Top 84 Quotes & Sayings by Robert Wyatt

I don't do live things.

My heroes are people like Picasso and Miro and people who at last really reach something in their old age, which they absolutely couldn't ever have done in their youth.

Those nations of artists, finding their own individualism, and kind of standing against the world: to me that's the ultimate nightmare. I want to get lost and diffused in the world.

Being big and famous doesn't get you more freedom, it gets you less.

There's no field of music which doesn't have good ideas.

The things that I draw on, and the world that I feel part of, aren't particularly youth culture.

I think that pop, and to some extent rock, are like sport and fashion industry in that they're about the exuberance of youth. That's the sort of subliminal ideology.

I don't find the business easy. The moment you start talking about the business, you start sounding like someone in Spinal Tap.

When there is a voice in a piece of music, we tend to focus on the voice. That is probably something from when we were babies and we depended on hearing our mother's voice.

It was physically difficult, adjusting to wheelchair life, but I remember a great relief and happiness that I was finally getting somewhere, finding musicians to work with that were sympathetic.

I prefer the mystic clouds of nostalgia to the real thing, to be honest.

I'm not, by nature, a collaborator. My biggest influences were people like painters and poets. These are solitary workers.

Even if you're specific about the character of the song, it's more exciting to place them, juxtapose them in such a way as to make an adventure out of the sequence of the songs.

I know people who grow old and bitter. I want to keep making a fresh start. I don't want them to defeat me. That would be suicidal.

We did not get any money from the early records. It was all taken by crooked managers. It is just a gangster's paradise.

I'm not full of malice, but I do dislike Neil Diamond a lot, and I'm sorry that I've done a Neil Diamond song.

I would like to think that the singer is the butterfly, and the drummer was just the little grub in the ground, working to become a caterpillar.

What keeps me going is a constant sense of disappointment with what I've already done.

I find it hard to take rock groups very seriously or treat them with respect. There is something absurd about these gloomy young men getting together and banging away.

In theory, I'd like to work in a group. But the group I'd like to work in, all the musicians in them are long since dead.

Anybody who thinks pop music's easy should try to make a pop single and find out that it isn't.

I play music a lot but on my own mostly, so it was nice to be around other people. There was a certain sense a relief in the physical act of just playing and being with other musicians.

I'm just a very primitive, infantile folk singer.

This constant pressure from record companies to come up with a hit single or something like that, I find completely tiresome.

I don't know how many thoughts we have a second, but it's quite an amazing number, and just to pin down the appropriate sequence of those, all you really need is a pencil and a piece of paper.

In the past, so many of my records, really, have been sketches for records that never really got made.

There are singers that I have enjoyed, from Nina Simone and Ray Charles onward. But the music that made music the number one thing for me as a youth was jazz.

People are quite shocked when you remind them that Elvis Presley and Frank Sinatra never wrote a song that they recorded in their lives, as far as I know.

When I lost the use of my hi-hat and bass drum legs, I became basically a singer. I was a drummer who did a bit of singing, and then I became a singer who did a bit of percussion.

On the whole, I tend not to listen to my peers.

The most effective instruments do have a vocal quality.

I only choose musicians who I think will emerge, can emerge, with their own character, while still going along with the tune in question.

I think the people who did well, or are happy, in a youth industry, they define themselves out of the business after a decade or so.

If you've never felt that you quite got a hold of it, you just feel that before you die, you've got to try and get it right once. And hope that the experience you have makes up for the some of the diminishing energy.

People say, oh it's a shame, you're not nostalgic about the '60s. Well actually, it's quite good, when you think of it. Wouldn't it be sad if I was sitting here wishing it back?

When I'm singing I try not be a singer with a capital S. I just try to get it out so I feel comfortable with it.

It just doesn't mean anything to me, the high-profile, big money side of things. I just want enough to live on, and to be able to get on with what I do, and hang around my friends.

I find writing songs hard, because it does not come naturally to me. I never set out to be a songwriter or a singer.

Love is blind. My politics has been, too. I think you can fall in love with ideas, and you can fall in love with people. It's a very subjective experience. And I'm loyal to that experience.

I really liked them, not just Syd, but all of them. Roger was very important, I thought, his contribution. And so was Rick's organ playing. It was a good band. It became something else completely, obviously.

There are people I would like to work with. It's a bit harder, because I live out in the sticks anyway, and plus being in a wheelchair means that I can't really circulate. So I tend to stick to my own thing.

I have never felt in tune with the whole rock industry.

