Top 192 Quotes & Sayings by Nicole Krauss - Page 2

Explore popular quotes and sayings by an American novelist Nicole Krauss.
Last updated on November 9, 2024.
Maybe the first time you saw her you were ten. She was standing in the sun scratching her legs. Or tracing letters in the dirt with a stick. Her hair was being pulled. Or she was pulling someone's hair. And a part of you was drawn to her, and a part of you resisted--wanting to ride off on your bicycle, kick a stone, remain uncomplicated. In the same breath you felt the strength of a man, and a self-pity that made you feel small and hurt. Part of you thought: Please don't look at me. If you don't, I can still turn away. And part of you thought: Look at me.
And it's like some tiny nothing that sets off a natural disaster halfway across the world, only this was the opposite of disaster, how by accident she saved me with that thoughtless act of grace, and she never knew, and how that, too, is the part of the history of love.
I opened my mouth, but nothing came out. It took seven languages to make me; it would be nice if I could have spoken just one. — © Nicole Krauss
I opened my mouth, but nothing came out. It took seven languages to make me; it would be nice if I could have spoken just one.
The oldest emotion in the world may be that of being moved; but to describe it-just to name it-must have been like trying to catch something invisible.
We met each other when we were young, before we knew enough about disappointment, and once we did we found we reminded each other of it.
Now that mine is almost over, I can say that the one thing that struck me most about life is the capacity for change. One day you're a person and the next day they tell you you're a dog. At first it's hard to bear, but after a while you learn not to look at it as a loss. There's even a moment when it becomes exhilarating to realize just how little needs to stay the same for you to continue the effort they call, for lack of a better word, being human.
Why does one begin to write? Because she feels misunderstood, I guess. Because it never comes out clearly enough when she tries to speak. Because she wants to rephrase the world, to take it in and give it back again differently, so that everything is used and nothing is lost. Because it's something to do to pass the time until she is old enough to experience the things she writes about.
Later - when things happened that they could never have imagined - she wrote him a letter that said: When will you learn that there isn't a word for everything
He held my hand and told me a story about when he was six and threw a rock at a kid's head who was bullying his brother, and how after that no one had bothered either of them again. 'You have to stick up for yourself,' he told me. 'But it's bad to throw rocks,' I said. 'I know. You're smarter than me. You'll find something better than rocks.
The truth was I'd given up waiting long ago. The moment had passed, the door between the lives we could have led and the lives we led had shut in our faces. Or better to say, in my face. Grammar of my life: as a rule of thumb, wherever there appears a plural, correct for singular. Should I ever let slip a royal We, put me out of my misery with a swift blow to the head.
there are two types of people in the world: those who prefer to be sad among others, and those who prefer to be sad alone.
Perhaps that is what it means to be a father - to teach your child to live without you.
An average of seventy-four species become extinct every day, which was one good reason but not the only one to hold someone's hand.
You’re lost in your own world, in the things that happen there, and you’ve locked all the doors. Sometimes I look at you sleeping. I wake up and look at you and I feel closer to you when you’re like that, unguarded, than when you’re awake. When you’re awake you’re like someone with her eyes closed, watching a movie on the inside of your eyelids. I can’t reach you anymore. Once upon a time I could, but not now, and not for a long time.
When at last I came upon the right book, the feeling was violent: it blew open a hole in me that made life more dangerous because I couldn't control what came through it.
ONE THING I AM NEVER GOING TO DO WHEN I GROW UP Is fall in love, drop out of college, learn to subsist on water and air, have a species named after me, and ruin my life.
Part of me is made of glass, and also, I love you. — © Nicole Krauss
Part of me is made of glass, and also, I love you.
At night the sky is pure astronomy.
. . . she gave him one of those broad smiles she reserved for strangers, as if she were aware of being able to pass, in their eyes, for an ordinary woman.
I feel really strongly about not wanting to overly guide the reader about what he or she should think. I really trust the reader to know for themselves and not to need too much. You have your own imagination, your own experiences, your own feelings, and a novel wants ultimately to ask questions. It doesn't assert anything, or shouldn't, I think.
In life we sit at the table and refuse to eat, and in death we are eternally hungry.
She was gone, and all that was left was the space you'd grown around her, like a tree that grows around a fence. For a long time, it remained hollow. Years, maybe. And when at last it was filled again, you knew that the new love you felt for a woman would have been impossible without Alma. If it weren't for her, there would never have been an empty space, or the need to fill it.
She [my mother] was the force around which our world turned. My mother was propelled through the universe by the brute force of reason. She was the judge in all our arguments. One disapproving word from her was enough to send us off to hide in a corner, where we would cry and fantasize our own martyrdom. And yet. One kiss could restore us to princedom. Without her, our lives would dissolve into chaos.
But loneliness, true loneliness, is impossible to accustom oneself to, and while I was still young I thought of my situation as somehow temporary, and did not stop hoping and imagining that I would meet someone and fall in love...Yes, there was a time before I closed myself off to others.
He spoke of human solitude, about the intrinsic loneliness of a sophisticated mind, one that is capable of reason and poetry but which grasps at straws when it comes to understanding another, a mind aware of the impossibility of absolute understanding. The difficulty of having a mind that understands that it will always be misunderstood.
There was no one to call me to bed, no one to demand that the rhythms of my life operate in a duet.
There were many things they simply didn't talk about: between them, silence was not so much a form of evasion as a way for solitary people to exist in a family.
How was it possible to wake up every day and be recognizable to another when so often one was barely recognizable to oneself?
