Top 124 Quotes & Sayings by Rob Zombie - Page 2

On the first feature, everything's new. No matter what you're doing, it's a new experience, and you don't really have control over it, in a way, because you just don't know how things work.

I guess I get enough real life, in real life, so that's why I like things that are more extreme.

I try to stay friends with everybody because you might go back and work with somebody who you had a horrible experience with and it could be great the next time. You never know which way it's going to go, never say never.

People just like the thrill of anything. Dangerous things and dark things are exciting. Like as a kid, I knew I wasn't going to get killed if I went into the Haunted House but you kind of feel like you are. And when it comes out the track the other side, it's like, "we're still alive"! And I find it really funny when adults get really scared because I've not been really scared since I saw Jaws when I was a little kid. I just think people like the thrill of it, they like to feel like they accomplished something, that they survived the movie.

I didn't grow up in a creative environment. It was very boring town, boring everything. You go to school and you basically hate all the other kids because you don't understand them or what it's all about. At the same time I'm happy for that because I became very withdrawn and when you become withdrawn you develop your own bizarre-o personality.

I’ve always loved Alice Cooper.

People have this delusion that everything has to be for everybody at all times. Every album must be liked by everybody, and every TV show must be liked by everybody, and every movie must be liked by everybody. Everything then becomes bland.

In the US everybody is about what's new and what's next and they don't really build a real loyalty as much as in Europe - if you were ever good and they liked you, they will treat it with the respect that it still matters.

I don't think there is anything wrong with watching violence but I just think you have to present it in the appropriate light. I was like just watch how many accidents and deaths horror causes. Whereas I don't think anybody is going to go: "Oh, I just saw The Shining and I think I'm going to go axe somebody!" These movies aren't for everybody. The dark side of anything isn't for everybody. I think that you have to have some sort of responsibility in how you portray it because I always want the violence to seem real and if it seems disgusting then good, because it should.

I'm not extremely political. I think everything should be layed out and you can make your own conclusions. As soon as I feel I'm being taught something or preached something, I just glaze over it and I don't want to hear it.

The art of moviemaking seems to get thrown away. The cinematography is gone, and the look of everything becomes of little importance. You lose the memorable images; everything looks like it's been shot at night with a security camera.

No matter how successful the remake is, it seems to me it's forgotten quickly after and it's the original that still lives on.

You just have to do the thing that you feel is true to your vision, and then the audience will make the decision. But as soon as you feel like you're creating a product to just cater to what you think they want, it never works. It always feels phony. And the audience can tell immediately.

Everybody knows that Black Sabbath started everything and almost every single thing that people are playing today has already been done by Black Sabbath. They wrote every single good riff... ever.

A lot of times the best trailers are for complete dogshit movies. It's a shame that people are beyond quick to judge things these days. Lots of great stuff gets lost that way.

I've always been a fan of just extreme things. Whether it be in movies, books, TV or real life.

I have always found clowns really fascinating, especially on film. Even as a kid I was never scared of them.

I can picture certain things in my mind, while writing the script, but then I can also tell that everyone else might be a little confused about what it's supposed to look like at the end of the day. But it all works out. I find a way.

I'm definitely of the mindset of "I wouldn't want to be part of any group that would have me as a member."

I always wonder: the images that hit your brain when you're young are so significant, because there's not that much information in your brain. As you get older, things just bounce off. I can remember these minute details of stupid TV shows from the '70s, and I can't remember a book I read yesterday.

The studio experience fluctuates depending on who you work with, it's not like it's all one experience. Every studio is different, every producer's personality is different. You never know what you're going to do.

Short answers seem like you don't care even if you are trying to answer. I get the same flack for my short texting.

It's lifestyle music. It's not like some secretary who likes some pop song, but can't name who the band is; whereas a heavy metal fan is into every aspect of it. We'll see if rap holds up to that. Run-DMC seemed to be the Led Zeppelin of rap.

I don't like the fact that people are supposed to think horror movies have a way things should go. I always try to do the exact opposite of what people expect and want.

Movies in general are more generic. If something sells just make more. That's Hollywood.

Sometimes, you just have to realize, I'm not doing stuff that is really mainstream stuff, and to try and put it out in a mainstream way is almost psychotic.

Dreaming be damned, this is control. Raping your soul, devil's hole.

For some reason, Horror movies, they seem like good date movies. When you go to them it's all high school kids, all over each other, running up and down the isles, no one is even looking at the screen anyways, they figure they don't have to pay attention to the story anyways. We scream and yell... it's like mayhem.

I always liked doing all sorts of different things. As a kid growing up, I was always drawing and painting - always doing art. But I also loved movies and music, so as I started doing everything, I liked every aspect. It's not really that I am a control freak; it's just that is what I love.

I don't do anything for the money. I don't need to. I could have retired after White Zombie and been just fine. Money doesn't matter. But there is still a good living to be made, even in the niche. The funny thing is, as time goes on, the niche stuff gets bigger and bigger.

When you can program your own life, you're just going to program what you already like. Because of that, people's taste becomes much more narrow-minded.

I know when something is done and when it isn't. There's been times working on movies when they [moviemakers] lock in a release date and so you're stuck to that schedule. But sometimes you're still editing and you feel like you're not really done, but they're sort of releasing the movie anyway - that's kind of depressing.

