Top 56 Quotes & Sayings by Rosemarie DeWitt

Explore popular quotes and sayings by an American actress Rosemarie DeWitt.
Last updated on December 21, 2024.
Rosemarie DeWitt

Rosemarie Braddock DeWitt is an American actress. DeWitt played Emily Lehman in the Fox television series Standoff (2006–07), co-starring with her future husband Ron Livingston, as well as Charmaine Craine on United States of Tara. She also was the title character in 2008's Rachel Getting Married, garnering several awards and nominations for best supporting actress. She starred in the horror/thriller Poltergeist (2015), a remake of the 1982 film of the same name.

In real life, I don't fall in love with the guy who wines and dines me, I fall in love with the flaws and the humanity.
There's something to be said for being given a tremendous amount of freedom as an actor.
I've had friends who did pilots, and I'd say, 'What happened to that?' and they'd say, 'It didn't go,' and it literally goes into a void of nothingness because no one gets to see it. All that money and talent and time put into it.
In parenthood, there's so much fear around parenting in this day and age, and there's so much fear around technology. — © Rosemarie DeWitt
In parenthood, there's so much fear around parenting in this day and age, and there's so much fear around technology.
With the single parent model, you experience betrayal differently. You experience lying from your kids differently.
I think you're always drawn to what you love, and I'm always really drawn to things that feel really real and really true to me. I love things that make me think of things in a way I hadn't, and I love looking at people in the world in a way that I hadn't. And sometimes big, huge stories do that for me, but I think I am drawn to smaller ones.
I just don't spend maybe enough time figuring out my place. Maybe I do in the world, but not so much in Hollywood.
I know more about 'Moana' and 'Coco' these days than I do about anything hip and cool like 'Black Mirror'.
A lot of times, they can't hire actors just because there's this obligation that the audiences don't know who they are, and it's about making money. For me, the project that felt like all of it was 'Rachel Getting Married' because I had such a good time on that movie. Jonathan Demme, to me, is one of the most actor-friendly directors.
I loved Barbara Stanwyck and Katharine Hepburn.
There is a lot of parenting that's completely out of your control, but I think we live in an era right now where we think if, God forbid, you couldn't talk to someone, you would flip out - you know what I mean?
There's a part of me as a human being and, certainly, as an actor - I'm not on Twitter and Facebook and all these things, but I can't ignore them, because it's not realistic to expect my kids are gonna think they're lame.
It's funny: I feel like so many people say, 'Monogamy, it's not natural; we created that for a variety of reasons,' but I think a lot of people love being married and enjoy being married and want to be married to who they're married to.
I don't want to put a pause on the rest of my life; I'm really enjoying getting older and the wisdom that comes from that.
I'm always studying something or trying to learn something, keep myself creatively occupied, because I think that energy can get kind of destructive if it doesn't have somewhere to go.
I grew up in the suburbs. — © Rosemarie DeWitt
I grew up in the suburbs.
I think actors always have that fear of unemployment so when the opportunities are there, you just jump on them.
I feel like, in my 20s, I was putting my hair in a ponytail and pinching my cheeks and raising my voice an octave. So I feel more comfortable being a woman than I did being a young ingenue.
You go to New York, and people say New Yorkers are so rude, and I think they're so nice. They might yell at you, but it's nice.
I know that every actor that I know, when Daniel Day-Lewis does a film, and he doesn't work that often, but we run to the theater to see what he's up to, and with such delicious excitement. The same goes for Meryl Streep.
I kind of moved out of the town I grew up in as quick as I could. I left right after high school.
The more fears that we're exposed to, the more fears that we are handling every single day, asks us to exert more and more control over our lives.
There are the jobs you get that do something for your confidence, like, 'I can do this with my life' kind of thing. And then, there are the jobs that maybe bring a certain level of awareness about you as an actor, where other people feel like they can hire you.
There's nothing scarier than just having a moment where you looked away and lost your child.
I realized, because I've been doing these very small, character-driven movies, that this is entertainment. This is so much fun.
I remember one time my cousin telling me - she's got four kids - she would pour the milk down the drain so she could drive to the Dairy Barn just to get out of the house.
I have a two-year-old at home, and my whole life is - besides revolved around keeping this little person alive, just watching them on the stairs and eating food and everything of every minute of every day - you plan what time you're going to bed so that you can be your best self first thing in the morning.
I like exploring both the light parts and the dark parts of a single person. And all of those shades tend to come out most acutely in stories about families.
I feel lucky to be an actor because you always learn something from each part you play.
I've played a lot of people where someone will say, 'This is based on my sister, and such and such happened.' But I don't think I ever played someone who, 'This is their name, and this is their address, and this is what they looked like.'
Actors are always weird about acting with their spouse or their boyfriend or girlfriend, but more because they think audiences will find it boring.
