Top 13 Quotes & Sayings by Philip Jones Griffiths

Explore popular quotes and sayings by a Welsh journalist Philip Jones Griffiths.
Last updated on December 20, 2024.
Philip Jones Griffiths

Philip Jones Griffiths was a Welsh photojournalist known for his coverage of the Vietnam War.

The first picture of his I ever saw was during a lecture at the Rhyl camera club. I was 16 and the speaker was Emrys Jones. He projected the picture upside down. Deliberately, to disregard the subject matter to reveal the composition. It's a lesson I've never forgotten.
The only thing we photographers really want more than life, more than sex, more than anything, is to be invisible.
[Photojournalism] really is the only branch of photography that's a credit to our profession. We see, we understand; we see more, we understand more. — © Philip Jones Griffiths
[Photojournalism] really is the only branch of photography that's a credit to our profession. We see, we understand; we see more, we understand more.
Even if not a single picture is never published, they exist. And that means that we are recording the history of the human race. If that's all your doing, it still a very very worth while profession to be involved in.
When Bill Gates started Corbis we were told that he needed images to fill those digital picture frames in his home, and many found this plausible. But now it's pretty clear that he's set out to control the visual history of the twentieth century.
People believe pictures. It's a photograph that's in your passport, not a painting. Now, George Bernard Shaw said, 'I would exchange every painting of Christ for one snapshot.' That's what the power of photography is.
What we get to think and know about the world is in the hands of a very few... A truly informed public is antithetical to the interests of modern consumer capital.
The ability to keep things in perspective is very important for a journalist. In a tense situation you need the ability to be there, yet somehow step aside; to keep a cool head and keep working without getting frustrated.
... we are there with our cameras to record reality. Once we start modifying that which exists, we are robbing photography of its most valuable attribute.
Let's assume that all the cassettes of monochrome film Cartier-Bresson ever exposed had somehow been surreptitiously loaded with colour film. I'd venture to say that about two thirds of his pictures would be ruined and the remainder unaffected, neither spoiled nor improved. And perhaps one in a thousand enhanced.
Content alone is propaganda; form alone is wallpaper.
Real photography is a wonderfully inclusive, democratic medium, whereas art photography is more often a private pursuit by conmen.
I attempt to channel my anger into the tip of my forefinger as I press the shutter.
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