Top 243 Quotes & Sayings by Orhan Pamuk - Page 2

Explore popular quotes and sayings by a Turkish novelist Orhan Pamuk.
Last updated on September 18, 2024.
My home is attached to a study - in fact, my home is my study, and I have a little room to sleep in. I need to write looking onto the street or a landscape. Looking at reality from some distance gives me romantic visions.
If I think back on the books to which I have devoted my entire life, I am most surprised by those moments when I have felt as if the sentences, dreams, and pages that have made me so ecstatically happy have not come from my own imagination - that another power has found them and generously presented them to me.
If a writer is to tell his own story - tell it slowly, and as if it were a story about other people - if he is to feel the power of the story rise up inside him, if he is to sit down at a table and patiently give himself over to this art - this craft - he must first have been given some hope.
Modernity means overabundance. We are living in the age of mass-produced objects, things that come without announcing themselves and end up on our tables, on our walls. We use them - most of us don't even notice them - and then they vanish without fanfare.
We should not judge Islam by terrorists. All civilizations and cultures produce terrorists. Every time there is a flag-burning, killing, or provocative films, I'm worried, not because something radical will happen, and this time, some people are killed. We're very sorry for that.
I don't look at emails, Internet or newspapers before 1 P.M. I wake at 7 A.M., eat fruit, drink tea or coffee, and read what I've achieved, or not achieved, the previous day. Then I take a shower and work on my next sentence until 1 P.M. After I've done emails and so on, I write again from 3 P.M. until 8 P.M.; then I socialise.
Language is me, in a way. Really, I feel it. — © Orhan Pamuk
Language is me, in a way. Really, I feel it.
I had the feeling that focusing on objects and telling a story through them would make my protagonists different from those in Western novels - more real, more quintessentially of Istanbul.
I think less than people think I do about politics. I care about writing.
I strongly believe that the art of the novel works best when the writer identifies with whoever he or she is writing about. Novels in the end are based on the human capacity, compassion, and I can show more compassion to my characters if I write in a first person singular.
I get used to my fountain pens and my clothes, and I can never throw them away. I replace them only when I see that they are broken or embarrassing to wear.
Let us say in the pocket of one of my old coats I find a movie ticket from many years ago. Once I see the ticket, not only do I remember that I saw this movie, but also scenes from this movie, which I think I have entirely forgotten, come back to me. Objects have this power, and I like it.
I have the legacy of my father and his nocturnal automatic waking up. But I like those periods. I immediately have a different vision of humanity and my life.
I consider myself Istanbul's storyteller. My subject matter is my town. I consider it my job to explore the hidden patterns of my city's clandestine corners, its shady, mysterious places, the things I love.
Museums are western inventions where the rich and the powerful or the government and the state tend to exhibit the signs and symbol and images of their culture.
I would be pleased if someone would invent a pill to remove my impatience, moodiness, and occasional bursts of anger. But if they did, I wouldn't be able to write my novels or paint.
In Europe the rich are refined enough to act as if they're not wealthy. That is how civilized people behave. If you ask me, being cultured and civilized is not about everyone being free and equal; it's about everyone being refined enough to act as if they were. Then no one has to feel guilty.
The first thing I learned at school was that some people are idiots; the second thing I learned was that some are even worse. — © Orhan Pamuk
The first thing I learned at school was that some people are idiots; the second thing I learned was that some are even worse.
If we give what we treasure most to a Being we love with all our hearts, if we can do that without expecting anything in return, then the world becomes a beautiful place.
I need the pain of loneliness to make my imagination work.
The gap between compassion and surrender is love’s darkest, deepest region.
Life is beautiful if you are on the road to somewhere
Any intelligent person knows that life is a beautiful thing and that the purpose of life is to be happy," said my father as he watched the three beauties. "But it seems only idiots are ever happy. How can we explain this?
We live but for a short time, we see but very little, and we know almost nothing; so, at least, let's do some dreaming. Have yourself a very good Sunday, my dear readers.
Listen to me: Life is not about principles; it`s about happiness.` `But if you don`t have any principles, and if you don`t have faith, you can`t be happy at all,` said Kadife. `That`s true. But in a brutal country like ours, where human life is cheap, it`s stupid to destroy yourself for the sake of your beliefs. Beliefs? High ideas? Only people in rich countries can enjoy such luxuries.` `Actually, it`s the other way round. In a poor country, people`s sole consolation comes from their beliefs.