That's what I do. Watch movies and read. Sometimes I even pretend to write, but I'm not fooling anyone. Oh, and I go to the mailbox.
When I got older I decided I wanted to be a real writer. I tried to write about real things. I wanted to describe the world, because to live in an undescribed world was too lonely.
I read differently now, more painstakingly, knowing I am probably revisiting the books I love for the last time. (245)
And if the man who once upon a time had been a boy who promised he'd never fall in love with another girl as long as he lived kept his promise, it wasn't because he was stubborn or even loyal. He couldn't help it.
I won't waste your time with the injuries of my childhood, with my loneliness, or the fear and sadness of the years I spent inside my parents' marriage, under the reign of my father's rage, afer all, who isn't a survivor from the wreck of childhood?
A couple months after my heart attack, fifty-seven years after I'd given it up, I started to write again. I did it for myself alone, not for anyone else, and that was the difference. It didn't matter if I found the words, and more than that, I knew it would be impossible to find the right ones.
Then he almost but didn't say the two sentence he'd been meaning to say for years: part of me is made of glass, and also, I love you
Because you can get free of everything except the space where things have been
Once upon a time you were a fish. How do you know? Because I was also a fish. You, too? Sure. A long time ago. Anyway, being a fish, you knew how to swim. You were a great swimmer. A champion swimmer, you were. You loved the water. Why? What do you mean, why? Why did I love the water? Because it was your life! And as we talked, I would have let him go one finger at a time, until, without his realizing, he'd be floating without me. Perhaps that is what it means to be a father-to teach your child to live without you.
The fact that you got a little happier today doesn't change the fact that you also became a little sadder. Every day you become a little more of both, which means that right now, at this exact moment, you're the happiest and saddest you've ever been in your whole life.
For me, what I am making in the novel is a place to live. When I first switched from poetry to novels, I was asked why, and the metaphor I came up with was about poems as rooms. You can make a room perfect, but then you have to shut the door and never go back, whereas a novel is like a house - it can never be perfect, but you can make a life in it.
Wittgenstein once wrote that when the eye sees something beautiful, the hand wants to draw it. I wish I could draw you. — © Nicole Krauss
Wittgenstein once wrote that when the eye sees something beautiful, the hand wants to draw it. I wish I could draw you.
After all who doesn't wish to make a spectacle of their loneliness
There are times when the kindness of strangers only makes things worse because one realizes how badly one is in need of kindness and that the only source is a stranger.
There are so many ways to be alive, but only one way to be dead.
I know there is a moral to this story, but I don't know what it is.
Without memories to cloud it, the mind perceives with absolute clarity. Each observation stands out in stark relief. In the beginning, when there's not yet a smudge, the slate still blank, there is only the present moment: each vital detail, shocked color, the fall of light. Like film stills. The mind relentlessly open to the world, deeply impressed, even hurt by it: not yet gauzed by memory.
Mom?" I said. She turned. "Can I talk to you about something?" "Of course, darling. Come here." I took a few steps into the room. There was so much I wanted to say. "I need you to be --" I said, and then I started to cry. "Be what?" she said, opening her arms. "Not sad," I said.
The truth is the thing I invented so I could live.
Sometimes I thought about nothing and sometimes I thought about my life. At least I made a living. What kind of living? A living. It wasn't easy. I found out how little is unbearable.
... as a rule of thumb, whenever there appears a plural, correct for a singular. Should I ever let slip a royal WE, put me out of my misery with a swift blow to the head.
The moment had passed, the door between the lives we could have led and the lives we led had shut in our faces.
At first Babel longed for the use of just two words: Yes and No. But he knew that just to utter a single word would be to destroy the delicate fluency of silence.
Alone in my room, wrapped in a blanket, I whimpered and talked aloud to myself, recalling the lost glory of my youth when I considered myself, and was considered by others, a bright and capable person. It seemed that was all gone now.
I walked down my snow covered street. Out of habit I turned and checked for my footsteps. When I arrived at my building I looked for my name on the buzzers. And because I know that sometimes I see things that aren't there, after dinner I called Information to ask if I was listed.(25)
Don’t you see?” I said. “He could change every detail, but he couldn’t change her.” “But why?” His obtuseness frustrated me. “Because he was in love with her!” I said. “Because, to him, she was the only thing that was real.
I finally understood that no matter what I did, or who I found, I-he-none of us-would ever be able to win over the memories she had of Dad, memories that soothed her even while they made her sad, because she'd built a world out of them she knew how to survive on even if no one else could.
Tell me, was I the sort of person who took your elbow when cars passed on the street, touched your cheek while you talked, combed your wet hair, stopped by the side of the road in the country to point out certain constellations, standing behind you so that you had the advantage of leaning and looking up?
Holding hands, for example, is a way to remember how it feels to say nothing together. — © Nicole Krauss
Holding hands, for example, is a way to remember how it feels to say nothing together.
There are moments when a kind of clarity comes over you, and suddenly you can see through walls to another dimension that you'd forgotten or chosen to ignore in order to continue living with the various illusions that make life, particularily life with other people, possible.
Sometimes, waking early before the others, wandering the rooms wrapped in a blanket or drinking my tea in the empty kitchen, I had that most rare of feelings, the sense that the world, so consistently overwhelming and incomprehensible, in fact has an order, oblique as it may seem, and I a place within it.
I left the library. Crossing the street, I was hit head-on by a brutal loneliness. I felt dark and hollow. Abandoned, unnoticed, forgotten, I stood on the sidewalk, a nothing, a gatherer of dust. People hurried past me. and everyone who walked by was happier than I. I felt the old envy. I would have given anything to be one of them.
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