I don't actually think I'm treated unfairly or anything. If anything, I sometimes can't understand why I don't see myself and the people I know represented more in films. Unless I'm going to go out and write them myself, I don't feel like I can really complain about it.
My father had nine children, and when I had my first, he said, 'None of my kids got up in the middle of the night.' And I remember thinking, 'You didn't get up in the middle of the night! Every kid gets up in the middle of the night!'
I'm always surprised that I get called to work. I always feel the way I felt when I was 24 or 25 trying to get a job. I'm amazed I have my SAG card and my Equity card.
I'm not on any social media; I don't even know what things are. I'm so behind the times.
I think what's so brilliant about 'Black Mirror' is that it is a mirror into our own messed-up psyches.
I haven't been really guilty of being an uber helicopter parent; I took the baby monitors out when they were three months old because I thought that was an invasion of their privacy.
I'm astonished by how much journalists stay with the story, try to get to the truth of the story, maybe give years of their life to it, maybe go over to Syria, maybe lose their life. Then, the next day, it's a new story.
You can't hate James Brown! Who hates James Brown? — © Rosemarie DeWitt
You can't hate James Brown! Who hates James Brown?
Thinking about it, you know, our phones are everything. They're kind of benign.
I do feel there is a very rabid young base for 'Black Mirror' that will very much identify with the daughter character because of the invasiveness they feel with their parents trying to control their moves on social media.
Usually when you do a pilot, there's a moment where all of the executives get together and say thumbs up or down.
And I think a lot of us have fantasies of going back to where we're from, or when we do go back we're so nostalgic about it.
I find that my touchstones go out the window, the routines, the things that you do to keep you grounded. Then when I'm out of work I have too much time. The trick is not to get lost surfing the Internet.
I love the crazy sex and the awkward situations.
I started a writing class, not in service of writing a script or writing anything specific. I've just really been enjoying that, and oddly the group, not by design, but it just happened to be all women, and there were three women who gave birth this fall while we were all in class, and there's just something really great about getting to know these women through their stories and what they're writing about.
We have our whole lives to try and get a glimpse of what that could be, in our own life. It's so exciting.
There are the jobs you get that do something for your confidence, like "I can do this with my life" kind of thing. And then, there are the jobs that maybe bring a certain level of awareness about you as an actor where other people feel like they can hire you.
In real life, I don't fall in love with the guy who wines and dines me, I fall in love with the flaws and the humanity. When I see someone get embarrassed or when I see them wearing their heart on their sleeve, I want to see that in movies. I hate seeing the put-together people, and then it makes everyone think they're supposed to look like that. It's all a bunch of BS.
For me, there are a lot of things you can imagine as an actor, and then there are things that you know in your bones and in your cells once they happen to you. — © Rosemarie DeWitt
For me, there are a lot of things you can imagine as an actor, and then there are things that you know in your bones and in your cells once they happen to you.
I get mad at my girlfriends when they say things about their neck or something, "My neck is a disaster," and I'm like, "Come on, you don't even believe that." You're taking that from the outside world, you know? You look amazing, you're beautiful, you're 40, you're in the prime of your life. I'm not interested in fighting it at all. I don't think anyone else is wrong for trying to fight it, however.
I don't want to put a pause on the rest of my life; I'm really enjoying getting older and the wisdom that comes from that. If I think too much about what roles there will be, or what will be, then I get into trouble there. I just try to be grateful for jobs like Promised Land, that somebody wants me to play this role, or thinks that I could be Alice. The thought of, like, spending my time at the dermatologist's office is not for me.
We typically make movies that are geared towards 18-year-olds. The people who pay and go to movies more than two or three times are usually under 22, so I get how it works. I don't really want 18-year-old boys to find me that attractive, that kind of would creep me out at this stage.
I remember being in high school and my mother would say, "What about such-and-such boy?" I'm like, "Oh mom, he's too nice," we don't like the nice boys when we're 16. I'd say, "He's not attractive," and she'd say "All young people are attractive." And they are, and I get that.
I read something about, "Why do actresses get plastic surgery," we like to look at pretty people, but I don't. I like to look at all faces, young, old.
I think Carl Jung said, you know, I'm gonna paraphrase it badly, but, so much of what we fall in love with in other people is a potential in us that's ready to be realized. We're projecting onto them this amazing thing, but really it's us, and we're very close to integrating it and claiming it. If we do claim it, then we can just love somebody for who they are with all their flaws, but if we don't take that projection back, then we keep wanting them to have that. Then you just realize we're all screwed, that's how it works.
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