Explore popular quotes and sayings by a French actor Olivier Martinez.
Last updated on April 15, 2025.
Olivier Martinez
is a French film actor. He became well known after roles in several French films such as Un, deux, trois, soleil (1993), which garnered him the César Award for "Most Promising Actor", The Horseman on the Roof (1995), and The Chambermaid on the Titanic (1997). He has also appeared in Hollywood-produced features, including the drama Before Night Falls (2000), the erotic thriller Unfaithful (2002) and playing the role of a French drug lord in the action-crime-thriller S.W.A.T. (2003).
I see my friends, my family, my cousins work all day long for very little money, and if I have this problem of not being able to wall on the streets, it's not a big deal.
It's not only imagination, it's the distortion of the vision. You suddenly think, This person is idealistic, this person is strong, this person has dreams, when you know better most of the time. You put what you want to see on people.
Who knows what happens tomorrow? We'll find it tomorrow.
It's nice to have some distance with your family. As long as you're closer to them by love.
If you want to be happy, live discreetly. Does that make sense in English?
The big difference with Juliette and the others in that film is that she goes beyond acting.
I don't want to dig in the truth all of the time. Let me dream.
I want just to be happy and peaceful. And that's not always the case when you're married.
Sometimes you have to laugh about what gets published; sometimes it's annoying, but in general I don't care.
I don't feel restricted by the language: I feel more free.
I don't have goals in life.
I never analyze why I was with one woman instead of another.
There are two smells that I can recognize right away. The smell of the boxing ring and the smell of a garage. That's where I grew up. I can recognize these places with my eyes closed.
But when you work with the director and the real person who is playing opposite you, it changes everything. You are almost in a working session. I was very comfortable, and that's maybe what helped me to get the part.
It's like all the signs were telling me that I shouldn't be a boxer, so I quit.
I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
I quit after a bad car accident. The thing about boxing is that you can be a star for five or six years, but when you go back to the old life, it's tough.
I'll always be a foreigner.
People sometimes recognize me here, but they are very nice.
The first time Adrian saw me was on tape. But you should know that this never works - never in the history of movies has someone been cast from a video.
Love is based on imagination.
In Hollywood, you can live alongside very famous but still incredibly boring people. I've never wanted to be immortal. Even if nobody remembers me after my death, it's still okay with me.
And what's more I've got no need for anyone to tell me how to do it. I am not interested. You act how you want to and leave me alone to do my own thing.
I wanted to become a champ - I was surrounded by champs in my family and in my neighborhood - and because of this stupid accident, I lost my opportunity.
I really believe great actors, even with disease and age, can be great.
The longer you stand with people, the better it becomes.
Before, I was so stupid. But, you know, when you have friends who died on the street, you say, okay, let's calm down. It's not the kind of energy I want to have in life. I want to go slower, and longer.
My father was champion of North Africa and he beat the European champ. He was very good, a professional for 12 years. We're from a big family of boxers. My father has seven brothers.
Just being famous feels cheap to me.
I was born and raised in a suburb of Paris by a working-class family.
Every morning, I can lose myself just by looking at my son.
I played a scene at the end of my first year, and that's how I was discovered.
I always say I was born too late in the world, too old.
But what I really like are old Hollywood movies. Very often I watch AMC.
I like Brad Pitt; I just have nothing to do with him.
Imagination creates some big monsters.
And I think it is the genius of actors to be able to escape whatever people are expecting of them. Otherwise you become like a factory worker.
I'm French - it's less important. Meaning, I remain a Frenchman in America, but I adapt to American culture. I feel good there - but I'm still a foreigner.
Also, I have found that I really like to work in English. It's very strange because it's exactly the opposite of what I thought it would be like.
Otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. You can't do what you want. You become a prisoner of your fame. This happened to me in France and I don't want it.
If you compare me to an actor, I'm probably one of the best boxers in the profession. But if you compare me as a boxer, I'm probably one of the best actors.
My son will be an American, but I remain French.
I like Paris. My problem is I don't like Parisians.
It’s a matter of time; you adapt to the different culture and different way of life. Human beings are adaptable.
I have an accent, I'm limited, I have to play foreign parts - I would love to play American parts but I can't because I have an accent. You are more limited as a foreigner in every area.
Everybody has some talents - we all have an art side and some talent - but you have some areas where you are better than others. My area is acting, I guess. I hope.
When I was a kid, I was watching the movies my parents wanted to watch. I came from a working class family, not specifically educated, so we were watching popular movies. My dad liked cowboy movies, so we were watching cowboy movies. Some of them were amazing. It’s a genre of movie I like very much.
Brave is good - especially when you are a soldier.
When you're a foreigner, at the beginning you are far away from the culture. Then, little by little, you start to interact with people, have friends, have a life, and then you feel more comfortable.
It's not only imagination, it's the distortion of the vision. You suddenly think, "This person is idealistic, this person is strong, this person has dreams", when you know better most of the time. You put what you want to see on people.
I'm not a movie star like other actors in the way that I need to walk around with a bodyguard. My goal is just to get some interesting parts and make enough money to live free. Otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. You can't do what you want. You become a prisoner of your fame. This happened to me in France and I don't want it. I want to go to the terrace of a café, have a coffee. I have no problems with the fact that people recognize me, I'm very glad about it, but to be a movie star is kind of unreal for me.
If I had to fall in love with all the actresses I play with and live the situations I have to play, I would be lost ! I need to be solid and know who I really am to have fun in making something else. I noticed, while talking with other actors, that they often let ambiguity float. I don't like ambiguity, it's dangerous. I need distance. I also think that the result would prevent the audience from identifying to the characters. If you feel the things too strongly, you simply close the doors.
But when you work with the director and the real person who is playing opposite you, it changes everything. You are almost in a working session. I was very comfortable, and that’s maybe what helped me to get the part.
An actor cannot say no, it’s against his job. If he wants the part he has to say yes. [But] it’s very bad for you to say you can do something and then not do it, so you have to manage to do it.