Top 141 Quotes & Sayings by Rod Serling - Page 3

I miss the comraderie of live television - the fact that you were on the set, you worked closely with the director and the cast, that I miss. But, no, I'm happy, I'm happy doing film.

When I first went into freelancing, I think there was a period of about eight months when nothing happened. Everything that I wrote crumbled up, and then it became a self-destructive thing - when you begin to doubt yourself, when doubt turns into - it's sort of like impotence. Once impotent, you're forever impotent. Because you're always worried about being impotent.

Personally, my daughter's wedding gave me a tremendous pleasure. And the wedding was a radiant event and I enjoyed it. I was afraid I'd cry. I'm given to crying at odd times, and I was very much afraid of the emotionalism of that moment, but I didn't even come close to crying.

I don't think it's man's function to write. I don't think it's a normal thing like teeth-brushing and going to the bathroom. It's a supered position on the animal.

The major difference frequently is in time. The motion picture, for example, gives you considerably more freedom of expression than does the confined thirty-minute television show. But in essence, they're not that dissimilar.

The good agent probably is not the reader, he's just the guy who can put together a deal.

You know, writer can write about the Foreign Legion without ever having been in the Foreign Legion, but that doesn't necessarily mean that what he's written doesn't necessarily reflect the nature of him as an individual - or her. Using the male gender because it's me speaking. I don't mean to put down the female.

I don't have close relationships with agents. They're friends, but they're not confidants.

Most shows, buying shows, have a standard fee for the first shot of the writer and if you have a very militant agent, I suppose he might jack it up four percent or something. But in essence, you sell for what is the going rate.

I couldn't direct because I'm too impatient and I couldn't put together a package because I don't understand money. I'd rather just do what I'm doing.

You can become much more independent, much more courageous with a bank account. And also, much more independent and self-reliant when you know you have money behind you.

I think I would like to be in Victorian times. Small town. Bandstands. Summer. That kind of thing. Without disease.

I write much better in the nonconfines of the early morning than I do the clutter of the day.

Do I want to start my own production company? No, I doubt it. I'm too old for that. I don't want to start anything.

I don't believe in reincarnation. That's a cop-out. . . . I anticipate death will be a totally unconscious void in which you float through eternity with no particular consciousness of anything.

It's part of the business of really not caring about topping myself because I really don't care what's going to happen. I think just surviving is a major thing. I'd like to write something that my peers, my colleagues, my fellow writers would find a source of respect.

I find dictating in the mass media particularly good because you're writing for voice anyway; you're writing for people to say a line and, consequently, saying a line through a machine is quite a valid test for the validity of what you're saying.

Over the long haul I'd say that most directors I've worked with have been pretty sensitive to the quality of the interpreted scenes.

Infinitely more taboos, on television.

I think the essence of the argument has always been, first of all, the Guild doesn't want writing on spec. And that's been a major problem over the years. But obviously, to the young writer that's unfair and it's discriminatory, and it can be very hurtful to one's career.

Good evening, and welcome to a private showing of three paintings, displayed here for the first time. Each is a collectors' item in its own way - not because of any special artistic quality, but because each captures on a canvas, and suspends in time and space, a frozen moment of a nightmare.