Top 11 Quotes & Sayings by Ru Freeman

Explore popular quotes and sayings by a Sri Lankan writer Ru Freeman.
Last updated on November 3, 2024.
Ru Freeman

Ru Freeman is a Sri Lankan born writer and activist whose creative and political work has appeared internationally, including in the UK Guardian, The Boston Globe, and the New York Times. She is the author of the novels A Disobedient Girl, and On Sal Mal Lane, a NYT Editor’s Choice Book. Both novels have been translated into multiple languages including Italian, French, Turkish, Dutch, and Chinese. She is editor of the anthology, Extraordinary Rendition: (American) Writers on Palestine, a collection of the voices of 65 American poets and writers speaking about America’s dis/engagement with Palestine, and co-editor of the anthology, Indivisible: Global Leaders on Shared Security. She holds a graduate degree in labor studies, researching female migrant labor in the countries of Kuwait, the U.A.E, and the Kingdom of Saudi Arabia, and has worked at the Institute for Policy Studies in Washington, DC, in the South Asia office of the American Federation of Labor-Congress of Industrial Organizations (AFL/CIO), and the American Friends Service Committee in their humanitarian and disaster relief programs. She is a contributing editorial board member of the Asian American Literary Review, and a fellow of the Bread Loaf Writer’s Conference, Yaddo, Hedgebrook, the Virginia Center for the Creative Arts and the Lannan Foundation. She is the 2014 winner of the Janet Heidinger Kafka Prize for Fiction by an American Woman. She writes for the Huffington Post on books and politics.

I was interested in writing something that has meaning in the larger context of global conflicts anywhere.
There are other sources, but Wikipedia is a good start.
I think a lot, so I don't spend a lot of time actually writing - I do that part very quickly. That helps, for me. To keep track of the characters. — © Ru Freeman
I think a lot, so I don't spend a lot of time actually writing - I do that part very quickly. That helps, for me. To keep track of the characters.
Every new thing is a result of everything you wrote before.
War defined my entire childhood and youth and most of my adulthood too - and in the US, it continues to do so.
Sri Lanka is a small island, and the war affected everybody. Everybody knew somebody who was killing or being killed.
There is no right and wrong, and precepts are for fools. Every thing is just as it is! And we must experience things without condemning them, because if we condemn them, then we are becoming too involved.
I really try to avoid, you know, rolling out the history. The people are so important to me, and what happens to them, how they react, how things happen to them, this is what is important. I feel that if I can tell THAT story well, then people will go and Google the rest and fill in what they need to know.
Diatonic, he heard the word in his head. Chromatic, pentatonic, hexatonic, heptatonic, octatonic, each iteration of the scale opening innumerable possibilities for harmony. He thought about the Pythagorean major third, the Didymus comma, the way the intervals sound out of tune rather than as though they were different notes. This, he thought, was where his brilliance at mathematics bled into his love of music; music was the realm in which his mathematical brain danced.
My life is very busy with a lot of things, and so I don't get uninterrupted time. When I do, I can just write all day.
Fiona McCrae is a really amazing editor. Really smart and very astute about what a story needs.
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