Top 250 Quotes & Sayings by Pico Iyer
Explore popular quotes and sayings by an Indian novelist Pico Iyer.
Last updated on December 3, 2024.
Travel, for me, is a little bit like being in love because suddenly, all your senses are at the setting marked 'on.' Suddenly, you're alert to the secret patterns of the world.
A holy day, after all, is a day for considering everything you otherwise think too little about.
The recipe to an unhappy life in Japan is to want to be Japanese if you are not. Anyone who wants to penetrate the country is setting themselves up for tears and disappointment.
Certainly, I think Canada is many years ahead of the curve and still the great global pioneer.
We have more and more ways to communicate, as Thoreau noted, but less and less to say.
Where you come from now is much less important than where you're going. More and more of us are rooted in the future or the present tense as much as in the past. And home, we know, is not just the place where you happen to be born. It's the place where you become yourself.
Travel for me is all about transformation, and I'm fascinated by those people who really do come back from a trip unrecognizable to themselves and perhaps open to the same possibilities they'd have written off not a month before.
The first time I stepped onto the rooftop of the Potala Palace in Lhasa in 1985, I felt, as never before or since, as if I was stepping onto the rooftop of my being: onto some dimension of consciousness that I'd never visited before.
Places have charisma, in short, as much as people do.
I would never call Jerusalem beautiful or comfortable or consoling. But there's something about it that you can't turn away from.
One of the happier ironies of recent history is that even as Tibet is being wiped off the map in Tibet itself, here it is in California, in Switzerland, in Japan. All over the world, Tibetan Buddhism is now part of the neighborhood. In 1968, there were two Tibetan Buddhist centers in the West. By 2000, there were 40 in New York alone.
The more ways we have to connect, the more many of us seem desperate to unplug.
A traveler is really not someone who crosses ground so much as someone who is always hungry for the next challenge and adventure.
It takes 25 minutes to recover from a phone call or an e-mail, researchers have found, and yet the average person receives such an interruption every 11 minutes. Which means that we're never caught up; we're always out of breath, running behind.
Like teenagers, we appear to have gone from knowing nothing about the world to knowing too much all but overnight.
Hello Kitty will never speak.
Like any traveler, I'm always looking for those experiences that are almost unique to any place, and watching films around Alaska of the skies in winter made me want to taste those unworldly showers of light in person.
In Japan, I live in a little neighborhood in the middle of nowhere. I don't have a bicycle or a car or anything, so my only movement is within the boundaries of my feet. I feel there's a need for that kind of conscientious objection to the momentum of the world.
In the two-room flat where I live in Japan, I try to take time every day to step away from the bombardment of e-mails and opportunities and papers around my desk, for an hour, and just sit on our 30-inch terrace in the sun, reading something sustaining, whether 'The Age of Innocence' or the latest by Colm Toibin.
All of us are feeling scattered and distracted as we try to keep up with an accelerating world. But nearly all of us have an answer in our hands, in simply choosing to do nothing and go nowhere for a while.
Writing is how I find out what I believe and what I care most deeply about. It's how I sort through the mess of daily experience and try to make sense of it - by stepping out of it for a while. Writing is how I train a searchlight into the darker corners of my self and the world, as I'm sure I'd never do otherwise.
The less you struggle with a problem, the more it's likely to solve itself. The less time you spend frantically running around, the more productive you are likely to be.
'Globalization' has become the great tag phrase, but when we talk about it, it's nearly always in terms of the global marketplace or communications technology - either data or goods that are whizzing around. We forget that people are whizzing around more and more. On them, it takes a toll.
For more and more of us, home has really less to do with a piece of soil than, you could say, with a piece of soul. If somebody suddenly asks me, 'Where's your home?' I think about my sweetheart or my closest friends or the songs that travel with me wherever I happen to be.
If I was a parent or a kid, I would need a cell phone, and those things are invaluable, but my kids are out of the house now, and I am thrilled when I wake up to not have a cell phone, and feel like today is stretching out in front of me for 1,000 hours, as it seems.
American dreams are strongest in the hearts of those who have seen America only in their dreams.
People are always asking me where I come from, and they're expecting me to say India, and they're absolutely right insofar as 100 percent of my blood and ancestry does come from India. Except, I've never lived one day of my life there. I can't speak even one word of its more than 22,000 dialects.
My Christmas present to myself each year is to see how much air travel can open up the world and take me to places as far from sheltered California and Japan as possible.
We all know how we can be turned around by a magic place; that's why we travel, often. And yet we all know, too, that the change cannot be guaranteed. Travel is a fool's paradise, Emerson reminded us, if we think that we can find anything far off that we could not find at home.
A book doesn't have to be a literary classic, of course, to change us forever.
The average American teenager sends or receives 75 text messages a day, though one girl in Sacramento managed to handle an average of 10,000 every 24 hours for a month.
