Top 42 Quotes & Sayings by Robert Creeley
Explore popular quotes and sayings by an American poet Robert Creeley.
Last updated on December 3, 2024.
It's the classic story form. All staying equal, or proving equal, or being equal, this will all continue, and the next time around, we'll move on to see what happened to Harry after he dove in the river, or who his friend John really was, and so on.
It's as though all the terms of a family were present at one time rather than his dad and his mum. Not just a present authority, but the resident memory of what qualifies what else is the case.
He lives out in Orchard Park. I mean, to be able to sit on the bench so patiently, for whatever part, and to be able to get up and do something, with such heroic competencies would be great.
The irony of our social group is that so often everyone feels this, but there's no company whatsoever in that feeling. Think of Pound's great emphasis, the way out is via the door.
Again like Williams, with the emphasis now regrettable, when a man makes a poem, makes it mind you, he takes the words as he finds them lying interrelated about him.
You were saying that once when visiting Yale, you were struck that unlike Pound, Williams's thinking was volatile, I mean, did not stay locked into a pattern of concepts that then defined his subsequent necessary behavior, whereas Pound did.
First you wonder if they're separate stories, but no, they're not, they're contingent stories and they form a pattern. And you begin with some of the island as the place to which the heroine of the book returns.
The pattern of the narrative never of necessity wants to end, it never has to.
There are a lot of editorials that have nothing to do with anything like that. But I was just thinking of that sense of prose as being very responsible and perceptive, thoughtful, intimate, and contriving a quote statement.
That poetry survived in its formal agencies finally, and that prose survived to get something said.
Don't name it, as they say, because instantly you offer it to this peculiar authority.
All of which was OK, as that proved then, I certainly wouldn't contradict it as a necessary sense of things.
And what's fascinating in The Ten Thousand Things is that although there's time, an inexorable time of the three generations of lives, actively present, but place is the time, time doesn't really have to do with simply the human experience of it.
The awful thing, as a kid reading, was that you came to the end of the story, and that was it. I mean, it would be heartbreaking that there was no more of it.
Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal!
Form is never more than an extension of content.
Hopefully, I write what I don't know.
What has happened makes the world. Live on the edge, looking.
What a great thing! To be a writer! Words are something you can carry in your head. You can really 'travel light.'
I did however used to think, you know, in the woods walking, and as a kid playing in the woods, that there was a kind of immanence there — that woods, and places of that order, had a sense, a kind of presence, that you could feel; that there was something peculiarly, physically present, a feeling of place almost conscious ... like God. It evoked that.
My love's manners in bed
are not to be discussed by me
The Lady has always moved to the next town
and you stumble on after Her.
No matter how wild reality was obviously often being, it was an absolutely secure place, as a tone and intelligence, and a thing happening.
I don’t think any man writing can worry about what the act of writing costs him, even though at times he is very aware of it.
I heard words
and words full
of holes
aching.
Moon, moon, when you leave me alone all the darkness is an utter blackness, a pit of fear, a stench, hands unreasonable never to touch. But I love you. Do you love me. What to say when you see me.
Still, no one finally knows what a poet is supposed either to be or to do. Especially in this country, one takes on the job—because all that one does in America is considered a "job"—with no clear sense as to what is required or where one will ultimately be led. In that respect, it is as particular an instance of a "calling" as one might point to. For years I've kept in mind, "Many are called but few are chosen." Even so "called," there were no assurances that one would be answered.
For love - I would split open your head and put a candle in behind the eyes.
As I get older, I recognize that my thinking about poetry may or
may not have anything actively to do with my actual work as a
poet. This strikes me as no thing cynically awry but rather
seems again instance of that hapless or possibly happy fact,
we do not as humans seem necessarily aware of what we are
physically or psychically doing at all!
Oh well, I will say here,
knowing each man,
let you find a good wife too,
and love her as hard as you can.
O love, where are you leading me now?
My wife and I lived all alone,
contention was our only bone.
I fought with her, she fought with me,
and things went on right merrily.
But now I live here by myself
with hardly a damn thing on the shelf,
and pass my days with little cheer
since I have parted from my dear.
Writing is the same as music. It’s in how you phrase it, how you hold back the note, bend it, shape it, then release it. And what you don’t play is as important as what you do say.
Love, if you love me, lie next to me. Be for me, like rain, the getting out of the tiredness, the fatuousness, the semi- lust of intentional indifference. Be wet with a decent happiness.
Comes the time when it's later
and onto your table the headwaiter
puts the bill
I will go to the garden.
I will be a romantic. I will sell
myself in hell,
in heaven also I will be.
God give you pardon from gratitude and other mild forms of servitude.
Communication is mutual feeling with someone, not a didactic process of information.
I know this body is impatient. I know I constitute only a meager voice and mind. Yet I loved, I love. I want no sentimentality. I want no more than home.
My nature is a quagmire
of unresolved confessions.
Locale is both a geographic term and the inner sense of being.
It is hard going to the door
cut so small in the wall where
the vision which echoes loneliness
brings a scent of wild flowers in the wood.
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