People only tell lies when there is something they are terribly frightened of losing.
How much can we ever know about the love and pain in another heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known?
Sometimes I sensed that the books I read in rapid succession had set up some sort of murmur among themselves, transforming my head into an orchestra pit where different musical instruments sounded out, and I would realize that I could endure this life because of these musicales going on in my head.
For if a lover's face survives emblazoned on your heart, the world is still your home.
After all, a woman who doesn't love cats is never going to be make a man happy.
When another writer in another house is not free, no writer is free.
Happiness is laughing together.
My unhappiness protects me from life.
Love is a sacred silence.
Happiness is holding someone in your arms and knowing you hold the whole world.
I read a book one day and my whole life was changed.
Tell me then, does love make one a fool or do only fools fall in love?
Heaven was the place where you kept alive the dreams of your memories.
There are two kind of men,' said Ka, in a didatic voice. 'The first kind does not fall in love until he's seen how the girls eats a sandwich, how she combs her hair, what sort of nonsense she cares about, why she's angry at her father, and what sort of stories people tell about her. The second type of man -- and I am in this category -- can fall in love with a woman only if he knows next to nothing about her.
Painting is the silence of thought and the music of sight.
Mankind's greatest error, the biggest deception of the past thousand years is this: to confuse poverty with stupidity.
True literature is more than just a story someone has told. It must provide the reader with the essence of the world on a moral, philosophical and emotional level. — © Orhan Pamuk
True literature is more than just a story someone has told. It must provide the reader with the essence of the world on a moral, philosophical and emotional level.
Suddenly Ka realized he was in love with ?pek. And realizing that this love would determine the rest of his life, he was filled with dread.
When we lose people we love, we should never disturb their souls, whether living or dead. Instead. we should find consolation in an object that reminds you of them, something...I don't know...even an earring
A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is: when I speak of writing, what comes first to my mind is not a novel, a poem, or literary tradition, it is a person who shuts himself up in a room, sits down at a table, and alone, turns inward; amid its shadows, he builds a new world with words.
The real question is how much suffering we've caused our womenfolk by turning headscarves into symbols - and using women as pawns in a political game.
The urbanized life has lead to the destruction of the legends.
Censorship should never be allowed. One should be able to say anything. But I refuse to let politics be foisted on me.
Before my birth there was infinite time, and after my death, inexhaustible time. I never thought of it before: I'd been living luminously between two eternities of darkness.
Dogs do speak, but only to those who know how to listen.
?The past is always an invented land.
...the endless repetition of an ordinary miracle.
It may not happen in the first instant, but within ten minutes of meeting a man, a woman has a clear idea of who he is, or at least who he might be for her, and her heart of hearts has already told her whether or not she's going to fall in love with him.
The entire world was like a palace with countless rooms whose doors opened into one another. We were able to pass from one room to the next only by exercising our memories and imaginations, but most of us, in our laziness, rarely exercised these capacities, and forever remained in the same room.
In a brutal country like ours, where human life is 'cheap', it's stupid to destroy yourself for the sake of your beliefs. Beliefs? High ideas? Only people in rich countries can enjoy such luxuries.
The bloody years of war and all the atrocities in European history have taught the Europeans that secular politics free of religious hatred is mainly a question of peace. This concept is not anchored in the same way in the consciousness of Turks, which has to do with the fact that the secular was forced upon us by the army.
...every person has a star, every star has a friend, and for every person carrying a star there is someone else who reflects it, and everyone carries this reflection like a secret confidante in the heart.
The beauty and mystery of this world only emerges through affection, attention, interest and compassion . . . open your eyes wide and actually see this world by attending to its colors, details and irony.
Without patience and the skill of a craftsman, even the greatest talent is wasted. — © Orhan Pamuk
Without patience and the skill of a craftsman, even the greatest talent is wasted.
A letter doesn't communicate by words alone. A letter, just like a book, can be read by smelling it, touching it and fondling it. Thereby, intelligent folk will say, 'Go on then, read what the letter tells you!' whereas the dull-witted will say, 'Go on then, read what he's written!
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