Top 106 Quotes & Sayings by Riccardo Tisci - Page 2

I arrived here, with a destroyed house, with nothing. I had to do everything very slowly. And with a little team and a great president, we achieved a lot. I am happy here. For now, it is still Givenchy by Riccardo Tisci, and I think that it will be for a long time, because it will be difficult to evict me from my house. I feel good here!

In the beginning I didn't want to do a menswear collection. It felt a little forced. And then I found that it was an amazing world.

What I very much admire about the Versace maison, and what I am still trying to learn to do myself as I am still young, is that from day one until today, Versace is the peak of sexy but never crosses that red line into the vulgar.

We didn't have a television, so we sat around the table, and me and my sisters and my mom would do these jobs, like, a penny for a piece, you know, these paper jobs. You know, what really saved me as a human today is my sisters and my mom.

This is why I decided to work with Nike, too, because it is even more mass-market than Givenchy and could make entry-price shoes and make people dream to be part of the journey.

I am one who is very meridione - Southern Italian. I am proud of this. I design everything with my team, which is fantastic and small. I design by look. For example, people always comment to me, "When you do men's shirts, you always keep them closed on the catwalk." That's my thing.

I used to hate to go to school, because when it was Friday afternoon and everybody was finished school, I knew I was going to work Saturday and Sunday.

At the beginning, I didn't see what Givenchy could give my career. It was like, "Okay, I'll do it for the money for a few years to help my mom and my sisters."

I started to draw and design clothes that I couldn't find, because everything was all luxury, fashion clothes or very straight. So I mixed all of that together: Who says I can't put a man in a skirt? Who says that a man can't wear lace? Who says that men can't wear Swarovski? Who says that men can't wear makeup? You know what I'm like; for me, straight, gay, women, men, trans, we're all the same. I don't see difference.

In spite of the fact that everyone thinks I am very much a rottweiler - that i am very dark and everything - I have a side that is very romantic that i show to very few people.

I do the final fitting because the client wants me there. They're not spoilt, they really understand that you're very busy, but they just want you to say what you think - for just ten minutes. They really want to know your opinion because it really is a service at the end of the day, a luxury service.

Even at the beginning when I arrived at Givenchy, there were certainly people who supported me, but not everyone loved me. They were saying, "Why an Italian who acts Gothic?" Never mind the fact that Italy is one of the main exhibitors of Gothic art in the world. But it was like, "No, Italians should only do sexy!"

My mom and my sisters were amazing; they always see the good in people. My mom, she doesn't know how to write and read much, but she's one of the most fantastic women I've met in my life.

Even though I had a fantastic family, I always felt lonely - not lonely in the melancholic way but knowing that, to really survive, I have to do everything for myself. I had to work and study, and I was out in the street really surviving, bringing food back home.

When I started, everyone said couture was finished and I was so scared. Actually I was more terrorized than scared. I was arriving from a provincial area of Italy. They called me in to do Givenchy and I just thought, Wow.

In Italy, especially in '70s and '80s, there was a lot of racism between north and south. And my mom immigrated from the south to the north, from Puglia, the heel of Italy. But what made me feel different was society, not my family.

For me, aesthetically, Donatella Versace represent what the Italian woman is. There is always the American rock thing, the aristocratic, above-the-rest British manner, but Italy is at the heart of it.

I was a very nice boy. I was well-educated ... very Catholic family. So I was very respectful, never late at work. I was always the last one to leave. It's always been that way in my life.

I'm very well off but I can stay with normal people. I can do a super-luxury life, but I can do a very normal life and I'm not scared.

Every two to three weeks, I was changing around my room. My room was made out of nothing, basically - a magazine, a little radio, a little bed - and I had the sensibility to put things together and match things in a certain way so that they were very special.

The aborigines in Australia, the way they dress is very honest; it's not about: "Oh, you wear a skirt, you're gay."

These five years as a couturier have really changed my way of seeing fashion and my confidence with fashion. Couture is a dream.

It's super-essential. Even though I don't have a very big team, for me, the word muse may be démodé or not. I adore it, but I am also one, in my delirium, to be quite classical. For a designer - especially a male designer - he absolutely has to have that female voice by his side, which he listens to, he filters, he digests. It's a huge need, because when you see through the eyes of a man, you see a woman a certain way, and how they have little tricks of their own.

