Top 401 Quotes & Sayings by Patrick Rothfuss

It's profoundly disorienting to go from zero to celebrity.

Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.

I almost got a psychology degree, I almost got a philosophy degree. I kept changing it so they couldn't make me graduate. I studied anthropology and eastern religion, epistomology, and astronomy... I took every interesting course I could find for nine years.

You don't want the world destroyed, because, you know, that's where your shoes are.

As authors, most - most authors, our art is portraying the human condition. Trying to show you what it's like to be somebody else, trying to make you feel for somebody else. That means you have to have a high degree of empathy.

I started a novel back in high school. It wasn't very good. It was the opposite of good. The writing itself wasn't too bad, and the characters were interesting. But the story was a mess, and it was full of fantasy cliches. Dwarf with an axe. Barbarian warrior. I don't ever think I'd bother finishing that. It's just not worth my time.

I'm a fan of books that are almost languorous in their storytelling. That is a little bit lost sometimes in the modern media that we have.

I know better than to read reviews but I do it anyway. Somebody described my pacing as 'glacial.' I wasn't thrilled, but I think they meant it in a not entirely unflattering way.

I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.

After I'd been in college for a couple years I'd read Shakespeare and Frost and Chaucer and the poets of the Harlem Renaissance. I'd come to appreciate how gorgeous the English language could be. But most fantasy novels didn't seem to make the effort.

My mom once lost track of me at the zoo and when she found me I was lecturing a man about the difference between dromedary and Bactrian camels. I was about 3 1/2.

The myth of writer as, like, Asperger-style misanthrope, or, like, the Jack Nicholson, 'As Good As It Gets' - it just doesn't work, because writers, in order to write good characters, need to understand people. You need to understand your audience. You need to have so much empathy you could almost encourage empathy in others.

You can have an interesting story about a person living an interesting life. And if it's done well, that is just as engaging as the end of the world. A million people dying - we can't process. One person, we can process.

I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.

A lot of new writers assume you have to know the where the story is going and that it flows out as molten gold. But really, sometimes you think you are going to one place, but then you decide that is dumb idea. Then you go somewhere else and it is a worse idea. But then you switch again and you might have a beautiful accident.

I was the kid who was too geeky for the other kids.

Humans are kind of story-propagating creatures. If you think of how we spend our days, think of all the time you spend on entertainment. How much of your entertainment centers around stories? Most pieces of music tell stories. Even hanging out with your friends, you talk, you tell stories to each other. They're all stories. We live in stories.

I've got an idea for a modern day faerie tale that I think would made a great short novel. But I just don't have the time to work on it right now. I'm way too busy with the 'Kingkiller Chronicles' and being a new dad.

I've done a lot of interviews of the last few years, and I've actually started a list of questions that it would be fun to ask an author, but no respectable interviewer would ever ask. Since I'm not respectable, I'm going to start doing interviews with some authors I know, just for fun.

I'm obsessive. That's the word for me. I obsess - perhaps to the point where it's moderately dysfunctional. I tend to put a book through about 100 revisions. If anything, that's an understatement. If there's another author out there who does this sort of revision, I would really like to meet him. Maybe we could form some sort of support group.

Fantasy is my favorite genre for reading and writing. We have more options than anyone else, and the best props and special effects. That means if you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead.

I write what I don't know. It's way more interesting.

The problem with dragons is that everyone uses them. All the time. When that happens, they become commonplace. A lot of people think you can just throw them into a story and suddenly whatever you're writing is 28% cooler. But that doesn't work. All that does is make dragons into some boring cliche.

When you're 14, anything with a sword and a dragon is pretty cool. But when you're 21 and you've read 2,000 fantasy novels, you start to realize that some of those books, well, they weren't really good. OK, let's be honest. A lot of them were crap.

One reason we love fiction is because stories have a comforting shape. They provide a resolution that's lacking in our regular lives.

You've got a great chance in college to do all sorts of terrible irresponsible things, and you should totally do them. I mean, make huge mistakes. This is the time in your life if you screw up, it's okay because you can bounce back from it.

