Top 95 Quotes & Sayings by Sajid Nadiadwala - Page 2

I am a film person and hence I think big.

'Housefull' means a house full of masti, mazaa, vibrancy and energy, something that London stands for as well. Audiences have traditionally loved what the city and its people have to offer on screen in the film and we are taking that forward with 'Housefull 4' too.

My baby is obviously more important than anything else.

I have always made films with actors who became superstars.

'Housefull' is just a 40-45 crores film. It was never an expensive film to begin with.

I go by my instinct in selecting scripts for my banner. Some times it works and some times it does not.

Coming on board for '83' is a feeling of personal joy as I saw that glorious moment on live television. There are certain projects that develop an aura around them and '83' is one of them.

The Salman I know is definitely not impulsive, or he wouldn't have completed any film in the stipulated period of time.

I've adopted my grandfather's method of tapping talent. It's our ancestors' blessings and the vibe of the company which made actors enjoy working with us on projects.

Filmmaking is a passion for me. Plus, that is what I do to make a living.

At the end of the day everyone has his own style of making a film and add the kind of ingredients which he feels would be good enough to entice audiences.

I love to watch entertaining films with larger than life characters and hence enjoy making such kind of movies.

How were we to know 'Highway' would be such a success? It is one of my proudest achievements.

Being a producer is more than a 24 hour job.

As a director, I was apprehensive about the outcome of 'Kick.' As it scored well, it is my duty to get above that expectation.

They have accepted me as a big debut Bollywood director. So, I should write something brilliant.

When we produced 'Highway,' Imtiaz Ali and I planned it as a quick small experimental film, while we waited for Ranbir Kapoor's dates later during the year.

The song 'Jumme ki Raat' is a treat for all the fans of Salman. It is shot in the underground style on a very big scale. We have tried to give it the edgy and grungy feel.

I have been making films for 25 years now and I am not mad to invest in something from where recovery becomes an issue.

Whenever I have launched a new talent, I have taken complete responsibility, like I am launching my own kid.

If I had a formula, I would have launched newcomers every year or maybe, every quarter.

It was embarrassing to direct my friend Salman and tell it's not working at times.

London has always held a special place in my heart.

The best deal about being a producer is that unlike a director who has to go on the sets even if he doesn't get along with the actor, the producer has the liberty to remain behind the scenes.

The move to turn a director was a very important decision and totally uncalled for, especially after my experience of 27 years as a producer.

Definitely it is difficult to maintain the Hollywood stylized action that we had in 'Kick.'

I make one film in three years, if I go wrong it will take me another three years to prove myself.

Cameos are good only if we have actors do it as per the requirement of the script otherwise no point just having someone for the heck of it.

The super success of '3 Idiots' has taught us that cost of making a film is not important at all; it's all about things going well at the script level.

We were shooting at the Kodak Theatre and to see my production company's clap board in front of Sylvester Stallone was overwhelming, I had to pinch myself. It was a magical moment. It was a different high.

'Baaghi 2' opened in less than 5,000 screens and its ticket prices were also not high, as it's not a festival season release. Yet, it has made the kind of money that has shocked the trade.

I was confident about the potential of 'Baaghi 2' when I greenlit it, but the final product has blown me away.

I love shooting in London.

When I write my autobiography after 20-25 years, I want 2014 to be the weakest year of my life.

All my films have been larger-than-life. And since I've sat on almost all the scripts of the films I've produced, I do not compromise on aesthetics and visuals that could add to a scene.