Top 77 Quotes & Sayings by Raekwon

Explore popular quotes and sayings by an American musician Raekwon.
Last updated on December 22, 2024.
Raekwon

Corey Woods, is an American rapper, better known by his stage name Raekwon. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang , in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.

And as long as your cats is loyal to what y'all are standing for, and they know how to play the game, it should be no way you can lose. It's about compromising; it's about respecting one another's position, and about going with your heart as far as what you believe in.
So my thing is we want come in and diffuse anything that's not real, anything that doesn't associate with real hip-hop. We want to be the one that says, 'Yo, we want to help build and build a bigger and better industry.' I'm just like, 'Yo, with talent from Toronto, Vancouver, Quebec. Who's paying attention?'
I'm very unpredictable, but at the end of the day, I'm working. Sometimes things change in my life. It's like, 'Hold up - that ain't feel good. That felt good.' And that's how I look at anything I do.
I'm a storyteller - that's my chamber, that's my box. I'm always tryin' to give you the best story from our side of the table that you could really relate to quick. I understand where I wanna be at, but sometimes the production takes me where I need to go.
L.A.'s always been good to me. — © Raekwon
L.A.'s always been good to me.
You know the things I went through as a youngster, coming into the business, all the good, the bad and the ugly that came. I'd had a rough life. I grew up single parent. My mom, she was like a father to me.
I'm my own biggest marketing tool. I know the history of the business and I might as well capitalize on it.
When you think of Hollywood, you think of the land of opportunity. I always want to have the opportunity to do things conducive to my career.
If you gonna challenge my ways, know my history. Don't put nobody in my face that don't know about me, or they here to write an article on someone they thought was hot when they was hot. Come on, man. I been hot.
I've never been the type of person to jump up and throw out the album without it being what it's supposed to be.
Whether you hear me come out with another album or whether you hear any one of the Clan members, we're always going to involve everybody. When I look at 'Only Built 4 Cuban Linx, Part II,' I look at that as a Wu album. You feel me? Even though it was my brand and my thing that I done, I had my dudes on it.
As far as the creative side of making great, great albums and really trying to go down in history? I don't see that happening lately, you know what I mean? You have a lot of guys is talented, but at the same time, timeless music is more important to me.
But 'Cuban Linx' was a project that really needed to come, and I really wanted to get it off my chest because I know that the fans were really skeptical about it, like 'is this really gonna be what it's supposed to be?' So once everybody caught it for what it was and everybody was happy, that's mission accomplished for me.
In a nutshell though, it's just all about opening up to the people that really care about my career and really listening to everybody who is listening to me. It's just made me stronger, to really be able to open up that door and listen to everybody else's opinions.
I was having a lot of mixed feelings about the independent world as well as the label world. I feel like I've been in the game a long time, and you know, when it come to labels not seeing a fella being around the last five years, it's like, it's hard to convince them what I can do.
I never been a hater of these other cats, who never really had nothing, being successful. That's not my problem. — © Raekwon
I never been a hater of these other cats, who never really had nothing, being successful. That's not my problem.
I still wanted to see the family come back to life. And when that didn't transpire from the music, it kinda made me feel like I was bein' taken advantage of. I thought, when people heard '8 Diagrams,' they'd be like, 'Oh, Wu-Tang is a wrap now - they've lost it.' And I know that we didn't lose it.
I want to show the world that you do have some artists that are ready to go to the next level, and instead of being selfish with their career they'll open up the door to other people. I'm in a position to open up the door to help other people do what I do.
I stay excited 'cause for me, this is something I love to do. I'm like Coca Cola with it. I been here for a long time, I just gotta keep it nice and stay up to date and also give them that quality taste that they been looking for. It's nothing to me. When you built for it, you born for it, you do it cuz you wanna do it, not cuz you have to.
When I'm making the music, I feel like everything I throw out has to work. It counts. Because if you don't have people turning they neck all the way around to see what it is, it ain't stick on the wall.
I love to get on tracks with brothers like Inspectah Deck, Masta Killa, the GZA. The whole crew is golden, man. When you think of us, you gotta say, 'Yo, these are the Jacksons of hip-hop.'
In the early 2000s, I was going through a lot. I didn't have my head screwed on right. Where I was at as a man, I was still growing up.
I just wanted to give them the 'Lost Jewelry' so they can say, 'Yo, they get that's mean.' And then when I tell 'em, 'Yo, that ain't even the meal. Get ready for the meal!' That's when we 'bout to go crazy because the taste of the appetizer.
I remember I heard it in an interview with Michael Jackson one day, saying the art is gone, everybody makes records just to make a record. See, I always want the artist that try to build a whole body of music on one album, so you can enjoy it. So you could say, 'I went with him here, I went with him here.'
I always give RZA that support as far as saying he brought Wu-Tang to the table. It was his philosophy. He picked certain dudes to be part of this group, and he said, 'This is what it's going to be called.'
To be honest with you, I don't have one track that I consider better than the next because all I'm trying to do is still grow as an artist. I got way better since the early nineties, as far as putting words together. My best energy probably was the '90s, because I was new.
I'm always gonna be compared to the greatest cats that's in the game, but I lack a little bit less when I'm not as visible as other guys. So I live with that thought right there - yo, you still gotta work, still got more to do. One thing where I come from you gotta remember is, don't get souped up.