Reviews are all bullshit, because they always change. When House of 1000 Corpses came out, all the reviews were awful. It was impossible to find a review better than "The worst movie ever made." And now I'll see more-modern magazines, and sometimes they'll re-review things, and I'll read this great review for it. It's the same thing with White Zombie! People talk about "Oh, White Zombie, these classic records. Why don't you do them now?" Everyone hated those records when they came out! The reviews were terrible.

A big mistake a lot of filmmakers do is they like, "We cut our whole ending to a Rolling Stones song." You better find a new ending then, because unless you have $2 million for that song.

Horror movies are always a solid dollar. But a movie about Groucho Marx is a gamble. These things just are. Doesn't matter who you are.

I find making trailers really frustrating, because sometimes the worst trailers are for the best movies.

I'm not a big fan of remakes. And even if they are good, they're still not as good as the original, so what's the point?

What bother me, not "bother me," exactly; that's not the right way to put it. But especially in the horror genre, once a movie like Paranormal Activity comes out and becomes popular - and that's a totally fine and valid movie - everyone starts copying it. Everything becomes a found-footage movie that looks like somebody shot it with their phone.

I don't really have a fear of doctors, in the sense that they're going to do something bad to me. I don't have a fear of them eating me, or a fear of needles, or anything like that. I have a fear that I'm feeling completely fine, everything's good, and then when I go there, he's going to tell me something horrible.

People would always say horror movies always thrive during times of war; that's just what people would say. And I don't know if they thrived during World War II or Vietnam, but I thought that's kind of strange, why would that happen. I don't know if people rearrange their priorities; in good times, they freak out and start pointing the fingers at video games and TV, but when horrible things are happening in the world, a horror movie just seems a little ridiculous.

[Writing scripts] I'm not looking to jump in and make super mainstream movies. I still like to make movies that I like to see.

Sometimes I feel like people don't even know how to react in some situations because of online culture. Since many things are online, you might not react to something that is happening live.

I never want to go back and remix old records, either. If a record sounds shitty, that's just the sound it has. I just take it as part of the music. Some of my favorite bands - their old records sound terrible. But that's just part of the sound. If they were perfect, I'd probably hate them. Same thing with movies.

If you have a lot of money, you know that you can make almost anything happen, but with a smaller budget you don't have a lot of time or too many resources, so you have to conceive things in a very simple manner and make them happen fast.

I'm psychotically involved in every tiny little aspect. That's just the way I've been about everything my whole life.

I'm sick of remakes, how about something different. That's the thing - people always come to me and are like 'what do you want to remake, we know we can get that greenlight, what do you want to make?' I don't want to remake a g-d damn focking think.

I was never really that aware of commercial things. The stuff that was really influential to me were bands like the Misfits or the Birthday Party, or things like that. If someone said, "Do you love Judas Priest?" - I never really even had a Judas Priest record. That's not what I grew up with. That wasn't really my scene, you know? That's why White Zombie never really fit. I still don't fit.

The pirating thing is bad. The people it hurts the most are the ones you least think it hurts. It's not the big Britney Spears albums that are being pirated; it's the indie bands that don't have two cents to their name

There's nothing weirder than when your band finally gets big and you're playing sold-out arenas and you're selling millions of records, and you dread being a part of it all. It wasn't some master plan to go solo. I was just like, I would rather do my own thing, be happy, and have it be ten times less popular. That was really it. It just wasn't fun, the stress.

Growing up as a kid, there were so many people that I disliked, I daydreamed about hurting them. Hell just seemed like a good place for all of them to go. Unfortunately, I don't believe it exists.

One of the main things when you get notes from a studio is they don't want anyone to be confused ever, everything has got to be so obvious at all times unless it's a twist ending.

Why does everybody thing things are always contractual? I saw a shitload of questions and thought "better keep these answers short or I'll never get to all of these".

Even a low-budget film costs way more money than a high-priced record. So, it's mo' money, mo' problems. When you have more money, it just creates more people trying to get involved and you have more trouble.

I never wanted there to be any moment in my movies when something would happen and the audience would cheer, like sometimes that happens in certain types of horror movies. I was never a fan of that, I wasn't looking for 'inventive' kills and I even hate that word because it's like, if you have these characters screaming or crying in pain I don't think anyone should be jumping out of their seat cheering. It should be horrible and you should feel sick watching it because that's what it is, sick.

I am like the Jack Nicholson of the Kings - every single game. If there was a game tonight I wouldn't be here. I used to play hockey. That was my original thing. My first thing, I wanted to play professional hockey

Sometimes things just aren't of their time, and they take a minute to catch on, or they find an audience later. Sometimes bizarre little films are the ones that everyone remembers later. With most big major blockbusters, people will have already forgotten about it two weeks after it came out.

I think if you're going to remake a film it should be something that was a good idea, but wasn't executed well. There isn't anything I would like to remake. I have too many of my own ideas I want to make.

I just like movies, not one particular kind or genre. In fact, movies that are harder to classify I like more.

Sometimes I'll go out into the crowd and keep singing, but I'll get maybe seven rows out and I'm out of synch, I'm a couple seconds behind the band and then it becomes chaos.

There`s always the trick with anything what`s a remake. Like how much do you want to make that is brand new and how much to you want to keep that is original?