When we are kids, we imagine that to define ourselves or to find ourselves means charting your own individuality, making your own destiny, and actually running away from your parents and your home and what you grew up with. Of course, as the years go on, we come to find that we become our parents.
I think one reason, obviously, that I spend so much time in one place is that I've been lucky enough to travel a lot, and now there are other different, invisible trains that are more interesting to me.
You can only make sense of the online world by going offline and by getting the wisdom and emotional clarity to know how to make the best use of the Internet.
I think writing is really about a journey of understanding. So you take something that seems very far away, and the more you write about it, the more you travel into it, and you see it from within.
I can still remember the afternoon, on my 15th birthday, when I opened up 'The Virgin and the Gypsy,' D.H. Lawrence's novella, in my tiny cell in boarding school, and whole worlds of possibility opened out that I had never guessed existed. The language was on fire and sang of liberation.
Almost everybody I know has this sense of overdosing on information and getting dizzy living at post-human speeds.
I sometimes think that so much of our life takes place inside our heads - in memory or imagination or interpretation or speculation - that if I really want to change my life, I might best begin by changing my mind.
To me, part of the beauty of a comma is that it offers a rest, like one in music: a break that gives the whole piece of music greater shape, deeper harmony. It allows us to catch our breath.
Wherever we are, any time of night or day, our bosses, junk-mailers, our parents can get to us. Sociologists have actually found that in recent years Americans are working fewer hours than 50 years ago, but we feel as if we're working more. We have more and more time-saving devices, but sometimes, it seems, less and less time.
In Vancouver, in Sydney and in Orange County, we live among fluorescent stores and streets so brightly lit that you can read a book after dark; in other places across our global body, there are blackouts and curfews every night.
What I treasure most at any moment is intimacy, surprise, a sense of mystery, wit, depth and love. A handful of cherished friends offer me this, and the occasional singer or film-maker or artist. But my most reliable sources of electricity are Henry David Thoreau, Shakespeare, Melville and Emily Dickinson.
A single Dallas Cowboys football game uses up as much electricity as the entire nation of Liberia in those same three hours - one reason the globe, if looked at from a certain height, is a cluster of lights surrounded by enormous patches of dark.
In many a piece of music, it's the pause or the rest that gives the piece its beauty and its shape. And I know I, as a writer, will often try to include a lot of empty space on the page so that the reader can complete my thoughts and sentences and so that her imagination has room to breathe.
In barely one generation, we've moved from exulting in the time-saving devices that have so expanded our lives to trying to get away from them - often in order to make more time. The more ways we have to connect, the more many of us seem desperate to unplug.
It takes courage, of course, to step out of the fray, as it takes courage to do anything that's necessary, whether tending to a loved one on her deathbed or turning away from that sugarcoated doughnut.
I think at this point I only write books about questions I really want to figure out. They're indulgences, essentially. I think, 'What would I like to spend five years really thinking about? What could I gain from thinking about for five years?'
In the past, I've visited remote places - North Korea, Ethiopia, Easter Island - partly as a way to visit remote states of mind: remote parts of myself that I wouldn't ordinarily explore.
If we do away with semi-colons, parentheses and much else, we will lose all music, nuance and subtlety in communication - and end up shouting at one another in block capitals.
Nearly everybody I know does something to try to remove herself to clear her head and to have enough time and space to think... All of us instinctively feel that something inside us is crying out for more spaciousness and stillness to offset the exhilarations of this movement and the fun and diversion of the modern world.
Contractions, 'U' for 'you' and the like are wonderful to make communication brief and efficient - but we wouldn't want all our talk to be only brief and efficient. Taking pauses out of language would be like taking the net away from a tennis game. Where would all the fun go?
The one thing perhaps that technology hasn't always given us is a sense of how to make the wisest use of technology.
To see the Persia of poets and painters, hiding in plain sight behind the much-maligned Iran of our newspaper headlines, would be my fondest wish.
You need to rebel to see the other options and to get a much richer, fuller sense of the world. And it's only once you've worked through that and seen through that that you can come back and accept who you are. You have to try all the other options.
It's an old principle, as old as the Buddha or Marcus Aurelius: We need at times to step away from our lives in order to put them in perspective. Especially if we wish to be productive.
Home is, in the end, not just the place where you sleep, but the place where you stand.
Movement is a fantastic privilege... but it ultimately only has meaning if you have a home to go back to.
It's no coincidence that the word 'holiday' suggests a holy day, or that the longest book in the Torah concerns the Sabbath. If you wish to advance in any sphere, the best way is to take a retreat.
The central paradox of the machines that have made our lives so much brighter, quicker, longer and healthier is that they cannot teach us how to make the best use of them; the information revolution came without an instruction manual.
I've yet to use a cellphone, and I've never tweeted or entered Facebook. I try not to go online till my day's writing is finished, and I moved from Manhattan to rural Japan in part so I could more easily survive for long stretches entirely on foot, and every trip to the movies would be an event.
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