too.
I used to think--and given the way we ended up, maybe I still do--that all relationships need the kind of violent shove that a crush brings, just to get you started and to push you over the humps. And then, when the energy from that shove has gone and you come to something approaching a halt, you have to look around and see what you've got. It could be something completely different, it could be something roughly the same, but gentler and calmer, or it could be nothing at all.
Sometimes we have to be judged by our one-offs.
I hate time. It never does what you want it to.
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