One thing I've learned now is that I should not say when a book is coming out until I'm sure I know.

It's the questions we can't answer that teach us the most. They teach us how to think. If you give a man an answer, all he gains is a little fact. But give him a question and he'll look for his own answers.

How odd to watch a mortal kindle / Then to dwindle day by day / Knowing their bright souls are tinder / And the wind will have its way

There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.

Stories only happen to people who can tell them.

Could you help me catch the moon?” “I might be able to give you some advice,” the old man said reluctantly. “But first you should think this over, boy. When you love something, you have to make sure it loves you back, or you’ll bring about no end of trouble chasing it.

When we are children we seldom think of the future. This innocence leaves us free to enjoy ourselves as few adults can. The day we fret about the future is the day we leave our childhood behind.

The cost of a loaf is a simple thing, and so a loaf is often sought, but some things are past valuing: laughter, land, and love are never bought.

Half of seeming clever is keeping your mouth shut at the right times.

Do not mistake me for my mask. You see light dappling on the water and forget the deep, cold dark beneath.

Music sounds different to the one who plays it. It is the musician's curse.

I have an apple that thinks its a pear. And a bun that thinks it’s a cat. And a lettuce that thinks its a lettuce." "It’s a clever lettuce, then." "Hardly," she said with a delicate snort. "Why would anything clever think it’s a lettuce?" "Even if it is a lettuce?" I asked. "Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too.

Too much truth confuses the facts. Too much honesty makes you sound insincere.

Remember this son, if you forget everything else. A poet is a musician who can't sing. Words have to find a man's mind before they can touch his heart. And, some men's minds are woeful small targets. Music touches their hearts directly, no matter how small or stubborn the mind of the man who listens.

No man is brave that has never walked a hundred miles. If you want to know the truth of who you are, walk until not a person knows your name. Travel is the great leveler, the great teacher, bitter as medicine, crueler than mirror-glass. A long stretch of road will teach you more about yourself than a hundred years of quiet introspection.

It was wise enough to know itself, and brave enough to be itself, and wild enough to change itself while somehow staying altogether true.

So yes. It had flaws, but what does that matter when it comes to matters of the heart? We love what we love. Reason does not enter into it. In many ways, unwise love is the truest love. Anyone can love a thing because. That's as easy as putting a penny in your pocket. But to love something despite. To know the flaws and love them too. That is rare and pure and perfect.

Bones mend. Regret stays with you forever.

I grew up reading Tolkien, and I love him. But I love him in the way that you love that rambly old grandfather. You have to sit through some pretty off-topic stuff before he starts telling his cool old war stories.

I won the only duel I ever lost.

Simmon pushed his hair out of his eyes, laughing boyishly. "You can't argue your way out of this one! She's obviously stupid for you. And you're just plain stupid, so it's a great match.

You do not know the first note of the music that moves me.

If you fall, you fall," Elodin shrugged. "Sometimes falling teaches us things too." In dreams you often fall before you wake.

I've waited a long time to show these flowers how pretty you are.

It's the questions we can't answer that teach us the most. They teach us how to think.

Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts.

The truth is that the world is full of dragons, and none of us are as powerful or cool as we’d like to be. And that sucks. But when you’re confronted with that fact, you can either crawl into a hole and quit, or you can get out there, take off your shoes, and Bilbo it up.

You see, women are like fires, like flames. Some women are like candles, bright and friendly. Some are like single sparks, or embers, like fireflies for chasing on summer nights. Some are like campfires, all light and heat for a night and willing to be left after. Some women are like hearthfires, not much to look at but underneath they are all warm red coal that burns a long, long while.

If I seem to wander, if I seem to stray, remember that true stories seldom take the straightest way

I wanted to tell her that she was the first beautiful thing I had seen in three years. That the sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again.

Secrets of the heart. We swallow hard against them every day, forcing them deep inside us. There they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them.

There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.

It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.

Books are a poor substitute for female companionship, but they are easier to find.