Top 126 Quotes & Sayings by Rebecca Hall - Page 2

Explore popular quotes and sayings by an English actress Rebecca Hall.
Last updated on December 21, 2024.
I don't know how you make a living without a few personal compromises.
The kind of career that I want is not easy as a lady to manifest, because everyone wants a lady to be likable.
It's not often you get female characters who don't fit into a box. — © Rebecca Hall
It's not often you get female characters who don't fit into a box.
I've been listening to 'Chapo Trap House' - they're quite radical. Every time I listen to it, my brain feels opened up.
I don't think it's helpful to put them all in a box and say people are evil and freaks because they have gotten to the point where they have fallen out of the community of what it is to be a human being. That's worthy of investigation.
Even if the film doesn't come out quite as you'd hoped, the process can also be very rewarding. I feel that way about a film called 'Lay the Favorite' that I made with Stephen Frears. I did that because the character was a real leap for me. The film doesn't quite all add up internally, but I feel very proud of what I did on it.
I did 'Iron Man' because I was curious about those massive movies that were taking over the summers every year, and I wanted to see what the fuss was about.
Nobody engages in a film, regardless of what your job is in it, to make a bad one.
Your principal motive on a movie set is to get the film made, but on a Woody Allen set, there's an ulterior thing that goes on, which is, 'Did you have a conversation with Woody? How friendly have you been with him? Am I liked by him?'
I was a sort of New York intellectual when I was 16. I wanted to dress like Annie Hall when I was 18.
I felt very fulfilled after doing 'Vicky Cristina Barcelona' because I'd always wanted to work with Woody Allen. That was like a lifelong dream, and that was thrilling for me, to enter that world.
You sit there, and you argue and you argue, and you sort of bully the hell out of the text until you're quite sure what it's revealing, and then you perform it.
When you work with filmmakers, and it's their first film, there's an exuberance and optimism, which is quite... There's no room for being jaded. Thinking that you know it all.
For better or worse, I don't necessarily categorize myself as a method actor; I'm not going to make claims that I stayed in character 24/7. — © Rebecca Hall
For better or worse, I don't necessarily categorize myself as a method actor; I'm not going to make claims that I stayed in character 24/7.
I'm a bit nerdy about accents. I love it.
I think I have a job, which is to present a character in a story and entertain you and divert you with my work - that's it.
As someone who works and travels as much, you could feel... A bit rootless?
Steven Spielberg was a huge part of my childhood, like everyone's, I guess.
We all relate to having highs and lows. Everyone gets depressed.
If you imagine yourself to be someone who is very uncomfortable in their own skin, then it does funny things to your voice.
I've worked on so many films where the script is one thing and then, somewhere down the line - on set, sometimes - it changes, and there's zero I can do about it.
I love being able to express myself through what I wear - and for it to be a way of expressing uniqueness and individuality.
I love the solitary, romantic idea of writing.
Yes, I'm a complete itinerant. I keep making attempts not to be, but then circumstances make me uproot and go somewhere else again. It's not the worst thing in the world at all; I love it. In fact, I'm probably horribly addicted to it.
You have to start from a place of trying to create a character.
My friends have noticed that if I suddenly go through a couple of months' unemployment, there seems to be a correlation that I don't ever tend to wear the same outfit twice. There will be such strange combinations of clothes because I'm probably a bit creatively stifled, so it's coming out in my wardrobe.
I don't have regular TV; I have Apple TV, so I pick what I watch, which is perhaps not a good thing. I read all the big publications and also listen to a lot of podcasts.
If I could be a musician, I'd do it. I love singing.
I love clothes. I've never actively followed trends, but I definitely know what I like and what I don't like. I think fashion is a really important and empowering thing. I don't think it's superficial, actually, I think it's very important.
This is how much of a music geek I am: if I have a day with nothing to do, one of my favourite things is to just sit at my computer and make playlists of pretty much anything.
I've just started to get really envious when I go into people's houses and see books on a shelf.
The voice is always the starting place for me with a character.
There is no way of knowing if a film is going to be good.
I don't believe that all actors should end up being directors.
A lot of people go through life trying to perform normalcy, and I think you can relate to that.
Anyone who commits an act of violence to themselves or others is worth consideration in the sense that there must be something that brought them to that point, whether it's a mental health issue or otherwise.
