Top 56 Quotes & Sayings by Paula Cole

Explore popular quotes and sayings by an American musician Paula Cole.
Last updated on November 4, 2024.
Paula Cole

Paula Cole is an American singer-songwriter. After gaining attention for her performances as a vocalist on Peter Gabriel's 1993–1994 Secret World Tour, she released her first album, Harbinger, which suffered from a lack of promotion due to the label, Imago Records, folding shortly after its release. Her second album, This Fire (1996), brought her worldwide acclaim, peaking at number 20 on the Billboard 200 album chart and producing two hit singles, the triple-Grammy nominated "Where Have All the Cowboys Gone?", which reached the top ten of the Billboard Hot 100 in 1997, and "I Don't Want to Wait", which was used as the theme song of the television show Dawson's Creek. She won the Grammy Award for Best New Artist in 1998.

I don't like to sit and bask in my own awards. Awards represent artistic death to me.
I'm raising my daughter with her grandparents in the picture, and that feels good.
Just watching my cats can make me happy. — © Paula Cole
Just watching my cats can make me happy.
So I'm writing more highly personalized and intellectual music, and I think that's good. It might take longer to find me, but I think that niche is perhaps underserved, so I'm going to serve that.
I'm still trying to find out who Paula Cole is. I always am - and I always will be - my real, inside self, which has no name.
The monsters are in your own head.
I like women who can throw a ball and laugh loud and have some spine, and I like men who don't mind cooking dinner.
Walking is magic. Can't recommend it highly enough. I read that Plato and Aristotle did much of their brilliant thinking together while ambulating. The movement, the meditation, the health of the blood pumping, and the rhythm of footsteps... this is a primal way to connect with one's deeper self.
The older I get, the more I see that there really aren't huge zeniths of happiness or a huge abyss of darkness as much as there used to be. I tend to walk a middle ground.
I've left Bethlehem, and I feel free. I've left the girl I was supposed to be, and some day I'll be born.
I like doing the crossword puzzle in the New York Times, not watching E! on TV.
The flower has opened, has been in the sun and is unafraid. I'm taking more chances; I'm bold and proud.
But at the age of 44, I sure hope to be a better businesswoman. I want to get the music straight to my fans. — © Paula Cole
But at the age of 44, I sure hope to be a better businesswoman. I want to get the music straight to my fans.
I'm glad I made a piece of art that can be interpreted so widely. Art is always interpreted subjectively.
I find that the older I get, the more I see that there really aren't huge zeniths of happiness or a huge abyss of darkness as much as there used to be.
I wanted to be a cheerleader, like my sister was - all the most popular and beautiful girls are cheerleaders and I wanted that, and it demolished this vision of myself. That's when I found the piano, when music saved me; that's when I first attempted to write my own songs.
Didgeridoo was something I picked up while I was on tour in Australia with Peter Gabriel in '93. I found out later that it's only meant to be played by men.
But looking back, the fact was that I had a couple of big hits too quickly and it was simply too much for an introvert like me to handle.
I was curious and hungry at a young age, and jazz was such a mystery to me, an ocean where you can express yourself in the moment. It represented freedom, it represented wearing wings and going somewhere with music.
For me music is a vehicle to bring our pain to the surface, getting it back to that humble and tender spot where, with luck, it can lose its anger and become compassion again.
When you're a plebeian you want success, and when you're successful you want to be a plebeian again.
If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.
I'm accepting I'm not living that younger, dreamed version of myself in the big city.
I see my albums as working diaries, as living scrapbooks of me and my life.
I'm used to adversity and working really well in difficult situations. It was hard for me to accept the success.
At the age of 15 months my daughter was diagnosed with very bad asthma, and essentially I put my career on hold for a good eight years.
I think of my shows as family reunions. I give 100% every time. I just do. It's a huge therapeutic release. Also I love my touring family. And I love my audiences very much.
Being a writer is a very private, internal process. Ultimately I am more the writer, being an introvert.
I'd love to act. I feel that it's another naked, mysterious challenge, like jazz. It kind of intrigues me in the same way.
I think it's important to find the little things in everyday life that make you happy.
Feminists were psyched that I had armpit hair.
I hope and believe we are paving a better future for female artists to come.
People have become less discriminating listeners, which is tragic, really. There's a lot of emperor's new clothes out there, whether they're female or male solo acts. That bothers me. It's hard to break through, and it's like climbing Mount Everest if you actually do.
I'm a songwriter who's put my childhood memories and teenage angst into songs.
I struggled with being in the public eye, losing my anonymity when my star rose quickly in the late 90's. But I need the challenge of showing up and getting up there to spill my guts and connect with my loyal folks.
You make me feel like a candy apple, red and horny. — © Paula Cole
You make me feel like a candy apple, red and horny.
The river was always there inside of me, but I was very shy. I could see that this was my path. I felt destiny in my own music.
Thank God I have music to vent my emotions. I'd be in a prison if I didn't.
Walking is magic. Can't recommend it highly enough. I read that Plato and Aristotle did much of their brilliant thinking together while ambulating. The movement, the meditation, the health of the blood pumping, and the rhythm of footsteps...this is a primal way to connect with one's deeper self.
I'm used to adversity and working really well in difficult situations. It was hard for me to accept the success
Feminists were psyched that I had armpit hair
I want to sit with my legs wide open and laugh so loud that the whole damn restaurant turns and looks at me.
Welcome to the church of me.
It's me who is my enemy Me who beats me up Me who makes the monsters Me who strips my confidence.
Far away, to an infinite world I escape. I'm clear and calm, I'm unafraid. Sunless days, in my sheltered milkyway. In Saturn's rings I feel no pain.
The older I get, the more I see that there really aren't huge zeniths of happiness or a huge abyss of darkness as much as there used to be. I tend to walk a middle ground
Hitler's brothers are on the rise, they're wearing everyday disguises. — © Paula Cole
Hitler's brothers are on the rise, they're wearing everyday disguises.
I'm glad I made a piece of art that can be interpreted so widely. Art is always interpreted subjectively
I hope and believe we are paving a better future for female artists to come
The monsters are in your own head
Our planet is a tiny atom in god's kingdom.
I am searching for the truth. Somewhere, it's in the music.
I am not the person who is singing I am the silent one inside. . . . I am not my house, my car, my songs They are only stops along my way. . . .
When you're a plebeian you want success, and when you're successful you want to be a plebeian again
I wore Nietzsche's eyes. Now that I step back to see, I haven't been me.
And she is your holy Mary. And I am so ordinary.
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