Top 25 Quotes & Sayings by Phoebe Snow

Explore popular quotes and sayings by an American musician Phoebe Snow.
Last updated on April 14, 2025.
Phoebe Snow

Phoebe Snow was an American singer-songwriter and guitarist, known for her hit 1974 and 1975 songs "Poetry Man" and "Harpo's Blues" and her credited guest vocals backing Paul Simon on "Gone at Last". She was described by The New York Times as a "contralto grounded in a bluesy growl and capable of sweeping over four octaves." Snow also sang numerous commercial jingles for many U.S. products during the 1980s and 1990s, including General Foods International Coffees, Salon Selectives, and Stouffer's. Snow experienced success in Australia in the late 1970s and early 1980s with five top 100 albums in that territory.

There's a fascinating school of thought that some women are relationship addicts. You get really strung out on a guy who's not returning your enthusiasm and tell yourself you're going to fix him and make him better, and of course it's impossible.
It's no sin to admit that you feel vulnerable and lost.
Back then, I was an acoustically-oriented artist. Honestly, 'Poetry Man' wouldn't have been my first choice. — © Phoebe Snow
Back then, I was an acoustically-oriented artist. Honestly, 'Poetry Man' wouldn't have been my first choice.
I'm not a folk or jazz singer, more a hard-edged pop singer - with some rock, and song hooks.
The thing that helped me come to terms with performing was an anxiety, a desperation for acceptance. There was never enough positive motivation in my life.
A friend hipped me to hypoglycemia, which an article I read calls 'a disease for a nation of sugar junkies.' Who knows how many people in this country have it?
The most common misconception about me is that I'm basically a jazz singer.
I know there's a consciousness energy that operates completely independent of the physical body you inhabit, that maintains... awareness after the body's gone.
Give me a strapless gown and a rhinestone-studded guitar and some 55-year-olds in my audience, along with their kids and grandkids. Don't give me 'boogie'!
There were times when I had maybe a couple of hundred dollars, and times I made myself think I was on top of the world.
Once I get out onstage, it's the same sort of basic production that it is anywhere else. But I might be a little bit aware that there might be people I know out there, who wondered where I was.
I was totally ignored for a while... that's a hazard of signing with a small company who say how small they are and how close to the artists they are. Suddenly they don't have any time for you.
I realized that I've lived half my life already, and it's time to believe in - and stand up for - myself.
I lost interest in being in the public eye.
If the baby is sick, you won't find me showing up to play my gigs. If I have a contract, there is going to be a clause in that contract saying that if the baby is sick I will not appear.
I faded away for a while out of necessity.
My life was very tenuous last year. My daughter's death, in March in 2007, was unexpected. It was a shock. I didn't know if I'd survive it.
I've sort of made up my mind that I have to do my career and I have to be a mother. These are my two responsibilities; of course the baby comes first.
I would like to do something autobiographical, set to music. I don't know how I'm going to do it, but I'm going to try.
Sometimes when you're overwhelmed by a situation - when you're in the darkest of darkness - that's when your priorities are reordered.
All of my life, when things got too difficult, I folded up the tent and went to bed. I couldn't stand a challenge... I was terrified of confrontation. I was very laid-back, and just wouldn't get involved or fight back.
With my quick success, I didn't have time to learn the ropes of the music business. Because my first record was such a hit, I was terribly spoiled and I thought I couldn't do anything wrong. I was also desperate to make tons of money because of my responsibility to my daughter. And there was no longer any joy in making music.
I wanted to be the greatest woman guitarist alive. I had fantasies about being a female Jimi Hendrix. — © Phoebe Snow
I wanted to be the greatest woman guitarist alive. I had fantasies about being a female Jimi Hendrix.
The first album was a very successful record. It made me very visible and it's an immediate association, but I don't do that anymore. Now I'm true to myself as an artist again. I'm more vocally oriented.
Music is what is going to save me," "On the bad days, when I have to look at the cold, hard facts of life, I see that this is not the music business I came up in and I have to be very, very objective and detached and say, 'what's good about it and what's bad about it?' Mostly, I'm finding it good that it's not the same old music business, because the music business I came up in really didn't advance anything I was doing, and I don't think it was particularly kind to a lot of artists.
This site uses cookies to ensure you get the best experience. More info...
Got it!