Top 14 Quotes & Sayings by Paul de Man

Explore popular quotes and sayings by a Belgian critic Paul de Man.
Last updated on November 8, 2024.
Paul de Man

Paul de Man, born Paul Adolph Michel Deman, was a Belgian-born literary critic and literary theorist. At the time of his death, de Man was one of the most prominent literary critics in the United States—known particularly for his importation of German and French philosophical approaches into Anglo-American literary studies and critical theory. Along with Jacques Derrida, he was part of an influential critical movement that went beyond traditional interpretation of literary texts to reflect on the epistemological difficulties inherent in any textual, literary, or critical activity. This approach aroused considerable opposition, which de Man attributed to "resistance" inherent in the difficult enterprise of literary interpretation itself.

The ambivalence of writing is such that it can be considered both an act and an interpretive process that follows after an act with which it cannot coincide. As such, it both affirms and denies its own nature.
Death is a displaced name for a linguistic predicament.
Literature exists at the same time in the modes of error and truth; it both betrays and obeys its own mode of being. — © Paul de Man
Literature exists at the same time in the modes of error and truth; it both betrays and obeys its own mode of being.
The critical method which denies literary modernity would appear - and even, in certain respects, would be - the most modern of critical movements.
Curiously enough, it seems to be only in describing a mode of language which does not mean what it says that one can actually say what one means.
Fashion is like the ashes left behind by the uniquely shaped flames of the fire, the trace alone revealing that a fire actually took place.
Metaphors are much more tenacious than facts.
Modernity exists in the form of a desire to wipe out whatever came earlier, in the hope of reaching at least a point that could be called a true present, a point of origin that marks a new departure.
The writer's language is to some degree the product of his own action; he is both the historian and the agent of his own language.
What we call ideology is precisely the confusion of linguistic with natural reality, of reference with phenomenalism
Literature... is condemned (or privileged) to be forever the most rigorous and, consequently, the most reliable of terms in which man names and transforms himself.
The critical method which denies literary modernity would appear -- and even, in certain respects, would be -- the most modern of critical movements.
If one reads too quickly or too slowly, one understands nothing.
The bases for historical knowledge are not empirical facts but written texts, even if these texts masquerade in the guise of wars or revolutions.
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