I've always liked pop music. There was a bit of a misunderstanding with the avant-garde rock scene, because I think I was sort of swimming the wrong way, really.

I think it's hypocritical to complain about the rise of China. For 50 years, we were telling everybody in the world that the big threat was Communism, so now the countries that were Communists are now rampant capitalists - and they're doing very well, in some ways much better than the UK. Well, we asked for it. We told them that's what you have to do, and they're doing it, buying up your biggest hotels in New York. You have to laugh.

I think there are deep structural things that are wrong in the world. The US is the Western empire of the 19th century regrouping in the 20th, not out of wickedness, but because everybody else in Eurasia was so completely destroyed by the Second World War. Economically, that was quite a useful time for the US, so they ended up in the position of enormous power. And like any great power, they're going to act in their own interests. The problem is due to what the business community wants, which is to make as much money as they can out of what other people do and pay as little as possible for it.

It just doesnt mean anything to me, the high-profile, big money side of things. I just want enough to live on, and to be able to get on with what I do, and hang around my friends.

I stopped drinking a few years ago, and drinking was a big help with me making music, because drinking gives you courage. But it also makes you reckless, and that's the trouble. You can get away with that your 20s, but not in your 60s, and I'll be 70 next year. Life is a small space now, much more intimate. I'm not out there in the world anymore, but I'm watching.

I don't think losing things - in my case, the use of my legs - really damages or hurts you. What hurts people a lot is taking humiliation. A lot of the wars going on right now in the Middle East aren't about poverty and exploitation. They're about humiliation. For a long time, the British and French have been humiliating the people of the Middle East, and encouraging people like Israel to do the same. Israel started out as a socialist state, but we always encouraged them to become rather racist and look down on the local inhabitants, which they now do. It's sad that's happened.

It's funny that Chairman Mao's great hero was Napoleon, because Napoleon started out as a revolutionary for the underdogs and then made himself an emperor. In fact, a lot of revolutionary leaders do that, and you think, "Well, that's spoiling your argument. What are you doing?" But on the other hand, the people themselves are enjoying trying out all these different ways to be. I hope that, like the Japanese, the Chinese hang on to their own traditions as well as try out Western ones. I hate it when people just lose so much confidence in who they are that they abandon their own culture.

I just saw a recent television program about art, and it was saying how from the end of the Second World War, so much of what our culture is comes from not just the United States in general, but New York in particular. In my case, I can't imagine my life without the extraordinary bebop jazz revolution in New York in late '40s and '50s.

I would like to think that the singer is the butterfly, and the drummer was just the little grub in the ground, working to become a caterpillar

Because of my politics, people think I'm anti-American. But I was quite the reverse. What I don't like about the United States is when the government acts like an old, imperial 18th- or 19th-century European power.

I don't want an entire world full of people just drinking Coca-Cola and eating McDonald's hamburgers and listening to American pop records. That would be a lesser world. I hope the cultural diversity is rich and is able to survive the Westernization of their economies.

I'll probably lose every friend I've got, but I think the Russians are about the only people who have behaved decently in the conflict with the Ukraine. All the evidence to the contrary seems a bit bogus to me. NATO is trying to use Ukraine to isolate and cripple Russia, and that's completely crazy and very cruel. It seems to me that our side, the English and American people, really want it to go bad there. But there's no need for it to have done so. At least that's what I think. You won't hear a lot of that on Fox News.

I would encourage people to realize that you don't have to panic if you're not part of a mainstream, or if you find yourself outside the flow. If it doesn't suit you, don't go along with it. Just sit it out and get your stuff done. Don't just sit moaning or getting drunk—I spent some years doing that. But if you can just come up with something of your own, however minor it is, that's going to be easier to live with when you're at the end of your life.

The gap between rich and poor is, in fact, widening enormously. This idea of building up the powers of people who are already powerful and keeping everyone else back is a recipe for endless misery and conflict.

I understand why Vladimir Putin is very popular in Russia - he's probably the first Russian leader to not apologize for being Russian. People always pin it down to one man, but there's hundreds of millions of Russians of various sorts. Putin does seem to be very popular in Russia, if only because he stands up for Russians wherever they are, which is exactly what Americans do with Americans, of course.

There are people I would like to work with. Its a bit harder, because I live out in the sticks anyway, and plus being in a wheelchair means that I cant really circulate. So I tend to stick to my own thing.

I consider myself a sit-down comedian really, as much as anything else. I love comedy. Life is a cosmic joke.

Im not, by nature, a collaborator. My biggest influences were people like painters and poets. These are solitary workers.