My mom always said to us, "You cannot judge anybody because of the color of skin." There were a lot of African immigrants in Italy at the time, and people would not even say hi in the street. And my mom, she would invite these people to the house. This is what I got from my mom: to not judge people because of their sexuality, their skin color, their religion, nothing.

Most little children's obsessions are robots and Barbie dolls. My obsession as a kid was the Versace house. I used to save up my pocket money to buy Versus shirts. I was that obsessed!

In the beginning, to be honest I was super-scared. I turned up and took a step back and said, 'I am here to learn,' and I feel the same today. I've got only to learn from these people because they have been doing couture for 30 or 40 years, so I keep learning every season.

When I went to England, to Saint Martins, I was traumatized, in a positive way. It was that British sense of transgression and the dark. Then when I went to Paris, I was doing couture, which everyone was saying was finished. Bullshit! For me, in the end, it was all a mixing of ingredients.

When I do a show I have such high emotion; the energy is amazing - but, people don't really see the details and the work and the experimentation that we, the designers, put into the clothes. With prêt-à-porter you're having a look.

There are some people whom I esteem and want their opinion first, but that's my way. It is difficult for me to delegate. In the end, I do have two or three people on my team who I listen to.

I listen to certain opinions because those are important to me. I am a Leo, so I very much have my feet on the ground, and I know what I want, but there is also a side of me which is a little softer, still a little bit of a boy who has not grown up and who listens a lot.

I didn't have many friends. I was very shy ... And, then, even worse, when I was 14 I became Gothic. I had long, black hair. I was going to school with makeup. Because I was trying to find my language, to scream to the world that I felt so closed in a box where I was living.

I am super-Italian, not even European - Italian. And this is very precise. It's like houses. Over time they stabilize themselves in the terrain. I am still at the first step of a long staircase.

My friends were like, "Oh, this weekend, we're going to go shopping." "Oh, this weekend I'm going to go to see the judo champion" ... you know. And I couldn't do anything.

This is very much part of my style, I work a lot on the back ­ - I love the back of clothes for men. I love even T-shirts printed behind. I think, "Why do you want to show only the front?"

I think that's what you and I have in common, Donatella Versace, that careful balance. It makes me proud to be an Italian. In the end, I am proud to do what I do.

I come from a very poor family, with sisters. I never really knew my father, so I miss this strong image of a man in my life.

I don't have anything against homes for the elderly, but my mom, after having nine children, after all the sacrifices, living in an apartment - it gave me anxiety. Being the only male in the family, I said, "No I can't let this happen." Therefore I signed, because I wanted to buy a house for my mom. I started at Givenchy and the whole fashion world was saying, "Couture is finished." No, couture is not finished. Couture has changed - thank goodness.

My first stage was couture. Boom. Couture. It has changed because women have evolved. Back in the day there were princesses. Today, there are still princesses, but she no longer rides around with horses and a carriage. She parties, she goes on vacation, she goes on boats. She wants to be dynamic. I understood this and I kept going. We do prêt-à-porter, men's, and couture.

I was lucky. From the time I was a little, I was always surrounded by women, and I am very attracted to the feminine world, because I love the strength and romanticism, which in the end, you can find in my style.

My luck has always been how I've had a family of women around me, and I have women who are very close to me - for example, Mariacarla Boscono, Carine Roitfeld, Marina Abramovic. I have different women whom I adore and value.

When I started at 9, I was working with plaster. I worked with a florist. It was a little illegal for kids to work. They would give you tips because they couldn't really give you wages.

I've had this sensibility since I was a child. If there was a black boy in the school, I was the friend. If there was an effeminate guy, I was the friend. If there was somebody who was poor like me, I was the friend.

When I was far away, when I prayed every night, I felt I was very near with my heart, with my brain, to my sisters and my mom.

I suffered a lot when there was, like, a birthday party and I was not invited. Not because I was ugly or stupid; I was not invited because the parents would say to the kids, "Don't invite him, because he's poor and he comes from the south of Italy, and he can't give you nothing."

In prêt-à-porter now we understandably need to make the collection satisfy the big market more, so couture is extra special.

I am close friends with Marina Abamovich, so I love strong, very aggressive political art. She is like a mom who wants to adopt me.