Top 70 Quotes & Sayings by Peter Landesman - Page 2

Explore popular quotes and sayings by an American novelist Peter Landesman.
Last updated on December 4, 2024.
Modern art, in particular, seems especially vulnerable to fraud. Its abstractions are sometimes difficult to understand or grasp, and a modern painting is often loved less because of its intrinsic quality - its beauty, as conventionally understood - than because of the identity of the painter, its mark of social status.
14th- and 15th-century drawings are almost unheard-of - and as a result, they generate jealous desire among dealers and curators. Museums in particular value rarity and pedigree more than attractiveness.
Hard information on the quantity of bogus art sold is difficult to come by, in part because fraud, when discovered by dealers and auction houses, is usually kept secret to boost public confidence in the art market.
Refugees tend to avoid planes, airports and fake passports, even though flying may appear to be the most obvious way to flee. For one thing, security procedures at airports are far stricter than at land borders.
There will always been the prurient rubbernecking aspect to disasters: people who just can't get enough gore. — © Peter Landesman
There will always been the prurient rubbernecking aspect to disasters: people who just can't get enough gore.
The trains that travel the Chunnel are massive machines. The Eurostars are bullet-shaped and a quarter-mile long. They are pulled by a 136,000-pound locomotive and move in the open air at 185 m.p.h. and through the tunnel at 100 m.p.h.
Serious collectors and art experts, among the world's most educated, often cannot fathom the possibility of being rooked, and then once taken, cannot face the humiliation of admitting it.
We've all seen 'Network' and 'Wag the Dog,' but we were somehow insulated by the fact that those were just movies, fictions, and we could rest easy that the Real News doesn't operate that way. Well, it does - sometimes.
Each year, tens of millions of museumgoers walk through the entrance of the Getty, or the Metropolitan or the Prado or the Hermitage, and never consider the possibility of having to arbitrate for themselves the authenticity of what they have come to see.
A museum's meticulous presentation - exhaustive captions, hushed lighting, state-of-the-art armature - creates an institutional authority that is constructed to seem impregnable.
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