Top 42 Quotes & Sayings by Peter Stormare

Explore popular quotes and sayings by a Swedish actor Peter Stormare.
Last updated on November 5, 2024.
Peter Stormare

Rolf Peter Ingvar Storm, known professionally by his credited stage name as Peter Stormare, is a Swedish actor. He played Gaear Grimsrud in Fargo (1996) and John Abruzzi on Prison Break (2005–2007). He has appeared in films including The Lost World: Jurassic Park (1997), Playing God (1997), The Big Lebowski (1998), Armageddon (1998), 8mm (1999), Dancer in the Dark (2000), Windtalkers (2002), Minority Report (2002), Bad Boys II (2003), Constantine (2005), and 22 Jump Street (2014), and the video games Destiny (2014), Until Dawn (2015) and Destiny 2 (2017).

I never want to get tied to one project or be in one TV show forever.
Terry Gilliam is one of the greatest brains I ever met.
I have the luxury of being a little boy... To me, the most important thing in life is to be a human being. Second is acting. — © Peter Stormare
I have the luxury of being a little boy... To me, the most important thing in life is to be a human being. Second is acting.
Everyone that've been here, working, living as Americans - just give them a green card.
I came on board 'Clown' because it was a very simple story, and it was a very nice script and a very refreshing take on a kind of The Brothers Grimm fable, you know?
In my career, I've been lucky to do the bad guys that are more interesting, where the audience wants to spend more time with them and get to know them. That's what I'm always looking for and trying to do.
I call myself a grasshopper. I paint, I write poetry, and I'm in a band. When it comes to movies and TV, I like to work in everything and with everyone. I wanna do it all, beyond even the screen.
I'm a curious human being, and I love things that are a little bit off.
I like the clowns from the circus that have more paint on their face. They were all funny and made me laugh. As a kid, I remember the clowns that were all in white reminded me more of death than circus clowns. It can be a scary thing.
I like to create characters that are larger than life. But it's funny because I do a lot of bad guys, and it's because, being European, I usually get cast as bad guys. It's just how it is.
The beautiful thing about 'American Gods' is that it's very simple at its core.
If you were my agent and I was making $10 million a movie and made four movies a year, that means you have a salary of $4 million.
I started as a director very young and fell into acting. — © Peter Stormare
I started as a director very young and fell into acting.
When I was in school, they say everybody can do art. And I was, like, a little bit obstinate - not an anarchist, but I was always asking questions. I said, 'Isn't art supposed to be difficult?' If we can all do art, then it's not really art. It's supposed to be difficult.
Steve Buscemi, in between takes, becomes like a clam. It's hard to get a word out of him. It's very funny.
The best paycheck you can get as a producer and creator is when people are happy to be on the show.
I was brought up telling stories, when I was a kid, in the tiny village where I grew up. Storytelling was a tradition.
I don't ever want to have a job where I just punch a clock.
Since I started, like, 200 years ago, I've always wanted to direct and write. But I've been so busy - and fortunate and lucky - as an actor.
To me, the most important thing in life is to be a human being. Second is acting.
I don't personally like slasher movies that make you scream in the movie theater.
I drive one car. I own one house. That's enough for me.
With my characters, I prefer to not say too much, and in fact, I tend to cut down some of the lines in most scripts I get.
People who are registered to vote should vote. I vote all the time. If I'm not in the country, I do it over mail. Sometimes I don't know who the people are - I just pick whatever girl is Democratic.
If I ran for president, the first thing I'd do is legalize everyone who's been here paying taxes, working, paying taxes. Mothers and fathers of kids born in the U.S. should get a green card.
I love to fantasize still, as I did as a little boy. If I see a movie, I want to fantasize about what it's all about.
Sometimes you have to trust your guts and your instinct and improvise a little.
How brittle life is, yet it's been going on for thousands and thousands of years. Maybe we should sit down and pay tribute to life instead of just destruction.
Arnold Schwarzenegger, Bruce Willis, they make bad movie after bad movie. — © Peter Stormare
Arnold Schwarzenegger, Bruce Willis, they make bad movie after bad movie.
My mentor, [Ingmar] Bergman, when we worked on stage, he said you can't convince a thousand people at the big stage where we were working. You can't convince everybody, but just pick one every night that you perform for and make sure that he or she will have an experience that alters their life in a more positive way. So, just one every night. That's worth all the struggle and screaming.
I started as a director, but I was too bored with actors. I preferred to act.
If what I think is God should come down today and says "I'm God, or the thing you call God, and you're never going to do any more movies. You're never going to do television. You're never going to do theater again in your life," I would just say "What are we doing? What is the next step?" That's how I try to approach it.
As an actor, you have to do things out of passion sometimes. I'm not in it for a lot of money. But I only need one car, and I'd rather work with people I really do respect and admire. And if you walk that path, you don't get written about too much in the tabloids, and I'm good with that.
Storytelling is all about using the imagination, for me at least it is. That's why I'm bored sometimes to see movies. I'm bored to see TV. I never see TV. I see news sometimes. I'm sorry to say, I work in this business and I love working in it, but I haven't seen a movie in so many years.
I usually say I might have a talent or I'm lacking a talent, because everyday, I must tell you, I thank whatever is up there or out there that I'm alive and that I get to do what I'm doing, and I think that sends off a lot of good vibrations in different directions.
There are some movies that I remember a couple of seconds and I want to carry those couple of seconds in my heart forever, or wherever it is, and that's worth it.
I think in the modern world we really need to have movie theaters or places we can go in and rejuvenate ourselves. I think we'll have less problems with our souls and our health. I do that in my life, and I feel healthy and happy. I need those hours in the darkness where I used to spend time as a kid, sitting in a little closet in the darkness, listening to AM radio, having glowing paint that I illuminated, just sitting there, dreaming about anything, not being disturbed for an hour or two, just alone in the dark. I'm still that little boy in my brain.
I've been very lucky and fortunate to meet people that are very inspirational in their spirits, too, and not just as filmmakers - in their personal life. I mean, Steven Spielberg is very inspirational just to sit down and talk for an hour, like Ingmar Bergman was. They know so much about life and, you know, movie-making, so it's just wonderful to be around those people.
If you do a character, always make the character with a big question mark. Even if the character is very enigmatic and all over the place, make him always with a question mark, because if you turn a question mark upside down, like they do in South America in Spanish, then it becomes a hook.
If I had the money, I would love to open up a movie theater that just played images and colors and beautiful music. For me, there's nothing like listening to a beautiful opera sometimes - on a record or seeing it live - just to be sleepy and let those beautiful voices take me somewhere I've never been before.
When you introduce a character and show him for the first time, don't show him fully lit. Don't show him one hundred percent to the audience. Show maybe fifty percent or sixty percent so the audience can fill in the dark spots.
I dislike those people that see an opera and say "Oh, they can't act it. They just sing. It's boring." Lean back and just listen to the voices. — © Peter Stormare
I dislike those people that see an opera and say "Oh, they can't act it. They just sing. It's boring." Lean back and just listen to the voices.
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