Top 90 Quotes & Sayings by Ron Perlman

I'm fully aware that things that resonate and become real hits are the exception to the rule, so much so that I've wired myself for failure.

I couldn't make it on the swimming team in high school. In fact, I got thrown off the swimming team and was forced to audition for the school play because they had at the audition about 35 girls show up and no boys, so my swimming coach suggested that I might be able to do the drama department more good than I was doing the swimming team.

I do voicework all the time.

My self-confidence didn't come from my appearance, it came from other things that I did. But certainly not my appearance.

It's really disgusting what Hollywood can do to a guy.

Season 4 can be deadly for a show that's been a hit show.

Every time you get on a stage or in front of a camera, the whole exercise is about imagination. You're constantly depicting something that doesn't exist, and trying to find the reality of it. Once you settle on that premise, everything else is a matter of degrees.

Yeah, it's nice to get paid for therapy rather than having to pay $240 an hour for it.

I will not do a role that I don't think I can do, that I'm not interested in, where there's no humanity, that doesn't have any kind of handle for me at all because I know I'll just stink the joint up.

1% of the population has all the money and the other 99% have nothing.

In the early '90s, when those little art films started coming out, we were introduced to Quentin Tarantino and guys like that, and independent cinema was something that everyone wanted to be a part of.

You back a big cat into a corner and somebody is going to get bloody.

You draw on your own childhood every time you tee it up as an actor.

Well, I love acting, and I love acting quick.

I've been busy and not busy, and busy is better. I've been busy, but I went through a lot of periods where it was lean for a lot of times.

I've never been pigeonholed and I've experienced so many different kinds of skin - what man will do and won't do, what you should do and shouldn't do. This is what's exciting about being an actor; where philosophy majors sit in classrooms or write books about human behavior, we're actually acting them out in front of cameras.

I lost 90 pounds and my blood pressure went down to a normal level and the salt in my urine disappeared. And that was when I had to make the transition from fat character actor to thin character actor.

I've never worked with a tail, that I can remember. But there's so much I can't remember.

Really, I was such a late bloomer, I really didn't learn how to be me until I was in my late '40s, which is when I started playing roles that were closer to me.

Somebody who doesn't care if they live or die is the most dangerous human being on earth.

I've certainly been very blessed with opportunity.

I'm kind of one of these guys who wants to play everything once before it's all over.

The great thing about arriving at this age is that I don't even care about my career anymore.

I'm thankful to be breathing, on this side of the grass. Whatever comes, comes.

Almost all of your life is lived by the seat of your pants, one unexpected event crashing into another, with no pattern or reason, and then you finally reach a point, around my age, where you spend more time than ever looking back. Why did this happen? Look where that led? You see the shape of things.

The thing that's cool about the recording booth is that it's so perfunctory, so cut-to-the-chase.

I've been a professional actor for almost 40 years.

You can change the circumstances but you can never change man's inner nature.

The luxury of television is that you get more than one shot at who you think the guy is that you're playing.

I love great animation.

I don't ever want to be comfortable with anything I'm doing.

I think now that I'm in the autumn of my life, and I'm getting a chance of having an overview and looking at the shape of how things happen, when things happen, why things happen, I think it was fitting that I spent most of my early career doing mask work, because I just don't think I was that comfortable in my own skin.

I'm just trying to make up for lost times, and I have total awareness that when the work is coming it doesn't mean it's going to continue to come, so I'm taking advantage of this phenomenal period that I'm in now, to its fullest.

Fearless people are interesting to watch.

Independent film is almost nonexistent right now, because all the distributers that used to love to put out these little art films are all out of business right now, because it costs so much to open a movie.

If something strikes me as insane and unjust, I cannot tolerate that.

I don't think that I've had a career like anyone else's, but there are hosts and hosts of actors whose careers I admire.

Living off the grid and being kind of an outlaw brings a dangerous reality.

Well, I don't have an agenda.

Let me put it this way: I definitely need to understand the villains I play. The best cause pain to anesthetize themselves against their own pain.

I think in the early part of my career, the roles were so disparate that it never gave anybody an opportunity to understand my essence and what I would be good at doing, as opposed to what I would not be good at doing, so these little moments of beautiful things that were happening to me were consistent, but very few and very far between.

Distortions control my self-image, like they do for a lot of us. It's irrational.

I say yes to almost anything that comes my way.

Every job has a unique situational circumstance.

Some of the great characters that I've played had to be transformational.

I just think that there are those people that their resolve is strengthened by what it is that's keeping them down, and there are some people that will buckle under it. You never know which one is which until you get into the eighth or ninth round of the fight.

I actually think it's harder to play vulnerability, because you're having to delve deeper into portions of your own psyche, what it is that makes you human.

There are always great deals of humanity in the characters that have been offered to me.

I'm a city boy.

I feel as though my criteria are based more on how challenging the role is, it doesn't have to fit into any particular profile, is it something that I've never done before, and is it something that I feel like I can really feel challenged and therefore fully engaged in, and that's when the work gets to be the most fun.

I like to believe that everyone is born with the same skill set, and that it is the influences that one comes upon.

I've had biker clubs reach out to me whenever they knew I was in their city.

I think there are a lot of technocrats in the business who would much rather work with just wheels and gears and machinery. Those things interest them more than humanity and I wish them the best of luck.

You know, I don't read the blogs, or go on the internet, and I really just don't know what people are saying because... well I guess I'm afraid to.

So much of my aesthetic was formed by my dad.

I'm continuing to do research into biker culture.

I never direct myself, because I don't like working with me. I would punch me in the mouth if I had to take my direction.

My whole mantra is, "Go big or go home." I don't want to just play a guy who dresses up. I want to play the person who threw down.

I've always felt there were aspects of me that were monstrous, and you can either hide from it or confront it, embrace it and understand that those are aspects that make you unique and define you and motivate you. You can either overwhelm or overcompensate for them -- but they truly define you as a human being...So that life became a question of either dealing with this monstrousness in one way or another...One finds a way to understand and make friends with that monster and understand that that's the very thing that makes you who you are. That's your emotional and spiritual fingerprint.

I'm not religious, but I am spiritual. I have my own relationship with a being that I consider to be everywhere. All and everything. I don't need a church or a synagogue or a mosque. I don't need to kneel down, I don't need to stand up, I don't need to be hanging from a thread.