Top 66 Quotes & Sayings by Ryan McGinley

Explore popular quotes and sayings by an American photographer Ryan McGinley.
Last updated on December 21, 2024.
Ryan McGinley

Ryan McGinley is an American photographer living in New York City. McGinley began making photographs in 1998. In 2003, at the age of 25, he was one of the youngest artists to have a solo show at the Whitney Museum of American Art. He was also named Photographer of the Year in 2003 by American Photo Magazine. In 2007, McGinley was awarded the Young Photographer Infinity Award by the International Center of Photography. In 2009, he was honored at The Young Collectors Council's Artists Ball at the Guggenheim Museum. A 2014 GQ article declared McGinley, "the most important photographer in America."

Most of the e-mails I get nowadays are from students who ask me how I got my start. In truth it's from having a really supportive family but also having a good patron who will help you - like financing all those early trips I took.
I have a really big family, and pretty much all my work is about my brothers and sisters. I'm the youngest of eight - my mom had seven kids in seven years, and then she had me 11 years later - so I was basically raised by all these teenagers.
I think that's an important lesson for young people who want to be artists: You have to find someone who believes in you and who will help you find that time where you don't have to think about a job but just making work. If I didn't have those people in my life, I wouldn't be in the position I'm in.
I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great.' — © Ryan McGinley
I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great.'
I went through a pretty big David Bowie period when I was younger, and that has affected me profoundly in my life and my work.
I have absolutely no interest in creating depressing images.
My photographs are a celebration of life, fun and the beautiful. They are a world that doesn't exist. A fantasy. Freedom is real. There are no rules. The life I wish I was living.
All my work, really, is based on my brothers and sisters. I had so many adventures with them and a big part of the work is to recreate those. It's easy for me to be around a lot of people, because I can retreat. I can watch everything.
It's weird being a photographer because you really have to divorce yourself from the image.
I'm making the art for me first. I'm making it because these are the pictures I want to see. I'm making pictures that don't yet exist.
I'm just a photographer, not a movie star.
Just having the camera, being able to pull back from situations and be an observer, it saved my life... I realised I could find these intimate moments and that people trusted me. That, basically, my camera was magic.
I slowly began making a few photos with animals over the years, and I liked how people reacted to them. When I would have the animals on set, I'd notice the way the models would interact with them and there was so much true emotion that you rarely see between two human beings.
I want to venture into film more, and I think that a nice way to transition into doing that would be a documentary. I think it would be interesting to find one person that really fascinated me or maybe a band and travel with them, but I don't think I could do it like I used to do it.
I'm interested in reaching the masses with my work. It's one of my goals. — © Ryan McGinley
I'm interested in reaching the masses with my work. It's one of my goals.
I can work with shyness, but for the most part I want people to feel comfortable with me. It's really more about the photographer feeing comfortable right when they walk in that makes the subject feel comfortable.
I know that my mind is so A.D.D., and I want instant gratification - and photography can provide me with that - but at some point, I want to make an independent feature.
All I do is make photos. It's my life.
Everyone I'm photographing, I feel like I'm remaking a family, in a way. My brothers and sisters are my heroes. So many of my models resemble them.
The cool part about New York is that you can do that. You can talk to all the people you admire.
The thing about being a photographer that's so cool is that you get to participate, but you also get to disappear. The camera is in front of your face all the time.
I couldn't wait to come to New York to reinvent myself.
Everyone started to have a camera. That's when I started to travel outside of New York and go into nature.
I really don't want to be part of just one group. I'm interested in doing everything - making music videos, shooting campaigns, having -gallery and museum shows, making movies. Everyone wants to put you in a box, and I'm afraid I'm not that kind of person.
Whatever emotions you're going through, you somehow seek out the people that are going through similar emotions or that maybe have something you need.
I was growing up in the suburbs; I was one of eight kids. So I did have a community when I was younger, but all of my brothers and sisters were older.
What I really believe is that there are no coincidences anymore.
My dad was in the Korean War. He got shot seven times. He had seven bullet holes in him. And out of his troop of 35 guys, he was one of nine guys that came back. And when he came back from that he had seven kids in seven years.
My mom had seven kids in seven years, and then she had me 11 years later. So when I was born, my oldest brother was 18. And my youngest brother was 11. By the time I was 7 or 8, everyone had moved out. I went from being with ten people all the time to being an only child. It really freaked me out.
I didn't have to be friends with people who were into pop music.
I'm not going to hide behind anything.
I was never raised with anybody telling me that gay was bad.
A lot of my close friends have committed suicide or died of heroin overdoses.
There was no luxury. I never got on an airplane until I was 18. We drove everywhere. My dad was like, "Waste not, want not."
Growing up, my room was covered in posters. I was like, "I want to make posters."
I'm always interested in an atmosphere where dreams and reality mingle on equal terms.
Most of the e-mails I get nowadays are from students who ask me how I got my start. In truth its from having a really supportive family but also having a good patron who will help you - like financing all those early trips I took.
The cool thing for me about moving to New York was that I got to create a new family.
The camera gives you some control. — © Ryan McGinley
The camera gives you some control.
Just being friends with people now for over 15 years, you realize what we all came out of. What we came out of was the intense feeling of growing up. It sounds kind of cliché, but it's true.
I'm going to put every aspect of myself out into the world and try to convey it through photography.
In a lot of ways I look at these old photos, and I don't know if I would have been able to communicate with these people on this level if I didn't have a camera. I think I would still be so shy.
I was never told, "Fags are going to hell." You just didn't talk about it.
You find the people that you need to find. There's this gravitational pull.
I've been attracted to Kate Moss since I was a teenager.
I was pretty Irish Catholic Jersey, the middle of the line.
When I moved to New York, I was still in the closet.
I was studying graphic design at the time, when negative scanners and all that stuff was coming out, and you could do it all in your apartment. So I would shoot, make contact sheets, scan all the cool negatives, and make all these zines and books of my photos to give to my friends. I was really into zine- and bookmaking from skate culture.
A camera gives you a purpose.
I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great. — © Ryan McGinley
I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great.
You have to be able to observe life as if you were a camera all the time, constantly looking at light and the way that things are placed and the way people hold themselves. You need the ability to see something in someone or something that no one else really sees and be able to bring that to light. Basically, you have to be an obsessive crazy person.
I was voted most artistic in school.
In college, all my friends were graffiti writers, but I never wrote graffiti. I wanted to participate and do something cool on the street, so I'd make these portraits of people. I'd isolate them on a white wall, make a silkscreen of it, and do these portraits in bathrooms and all around. That's how I started the Polaroids.
I didn't have much of a life in crime as a graffiti writer.
When I was in art school, the photo kids were separated from the rest. If you did sculpture or painting or graphic design, you were all taking the same classes, but the photographers just went straight into photography.
I think a lot about control nowadays, and I really want to let go and just be more in the moment.
I spent all of my money on film. I remember I would do these set-design jobs or transcribe or just anything to get, like, a $100 check and go immediately to Adorama and buy expired film.
I just remember how excited I was to have a boyfriend and be in love and to document it.
I knew my ticket out of the suburbs was art school, so I worked really hard to develop my portfolio and get a scholarship.
A lot of artists need structure.
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