Top 116 Quotes & Sayings by Ryan Adams - Page 2

When You're young, you get sad, and you get high.

I like things that reach a little further and are a little more abstract, but I don't think that's what I do naturally well. How I write naturally is probably what's furthest from me, and the most removed from what I understand.

For any producer I've ever worked with, their toughest job is to convince me to not to obscure my vocals. A lot of people don't like the sound of their own voice on, like, cassette tape or something. It's like that for me, and other songwriters I know. Like, "Oh God, that's what I sound like?"

I use to be panicked, but know I'm curious!

There are times when I want to be plainspoken about my feelings in a song. But there are other times when it's really good to try and get my head around different kinds of song structures, or maybe I might get turned on by trying to write a song that would fit in this one scene in a movie. And by the end of all this, you just end up with a bunch of different ideas. And songs are really just ideas.

Do you remember stormy winter?Well button up your coat, one's comin' soon

Words may move, but they're never moving fast enough.

I always have to remember that I am the narrator, but it doesn't have to be about me. A lot of songwriting is about trying to use what part of me is valid in telling the story. I don't want to overcook it, you know? Sometimes it seems that's really where the work is.

I don't think, that all my stuff could've been records. Some, maybe. The ones that I really wanted to be records, those are the ones that are going into the box.

If I had a reed made of lightening I could blow the sax all night... I don't know where one would acquire a reed made of lightening but I would imagine that Bill Clinton has one.

The night destroys the sun

I'm not the cool thing, and I'm not going to be the cool thing for a really long time, and it isn't like I'm not the cool thing and I sell 3,000,000 records every time. I'm not the cool thing, and I barely sell 150,000 records, if that, ever. So I'm obviously working really hard to sustain myself. I'm actually a target to be dropped, because that's just not enough records for a big company.

It's hard to view myself sometimes as even in the same league as other musicians, mainly because there's so much music before me. I feel overinformed by different styles and different possibilities.

While the things I do kill me, they just tell me to relax

The good thing about playing the guitar: You can take on different kinds of music. I'm always doing something different from the last thing I did because I have the shortest attention span on earth.

Some people want to go forever, I just want to burn off hard and bright.

A lot of the songs I write are like songs that I've never been able to find on any record, but that I've always wanted to hear. Or maybe in a style I already loved, but I was looking for something in it that I wasn't hearing yet.

It's really very easy for me to be in The Cardinals, because I bring my voice, my guitar, and my songs to them, and then we all play around to find out what works.

Most of my songs are pretty sketchy. There's not a lot of bass sections. I don't write big bridges. Sometimes I'll try. But it's hard for me to focus that way, because I always think it's more interesting to just see what will happen next.

Being a human being is lost. For 120 shows, the one that goes bad is the one that people will talk about.

I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.

It sounds like I'm channeling or something, and I don't really fully understand what it is. I'll get a piece of paper and write down what I think is coming to me. And I'll play it once. Whether it's being recorded or not, I can then usually remember it for a sometimes shocking amount of time.

I quit drinking every night, at 1:30 A.M.

The weirdest thing I've been fascinated with nowadays is the new contemporary country music, which to me sounds like very strange '70s pop, and sometimes like rock music. But some of the themes in there - maybe it's because I know how the songs were written, but it really does sound like it was written by two or three people, with the idea to appeal to the most general audience.

What I love most in life happens to be the very thing that I do day-to-day, as my work. What would be my hobby, you know, happens to be my actual job. So I'm very lucky. Even if I didn't want to do as much work as I do, I'd still feel compelled to, because I so longed to be a full-time artist, and since I've been given that opportunity, I'd never want to let down the gift.

To conceive music, to execute it in front of others, to make it so others can do it...it can be pretty humbling, and kind of scary. So yeah, I don't really feel in competition with anybody. Not because I feel elitist, but because I have enough self-competition. I'm always struggling.

A lot of my songs, they're like puzzle pieces, and there's just one way to put them together. You could, if you needed to, get the scissors out and cut up things to make them work. But I don't want to do that.

There's all these musicians in the world, and anybody that takes enough time to create a record or even think about the fantasy of rock & roll, I mean, it's a really vulnerable place to be in. It's a huge thing to do.

I'm actually a pretty upbeat person outside of playing music.

