Top 401 Quotes & Sayings by Patrick Rothfuss - Page 7

Reading is professionally important for me to keep tuned in to what's being written in my genre, let's not lie. But that's not the reason I read. I read for my own emotional and mental health. If I stopped reading, I'd probably just die.

It's not prowess if you watch 5 hours of TV a day. It's just how you choose to spend your time.

I have heard what poets write about women. They rhyme and rhapsodize and lie. I have watched sailors on the shore stare mutely at the slow-rolling swell of the sea. I have watched old soldiers with hearts like leather grow teary-eyed at their king's colors stretched against the wind. Listen to me: these men know nothing of love. You will not find it in the words of poets or the longing eyes of sailors. If you want to know of love, look to a trouper's hands as he makes his music. A trouper knows.

Old Cob tucked away his bowl of stew with the predatory efficency of a lifetime bachelor.

We have more brilliant fantasy novels than brilliant fantasy movies. Movies and TV are done by committee. But with a novel, it's really just one person running the show. That allows for a clarity and unity of vision that's pretty unique, artistically.

I'm not officially a collector, but I have a strange attraction and a weakness for keys and coins. Old keys and interesting coins.

But I don’t believe every bit of nonsense that gets rumored about.

I think authors are just realizing there's no real reason to feel limited to a narrow set of genre rules in their writing. There's no reason a mystery novel can't have fantastic elements in it. Similarly, there's no reason why your epic fantasy series can't have elements of a mystery.

By your logic I should also be in charge of Solinade dances, needlework, and horse thieving.

Just handle the books gently and you’ll get along fine.

The boy grows upward, but the girl grows up.

My thought is, if you're a book lover, you're going to enjoy winning a book even if it's not something you'd ordinarily pick up on your own. It's a chance to expand your horizons a little.

When you read a fantasy novel part of the fun is getting to explore a new world. Everyone knows that. But I believe the same is true about characters. You can explore interesting people in the same way that you explore a town or a culture.

I can't give you the moon,” the tinker said. “She doesn't belong to me. She belongs only to herself.

I believe a writer's most important skill lies in being able to see things from different perspectives.

I have known her longer, my smile said. True, you have been inside the circle of her arms, tasted her mouth, felt the warmth of her, and that is something I have never had. But there is a part of her that is only for me. You cannot touch it, no matter how hard you might try. And after she has left you I will still be here, making her laugh. My light shining in her. I will still be here long after she has forgotten your name.

Sometimes when I get up after writing, I'm surprised at how my body feels. Suddenly I'm not a lanky, hungry young boy any more. It's no fun putting on ten years and fifty pounds all of a sudden. Other times, I get up and I'm pleasantly surprised that I'm not a weary innkeeper, hopeless, with bones that feel like they're made of lead. I really sink into the characters that I write.

Now the truth is, writing is a great way to deal with a lot of difficult emotional issues. It can be very therapeutic, but that's best done in your journal, or on your blog if you're an exhibitionist. Trying to put a bunch of *specific* stuff from your personal life into your story usually just isn't appropriate unless you're writing a memoir or a personal essay or something of the sort.

There were two sets of double doors leading out of the antechamber, one marked STACKS and the other TOMES. Not knowing the difference between the two, I headed to the ones labeled STACKS. That was what I wanted. Stacks of books. Great heaps of books. Shelf after endless shelf of books.

The myth stems from the belief that writing is some mystical process. That it's magical. That it abides by its own set of rules different from all other forms of work, art, or play.But that's bullshit. Plumbers don't get plumber's block. Teachers don't get teacher's block. Soccer players don't get soccer block. What makes writing different? Nothing. The only difference is that writers feel they have a free pass to give up when writing is hard.

It's hard for me to take myself too seriously when I'm constantly experiencing firsthand what an incredible gimp I can be.

I don't speak fluent bumpkin.

Sometimes I go outside after a long stretch of writing and I'm surprised it's not raining. Or that it's daylight. Or that it's not the middle of winter. I don't know if that level of immersion is normal, but it's now I do things. I like it. It works well for me.

Someone's parents have been singing entirely the wrong sort of songs.

Humor is important. If you're going to tell any sort of realistic story, you're going to have to have humor in it, because people are funny. Clever people especially.

If you're going to have a book full of clever people and nobody ever jokes, it's just not going to ring true to the reader. That said, humor writing is the hardest kind of writing there is.

Then I felt something inside me break and music began to pour out into the quiet. My fingers danced; intricate and quick they spun something gossamer and tremulous into the circle of light our fire had made. The music moved like a spiderweb stirred by a gentle breath, it changed like a leaf twisting as it falls to the ground, and it felt like three years Waterside in Tarbean, with a hollowness inside you and hands that ached from the bitter cold.

Reading aloud sounds like a good idea, but honestly, it doesn't work very well. Good dialogue in a book doesn't actually bear much resemblance to real-life dialogue. For example, if you've ever seen a word-for-word transcript of people talking, it doesn't read off the page very well. The trick is to make it *seem* like it's being spoken, not to make it speakable.

Humor is hard, hard, hard. And if you fail with humor, you don't fail halfway. You drop the ball humor-wise and everyone notices.

We need time to relax and enjoy ourselves too, no matter how dark the story. The occasional humorous moment helps with that. That's one of the things that Joss Whedon excels at in his storytelling.

He taught only one class: 'Unlikely Maths'. But since the time was listed as "now" and the place, "everywhere," this was hardly helpful in tracking him down.

When someone tells you a piece of their life, they're giving you a gift, not granting you your due.

In brief, worldbuilding is different than setting in my opinion. Setting is a room. A backdrop. It's scenery. But without good worldbuilding, you can't have realistic feeling scenery. You can't have cool, unique backdrops for your story.

I don't think people need to know much about me to understand the book, or to enjoy it. The book stands by itself. Over the last several years, my life has been all about writing these books, but the books aren't about my life.

The key to good worldbuilding is leaving out most of what you create. You, as the author, had damn well better know the where all that dragon food comes from, but that doesn't mean that I, as a reader, want to read a five thousand word essay about you explaining it to me. I don't need to see the math, but I can tell by the details you provide whether or not you've thought these things through to their logical conclusions.

Fantasy is a genre that allows me to create anything I want. That, in turn, allows me to explore any sort of idea I'm curious about. I love it because Fantasy is a genre that asks, "What if...?" That's my favorite question.

Over his own dark Cealdish beard. "Nothing like your marvelous facebear.

You need to realize that most writing rules aren't laws, they're rules of thumb.

Fencing is more a sport than a martial art. It would be like basing your knowledge of roman phalanx warfare on NFL football.

Humor is important for is pacing. If your whole book is just drama drama drama, it's going to wear down the reader.

I'm not a role model. I'm an aberation. A statistical anomoly. Following in my footsteps is about the dumbest thing you could ever do.