Top 30 Quotes & Sayings by Paul S. Kemp

I don't do 'political correctness,' whatever that means. I write the stories I want to write, featuring the characters I want to feature. I don't touch demographic bases to appease this group or that. I write what I want. Full stop.

My favorite class as an undergraduate was a political theory class on justice. Now, 'justice' is hardly a self-defining term, and much smarter men than I have developed various definitions over the centuries. The class put Plato at one end and Nietzsche at the other, and off we went.

The anti-hero walks the morally gray path and constantly flirts with redemption, and that flirtation is just a blast to write.

I suppose the textbook definition of an anti-hero is pretty straightforward - a protagonist who embodies not only heroic characteristics but also some characteristics typically deemed non-heroic, even villainous.

Luke and Vader's light saber duel in 'Return of the Jedi' gives me chills every time. Even the still photo of the two of them in silhouette, sabers crossed, gives me a rush.

I always say that characters must drive plots, never the reverse. Writing about large-scale events creates the risk that the scope of the events themselves can overwhelm the characters. I emphatically do not want that. That was the only trepidation I felt when I started 'The Twilight War.'

I think my best quality as a writer is the ability to craft complicated, nuanced, interesting characters.

The human mind has infinite capacity to rationalize, and evil characters just push that boundary a bit. Whatever they're doing, they think it makes sense to do it, and they think they have a good reason to do it. In short, they feel justified.

I don't actually do anything special to get in the proper frame of mind for creepy/heinous scenes.

My favorite film is 'The Empire Strikes Back.' My writing, and my personal taste in movies and books, tends toward works with a darker tone, and 'Empire' fits that the best of all the movies.

For me, 'The Hobbit' is an object lesson in storytelling, both in terms of characterization and story structure. It is an exemplar of storytelling in that regard.

It's true that 'Lords of the Sith' has a lesbian character. Her orientation is a characteristic in the same way as is her brunette hair. It just fit with my conception of her.

I'm a transactional lawyer, which involves a lot of negotiation. If nothing else, that's given me a good eye for human motivation and frequent case studies in peculiar psychological quirks. I think that's served me fairly well as a writer.

My favorite new character isn't new, but more fleshed out - Gadd, the alekeep at the Tunnel. He's got him some teeth and tats. His history is hinted at in Discourse, and I plan to explore it more in later books.

I'm unstuck in time. Also, I juggle like mad and have made myself efficient.

I loved The Weird (one of the stories in it inspired Blackalley in Discourse).

I like to keep the world, to some degree, an implied setting.

Fantasy allows for less rigorous worldbuilding and more vigorous exploration of moral questions. Sci-fi is opp.

With young kids (I have four including the newborn) times passes weirdly for me.

Shared world has done some world building and brings (in the case of FR and SW) a big audience. With your own work, you're more creatively free. In a way, the shared world stuff has a high floor but a ceiling.

I enjoyed The Mirage by M. Ruff. I'm reading Edgar Rice Burrough's Princess Of Mars right and loving it.

I always work from outline and almost always write out of sequence. It just works for me.

Original work has no floor and no ceiling. You can reach essentially zero readers or millions.

My goal is to write stories that are connected, but not sequels in any meaningful sense. Like Howard's Conan tales or Leiber's Fahrrd & the Great Mauser stories.

The Sundering is a world spanning event that creates ripples all across the Realms. The books in the series are connected in that they take place against that backdrop, showing different aspects of it. The stories, however, are not sequels or intertwined, though there are some Easter Eggs across books.

Cale is my signature character in the Forgotten Realms. The most popular character I've written. He's a thief, an assassin, and eventually, a priest who stabs his own god in the chest. Always trying to slip his past, but never succeeding. Dark dude. Brooding dude. Born killer. But honorable, still.

The Forgotten Realms is arguable the most detailed, intricate fantasy setting ever created this side of Middle Earth. It's a setting for many D&D game products and lots of fiction. It is vast, historically and geographically and so contains just about anything you might imagine, at one place or time or another. Created by Ed Greenwood. And, for the record, Ed Greenwood is one of the smartest guys I've ever met.

I try to pester Christian Dunn from time to time. As soon as my schedule allows, I plan to make a real pest of myself and get some hot, slippery Chaos action.

The Disney deal created some wrinkles. I'm under contract. But I'm on standby.

[Writing] is harder than you think. You'll be rejected often. If you do it for money, you'll quit. Love it or don't do it.