Top 118 Quotes & Sayings by Raphael Bob-Waksberg
Explore popular quotes and sayings by an American comedian Raphael Bob-Waksberg.
Last updated on December 21, 2024.
Netflix really trusts us. We don't get a lot of network notes. They're not coming back all the time like, 'Oh, this is too sad,' or 'This is too weird.'
I thought it would be fun to make a cartoon about this sad, misanthropic horse.
It is so easy now to never get bored because we have our phones with us all the time and we are always looking at stuff. I think when we get bored we are the most creative.
Saying someone's a fan of animation is as silly as saying someone's a fan of live action. That can mean anything.
My work is my work and my life is my life.
I am really excited by the form of short fiction.
I am doing what I can to expand the tent and bring up other people and make sure we are telling different kinds of stories.
If you are stuck on a problem, go for a walk and think about something else for a little bit. Going for a walk is very helpful for a writer because if you are staring at a blank page of a computer screen there is all this pressure.
I think that, as a show creator, you have to be very careful about what messages you're putting out into the world. That is a not always popular thing to suggest, because it feels very Tipper Gore-y, perhaps.
BoJack Horseman' would make sense in the world of 'Rick and Morty,' but it's hard to imagine Rick and Morty in the world of BoJack.
Humor was a big part of my childhood. My family was full of comedians. We'd sit around the dinner table and try to one-up each other. It sometimes ended in tears, but usually in laughter.
I don't know how everyone writes a novel; that sounds exhausting.
My general feeling about award shows that I've been to in the past was always that when you win, it's a great time. What a joy. You're celebrating there. And when you lose, the whole thing feels very stupid and why does anyone care about any of this. This is boring. I want to go home.
Art is a dialogue. I'm throwing rocks across a chasm and hoping people catch them on the other side.
One thing I think about a lot is that one of my favorite pieces of narrative art as a child was 'Calvin and Hobbes.' I really saw myself in the character of Calvin. I was rambunctious, I didn't always follow the rules, I had a wild imagination.
I always loved 'The Critic' and how specifically 'New York' it was.
I think life doesn't necessarily have an endgame.
I am a big fan of 'Rick and Morty.'
I think you need to think of yourself as a flawed human being with aspirations for goodness and never start to think, 'Oh, I am a good guy. These other people are bad guys. They're dumb, I am smart.'
I'm excited when any Netflix show comes out. I'm like, 'Yeah, Netflix! Doin' great! We're all on the same side.'
You're going to get different kinds of animation for different kinds of audiences. Traditionally, adult animation has been for the young male audience. There's no reason why that should be.
I think I am someone who is very interested in structure and different ways of delivering jokes.
What It Means When a Man Falls from the Sky' by Lesley Nneka Arimah blew my mind.
Part of being a writer is just getting it in your bones, getting the muscle memory down, just doing it.
I don't believe there is any line bad enough that a good actor can't save.
A lot of Christmas episodes feel like stories in quotation marks. Uh, a homeless guy comes to live with them and they all learn a lesson. That didn't come from an organic place.
I moved out to L.A. from New York... and I remember feeling, kind of like anyone does when they first move, so very lonely and isolated.
I have a lot of affection for those old shows. You can put on an episode of 'Full House' or 'Family Matters' or 'Growing Pains' now and I'll watch it. And I'll totally enjoy it.
This whole idea of too much TV, I think is really gross. Because I feel like it's mostly white men who are saying it. And it's like, 'Yeah, man, there's too much TV for you, but by nature of there being so much TV, there are other voices being represented.' Isn't that a wonderful thing?
I really liked the idea of a talking horse in a human world.
When I first moved to Los Angeles, I was staying with a friend of a friend of a friend up in the Hollywood Hills. I was in this tiny little closest paying $400 a month in this beautiful house.
Netflix is looking for interesting ideas from interesting creators. They really want to help me make the show I want to make.
If you try to guess what people are gonna think, you're chasing the wrong thing.
Our better angels get clouded and we're more selfish than we should be, more anxious or neurotic or desperate or self-sabotaging. Crueler, even. But I do think there's hope for everyone... I think redemption is possible for anybody.
One of the things that set us apart early on, as opposed to other animated shows, was the fact that 'Bojack' was continuous and serialized.
I think as soon as we start thinking of ourselves as good people, that's when we start letting ourselves off the hook which is bad. I think we should always be trying to be better but that doesn't mean we want to be good.
I've been in rooms where the creator has sold a show and then felt like the network didn't buy the show they wanted. They bought a show they thought they could craft into the show they wanted.
I had ADD as a kid and often acted as the class clown. My teachers used to tell my mom, 'Raphael thinks he's a real comedian.'
A lot of Christmas episodes of comedies are comedies trying to be dramas.
There was a warm and encouraging environment at home. My self-loathing and neuroticism are not because of my upbringing.
When I write, I try to turn my Internet off so I can't procrastinate through the Internet, but then I just get deeply involved in whatever I have just on my computer.
I thought it would be a fun change of pace to do a show about a really sad, depressed character.
With Bojack we are seeing him on this journey. I think we're hoping for him to find a way to be more gracious and kind and positive and better to people in his life and better to himself, but I don't know if I necessarily frame it as he was a bad person and he will become a good person.
When we started on 'BoJack,' it was understood that the Netflix model was to give shows time to find an audience, and to build that audience, and I remember being told, 'We expect the biggest day 'BoJack' Season 1 is going to have is when we launch 'BoJack' Season 2.'
I've written six seasons of a TV show with great help from an incredible staff of writers and other collaborators, but I still feel like I don't know what I'm doing. I've kind of freed myself of the expectation that I ever will.
I think we're so often, as writers, afraid of writing something that is less than perfect, and that fear paralyzes us. I'm a big fan of writing less than perfect things.
I don't believe in good people and bad people.
I think Netflix have a bit of a reputation for being totally hands-off, which is not quite fair. They are very active and vested, but in a really good way.
That's all life is, I guess. Just a bunch of riffs. Look at me: I'm wearing a tie. Why am I wearing a tie? It's because I saw an adult wear a tie and I thought, Oh, that's what people do. We're all just trying to be what an adult is.
I would love to just watch episodes of 'Horsin' Around' if I could.
I named him Todd Chavez after a guy I went to middle school with, whose last name was Chavez and who I always liked. He had a good energy, and something about his spirit felt Todd-appropriate.
I was very moved by shows that combined things that were funny and sad. I remember liking 'Simpsons' episodes in which emotions were central.
I don't know if animation is a style. It's a format.
I think we're all trying our hardest, and a lot of times we do bad things and need to do more good things. We need to be more caring, more forgiving, more loving.
When you surround yourself with white people, you continue to hire white people, and when you make an effort to hire people of color, that does bring in different stories and different people.
I'm very interested in telling darker stories that maybe you are not used to seeing in animation. Especially because in animation you don't see those kind of stories.
I don't know if I have writing habits. Writing is impossible and every time I have to do it I kind of forget how.
Why do we want to win an award? Yes, my grandmother would be very proud, but I think it's also so people can hear, 'Oh, this show won an award. I guess it's good. I should watch it now.'
So many cartoons are about real fun, happy-go-lucky simpletons.
I don't know, I don't know how to do anything. I'm just like, doing impressions of what I've seen other people do, and hoping no one knows that I'm actually just a little monster in a human suit making my arms go up and down.
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