For me, a record is valid when I actually hold the vinyl. Like, I've worked on the art for a while and I see the vinyl and I go "Ooh, it's an actual LP. How cool is that?" That's very sacred to me. You can't take that back, you know?

Not to discount my music, but I'm always suspicious of the music that I make on some level, as to how valid it is. Or maybe not "valid," but how important.

I'm a pretty bad troubadour. I'm more of a music fan who got away with making records.

It's like — I don't know, sometimes it's like chasing a pretty girl on the beach. And things I never thought I could do... I can do.

You can imagine several scenes from Star Wars? The way they looked? For me, that's how music is. Sometimes I'll be developing riffs for songs, just while I'm sitting around and not playing.

I'm sort of planting Post-It notes all over my psyche. Do not skateboard wasted. Do not buy $10,000 rugs. Be careful what you say to journalists. You don't have to stay up until 7 A.M. - tomorrow is a new day.

I'm definitely in the market for being uncool. There was some funny stuff, like the thing about making sure I show people that I have tattoos and cigarettes so that they know I'm badass. But really, I do have tattoos! And I do smoke cigarettes sometimes, and I can't change that. But I am not badass, by any means. I do some stuff that's tongue-in-cheek, and some stuff that's on the line. And it could be funny, it could be serious, and I never even know myself, because it could be funny that day, and the next day it's totally embarrassing.

I do craft songs, that this is designed. It's almost like the song was written to produce this desired effect. And it probably really works for somebody. It's maybe somebody's favorite tune, and it's really hard to come down on that, even if I feel a little embarrassed for it. Because some songs are written like a commercial, and that can be a little strange.

It's hard to be bipolar and bicoastal at the same time.

I should've died a hundred thousand times,Teetering stoned off the side of a building.Nobody loved me and nobody even triedYou can't hang on to something that won't stop moving.Singing and dancing to them nighttime songs.

I'm a big music fan outside of the music I make.

Caitlin Cary and I were always talking about X when we talked about whiskeytown, before it became an actual band. We like the concept of there being no real front person in X, yet this kind of switch up of vocals and really their sheer power, and their ability to sort of bastardise punk rock and midwetsren rock and even country into their own sound.

I think that music, or at least the kind of music that I make, benefits greatly from improvisation.

It was never my first choice to be a singer/guitar player. I really wanted to play drums.

I can sort of will that stuff to happen to me if I put myself in the right headspace. Then I can actually get to a space where it won't just be one song that comes through, but a series of them.

Sometimes an idea from six years ago will come to me out of the blue. And maybe I haven't even seen the lyrics I wrote down, but I'll just have this physical memory of having written it, and in my mind I can see the piece of paper, and the words I wrote down, and then by muscle memory, I'll remember the chords that go along with it.

This is going to sound crazy, but I can hear music in my head. I can imagine a piano or a guitar playing, and I can sort of think out.

Forever only takes its toll on some

I was never much of a bass player.

I don't think I've ever gone on stage to be an asshole. I know one thing, from the past, and that's that my intentions always began in a pure way. I really want to just try and play the songs.

It would be really nice to make a record that would be super-fun to play live - a record that would be funny, with a little bit of heart.

I went down to Houston and I stopped in San 'Antone, I passed up the station for the bus. I was trying to find me something, but I wasn't sure just what... man, I ended up with pockets full of dust.

The process of making music is more interesting to me than the end result. If I was a cook, I'd be more interested in cooking food than eating food.

Being a rock musician is already like ego-tripping hardcore. You're self-consumed, and you're always thinking. It's really easy to say, "I'm going to write a song about this situation, and when I'm done, everyone will care." To everybody else, that's ego-tripping.

On Heartbreaker, I had to sing those songs. I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs.

I got on the phone with the president of my label and I said, "Obviously, I write songs in a lot of styles and play a lot of different kinds of music. We're getting toward the end of our business collaboration. If you could envision a record that you wanted to hear from me, what kind of record would it be?" It wasn't like asking him to fill an order, it was really just a conversation. For all the things I'd ever asked him, this was one thing I'd never asked, and I don't know why. So I was curious. And the thing that he was most interested in hearing was a solo record.

Rock records. It's the main source of inspiration for people - fans, or musicians, or both - to act out in ways that they wouldn't normally act out. Especially rock critics. Ultimately, records don't really hurt anybody, and neither do reviews.