We strivin' for perfection.
I'll tell a young kid in a minute, 'If you don't know how to read, then what good is trying to be an MC?' Like, you can MC, but if you're not trying to be a better person, learn and apply that to your MCing, then how far do you think you're really going to go?
I'm not an artist that strays away from my fans. Nah, everybody is open to come and talk to me respectfully and I'm going to give them the same respect.
I could never say Rza's trash. But he didn't come with the right formula on '8 Diagrams.' I think 'Cuban Linx 2' will have the Clan back where they need to be, but then it's up for the Clan to be back where they need to be, too. 'Cos it ain't just the album, you know what I mean? It's everything.
I think that's a weak excuse, to say because a rapper's getting older that he ain't got it no more. Nah. Don't go by that philosophy. Let's just recognize that talent is within.
I've been living. I've been doing the writing thing. I've been being the family man. I've been traveling the world. I been to, like, 18 cities last year. I've been getting my thoughts together, trying to figure out what's going on with hip-hop itself.
I'm not an artist that makes singles, I'm an artist that makes albums, and it's a totally different thing.
I definitely had to do some soul searching, and there would be a lot of times where I would sit back and look at the Internet and say to myself, 'This is a way of being able to communicate with all my fans all over the world, other than just being in New York and only hearing the New York side of things.'
Well Ice H20 is my company that I plan to take to the next level with new artists, books, movies and so forth. It's more like a multimedia brand that I want to take to the next level and put some talented people on.
When I sit here and see that the eight brothers from the neighborhood that I grew up with still have success, it had to be magical. I doubt if you get another 'Wu-Tang Clan.' That might be harder than getting the new 'Jackson Five.' Certain groups you only get one time, and we just happened to be that group.
So for me, I had to get something going to promote the new project that I got. I decided to come with the 'Lost Jewelry' EP, which is a mixtape but it's more sexier because it's all fresh music.
We was just young guys who wanted to change. We got tired of doin' this same everyday bullshit that we was doin', and we all felt like we had dreams o' bein' a big star. You know, as far as with myself, I never really took it that serious as bein' a star. I only took it that serious as bein' a emcee, which is two different things. You know what I mean?
It's true, the Shaolin and the Wu-Tang, could be dangerous. — © Raekwon
It's true, the Shaolin and the Wu-Tang, could be dangerous.
As an artist, it's so important to create music that puts a chill through your body or does something to make you feel good. I think my album has a little bit of everything in it and that's important to me.
No question I would speed for cracks and weed The combination made my eyes bleed.
I think there are a lot of dudes out there that are runnin' out of gas. Some of my favourites, even ones I look up to... I haven't been fully impressed with their dynamics of makin' a body of work that makes sense to me.
When you devote yourself to being an artist, you have to stay on your craft and always try to get better and better.
You know the steez; you know my whole program. Brothers from the No-Lands, all we want is the G's guns and grams.
You know, I'm a product of my environment, gettin' into everything you know a kid my age would get into, a lot of negativity was surroundin' me. And we came, sat up and had a discussion about makin' a record, I think I was more or less overwhelmed with just that fact.
It's important to have a spiritual side because tomorrow's no promise to us. We have to pay homage to our saviour and put him in our life more because, without him, you don't know where you're going to go.
It's for real though, let's connect, politic...ditto! We could trade places, get lifted in the staircases, Word up, peace, incarcerated scarfaces.
Sometimes you can make a substantial amount of money and automatically think that you've made it, that you did everything you wanted to do. Some people just stop.
All I did was take my time, figure out where I made a lot of mistakes and try not to make them no more.
I think a lot of people can learn from listening to hip hop. It ain't always about beats and rhymes. — © Raekwon
I think a lot of people can learn from listening to hip hop. It ain't always about beats and rhymes.
The main thing I look at is: Is it from the heart? If I know that you down with me, then we always gonna be down through whatever the thick and thin.
You gotta have a schedule, you gotta have a team that's passionate about seeing you do the things you say you wanna do. When it comes to delivering this, it takes a lot of work and I can't do that on my own.
I got beef with commercial-ass niggas with gold teeth Lampin' in a Lexus eatin' beef.
Call me the rap assassinator / rhymes rugged and built like Schwarzenegger
Ghost tells me every few years, Yo, you showed me this style ... I'm like, man, we the same style. At the end of the day, he's one of my favorite rappers, I'm one of his favorite rappers, and we just do it.
When you a young kid at that age at that time, and you know that you got talent as far as hip hop, you wanna be on the radio, that's the first thing. So we was more or less infatuated with just havin' a song on the radio, you know? Before our careers even launched it was more or less about lettin' everybody know, 'Staten Island? You got good emcees there.'
Before I think we was emcees, we was more or less narrators too. Because if you look at the early '80s hip hop, it was so much creativity goin' on with artists like then, like Slick Rick, then you had Rakim, and you had these different kind of artists back then. And we was a marble cake of all these artists. So I didn't have a problem with writin' stories because I felt like that was somethin' I loved to do. Even to this day, I really consider myself an entertainer-slash-narrator. I like to talk about stuff that goes on.
In order to be one of the greats, you've got to study the greats.
The better you get, the more your legacy shines. I always just try to go hard. If you don't want do it for real, don't do it at all.
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