Top 43 Quotes & Sayings by Norman Foster

Explore popular quotes and sayings by a British architect Norman Foster.
Last updated on September 17, 2024.
Norman Foster

Norman Robert Foster, Baron Foster of Thames Bank, is an English architect and designer. Closely associated with the development of high-tech architecture, Foster is recognised as a key figure in British modernist architecture. His architectural practice Foster + Partners, first founded in 1967 as Foster Associates, is the largest in the United Kingdom, and maintains offices internationally. He is the President of the Norman Foster Foundation, created to 'promote interdisciplinary thinking and research to help new generations of architects, designers and urbanists to anticipate the future'. The foundation, which opened in June 2017, is based in Madrid and operates globally.

Every time I've flown an aircraft, or visited a steelworks, or watched a panel-beater at work, I've learned something new that can be applied to buildings.
The Italians have long known what makes a livable town or city.
There's a snobbery at work in architecture. The subject is too often treated as a fine art, delicately wrapped in mumbo-jumbo. In reality, it's an all-embracing discipline taking in science, art, maths, engineering, climate, nature, politics, economics.
Manhattan, one of the most moneyed spots on the planet, also has one of the greatest concentrations of people in its skyscrapers. It's also, of course, the place where every architect wants to build his tower.
You can find, occasionally, some absolutely fantastic things in hunting shops. I've got one jacket that I just happened across which is a kind of unwashed leather - completely anonymous but absolutely special.
Control is the wrong word. The practice is very much about sharing, and, in any creative practice, some individuals, whether partners or directors, are much closer to certain projects than I could ever be.
I think you never stop learning. — © Norman Foster
I think you never stop learning.
I was born in 1935, and as far back as I can remember, I was sketching designs. My first subject was an aircraft, which I imagined myself piloting.
I hope that any expansion of London will learn from the planning examples of some of its most desirable areas such as Chelsea, Notting Hill, Belgravia and Mayfair. All are characterised by high density and a generosity of green spaces. They are all pedestrian-friendly with shops, entertainment, restaurants and pubs within easy walking distance.
Everything we design is a response to the specific climate and culture of a particular place.
Surveys often show people would prefer a detached house with a lawn and driveway to an apartment. I understand this. It's not my place to presume to tell people where they can live. But perhaps that dream will simply not be possible in the future.
There are those airports which make you feel better, and there are those airports that, when you go there, your heart sinks: you can't wait to get out of there. They both function as airports, but it's the things that you can't measure that make them different.
In Britain, the idea one could go from blue-collar beginnings to the university was so far out, it was quite unthinkable. I took a variety of jobs to pay for tuition - from ice-cream salesman to night-club bouncer. Whatever earned the most money in the least time.
I tend to move between turtlenecks and shirts and ties. I don't really have a uniform in the sense that some people might.
The only honourable work my parents knew was blue-collar. But while my father Robert ran a pawnbroker's shop, and my mother was a waitress, I moved into a middle-class world with a level of security they never knew.
We now think it hilarious that medieval streets were used as open sewers. Equally, our descendants will say: 'You won't believe this, but people were once allowed to hurl a couple of tons of dangerous metal around smashing into each other.'
I would never wear anything with a logo. That I really find difficult. It's a frustration that I'll find a nice shirt or something and it's got 50 prints of the logo on it - why do they do this?
I think cars encapsulate the history of innovation and style - it's the other side of the coin of the car being public enemy No.1.
Google has already tested robot cars in San Francisco. If they can navigate San Francisco, they can probably manage just about anywhere.
I'm not a creature of habit. I like to find things from unexpected sources.
I travel continuously, and I see many cities, but there is nowhere like London.
Anything that reduces fuel consumption and cuts down on greenhouse gasses is good news.
I describe the design process as like the tip of the iceberg. What you don't see is the long haul: all the endless auditing and things like that.
Since Stonehenge, architects have always been at the cutting edge of technology. And you can't separate technology from the humanistic and spiritual content of a building.
I hope that any expansion of London will learn from the planning examples of some of its most desirable areas such as Chelsea, Notting Hill, Belgravia and Mayfair. All are characterised by high density and a generosity of green spaces.
A life-threatening illness or two certainly gives you an awareness of your own mortality. It heightens your sense of gratitude for things that previously, if you've not taken them for granted, you perhaps never appreciated how precious they were. That's almost a platitude, but one has to state the obvious.
The most amazing lesson in aerodynamics I ever had was the day I climbed a thermal in a glider at the same time as an eagle. I witnessed, close up, effortlessness and lightness combined with strength, precision and determination.
As an architect, you design for the present, with an awareness of the past, for a future which is essentially unknown.
Joseph Bazalgette created a sewer system which he originally sized for London's needs of the time - he then doubled it to anticipate the future beyond. These are the qualities that I admire.
You cannot separate the buildings out from the infrastructure of cites and the mobility of transit.
When the Great Fire of London destroyed most of the medieval city in 1666, Christopher Wren was invited to design a new one. Within days, he had drawn up an elegant grid of broad boulevards leading to majestic squares, but it came to nothing - the existing landowners wanted things as they had been.
I love flying; I love aircraft, and you could say I've had a love affair with flight since I was a child. I travel a huge amount. I use airports, and as a pilot, I've flown in and out of airports thousands of times, so really, I have a fairly broad perspective.
Everything inspires me; sometimes I think I see things others don’t.
If you weren’t an optimist, it would be impossible to be an architect. — © Norman Foster
If you weren’t an optimist, it would be impossible to be an architect.
Our object in life should be to accumulate a great number of grand questions to be asked and resolved in eternity.
Didn't think her vision was consistent with the ORC, especially the way the Council wishes to work with the ORC. For example, with regard to the zoning ordinance, the Council sees a comprehensive approach, the ORC wants to review the ordinances and simplify them. Pam's vision was counter to that.
The pencil and computer are, if left to their own devices, equally dumb and only as good as the person driving them.
Since Stonehenge, architects have always been at the cutting edge of technology. And you cant separate technology from the humanistic and spiritual content of a building.
As an architect you design for the present, with an awareness of the past, for a future which is essentially unknown.
Architecture is an expression of values.
It takes a lot of effort to make a building look effortless.
I am always surprised by how much little emphasis schools of architecture, and indeed, many architects, place on the process of the mating of a building.
Manhattan, one of the most moneyed spots on the planet, also has one of the greatest concentrations of people in its skyscrapers. Its also, of course, the place where every architect wants to build his tower.
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