There are a lot of movies about misfits that are quite cool, that kind of glamorize it on some level. I think there are fewer films, certainly with a lady at the center, about the agony of what it's like to feel like you're not accepted, and you're different, and somehow you're weird.
I think it's a bit short-sighted to play any character and not explore, in some respects, the way they act when things get really bad. — © Rebecca Hall
I think it's a bit short-sighted to play any character and not explore, in some respects, the way they act when things get really bad.
I grew up watching his movies; I know everyone did, but I really feel that a lot of my formative years were informed by Woody Allen films.
Directors assume I'm, like, establishment.
I'm a very private person. I barely tell my friends what's going on half the time, so the idea that I should then talk to the world about what is going on seems anathema to me. People can say what they want. I'm not going to change anyone's mind.
In high drama or high tragedy or anything, it's not really human unless there's some humor at the same time. And vice versa. So I guess I tend to gravitate towards projects which tread a dodgy tightrope between two things, which aren't really one or another.
You either hear the story and you're curious, and you're sort of sympathetic, or you think, "Ugh, how horrible." That's dehumanizing. How about we take that and turn Christine Chubbuck into a person and it's not about the final act, it's about her life. I felt that really strongly, and I felt a sort of deep sympathy with her. It's also why I do what I do. I want to try to make difficult people somehow relatable.
Sometimes I can spend months doing things to make sure that my instincts work correctly, but ultimately it's still instinctive.
I love film acting - I'm not snobby about it. I don't think that theater acting's a more noble profession. I think they're both very important. I love both. And in my dream world, I'd get to do both forever.
I don't want to massively slag off Marvel, I don't. Because they have just employed a woman to be their superhero, and so hallelujah.
I don't want to make vast generalizations about people who go into legal professions, but there are similarities in the barristers that I met and interacted with, in the sense that they tend to be highly eloquent, highly analytical, thinking people who have a very rapid-fire think-before-they-speak button, as it were.
When we are aligned, everything can flow, and life and yoga becomes effortless.
I can’t remember a time when I didn’t want to be an actor. It has just always been an inevitability on some level. — © Rebecca Hall
I can’t remember a time when I didn’t want to be an actor. It has just always been an inevitability on some level.
I daydream about things I want to happen, but none of it is more complicated, most of the time, than just really hoping that the good parts and the well-written parts are the ones that turn up on my doorstep.
As I'm sure anyone who's born after the '70s' access point is - is '70s films and '70s culture and there is a kind of a paranoiac atmosphere in that time in America. Yes, it's the golden age of journalism, Watergate, and all the rest of these people making these great breakthroughs - but it's also the moment that "if it bleeds, it leads" becomes mainstream and sensationalizing the news becomes more and more the given. Checking how many numbers you're getting, whatever you can do to get more numbers.
We cannot talk with [animals] as we can with human beings, yet we can communicate with them on mental and emotional levels. They should, however, be accorded equality in that they should receive both compassion and respect; it is unworthy of us to exploit them in any way.
Twin Peaks' is my favorite American TV show.
You don't get roles like leading character in 'Christine' very often because people don't really like women on film to be unlikable. I think Christine is lovable, but I don't think she's likable. I think there's a fundamental difference. For me, those are the richest ones. Men have had a career of doing those kind of things.
A floor length backless black sequined dress would be my dream dress. As for my dream date - that would have to be a young Marlon Brando!
Feminism is something I think about more when I watch the film, Christine, rather than when I was actually doing it, to be honest with you. But I do think it functions as a sort of interesting feministic critique, because you are seeing a woman who's resolutely incapable of behaving like the kind of woman that's acceptable at the time. She doesn't know how to play the game by everyone else's rules, and it makes you realize that actually there were rules that were functioning for a woman to be a careerist.
A good piece of art raises questions.
Sometimes you can incubate a character and that can take me a month just sitting on it imagining it, doing everything from sketching it to taking long walks, but sometimes you can see the character immediately. A lot of it is instinctive.
The idea that fear can manipulate people and you can use fear in the media to get what you want is happening right now. I think it has a lot of relevance between 2017 and 70's.
If you choose to do both [acting and directing] on a set, than you're admitting that you understand that everyone is in it for the same goal and it's a collaborative experience. You can't really jump into being an actor, and than direct yourself. At some point, you have to be willing to accept other people's opinions. I think that's helpful. If you try to micro-manage and control all of it, than you're probably heading for disaster.
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