Top 15 Quotes & Sayings by Ray Walston

Explore popular quotes and sayings by an American actor Ray Walston.
Last updated on December 21, 2024.
Ray Walston

Herman Raymond Walston was an American actor and comedian, well known as the title character on My Favorite Martian. His major film, television, and stage roles included Luther Billis, Mr. Applegate, J. J. Singleton, Poopdeck Pappy (Popeye), Mr. Hand, Candy, Glen Bateman, and Judge Henry Bone. He also played one of the miners in Paint Your Wagon (1969) with Lee Marvin and Clint Eastwood.

You could walk the streets, no matter how hungry people were, not matter how long they'd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
If it's not in New York, let's say it's in St. Louis, then they've got to find a place or get with someone who knows about the work... they've got to find a place like that and do scenes, and then try to get in plays.
I don't see all the movies that come out. — © Ray Walston
I don't see all the movies that come out.
I suppose when I was a kid, and I went to movies, and later went to some plays on my own when I got a little older, in New Orleans, where I was living then, I zeroed in on the actor.
I should have been trying to build a career, rather than leaving it in the hands of somebody else.
I feel that the thing that probably aided me the most in that scene with the dog was the utilization and using an actual recreation, affective memory, if you want to call it, of pain.
I have worked with some very great directors.
But I would like to think that it's the actor that makes the difference in these cases. Not the director, not the guy that wrote the book, not the guy that adapted it for the screen, but the actor.
I've often wondered, when they've done Of Mice And Men on stage, and I've seen it, how they did that gun thing. I've watched it on stage, but I don't remember it.
Talent will come out.
I was very conscious of the actor; watched what he did.
I didn't study acting.
If they're working in a workshop somewhere, where there is, let's say, uh... only twenty people, or something like that, that's still, when they work and do a scene, that's still working in front of somebody.
I love going on location, and the location was nice.
You could walk the streets, no matter how hungry people were, not matter how long theyd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
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