Top 12 Quotes & Sayings by Samuel Barber

Explore popular quotes and sayings by an American composer Samuel Barber.
Last updated on April 14, 2025.
Samuel Barber

Samuel Osmond Barber II was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century. The music critic Donal Henahan said, "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the Cello Concerto (1945) and Medea's Dance of Vengeance (1955); and the use of tonal ambiguity and a narrow use of serialism in his Piano Sonata (1949), Prayers of Kierkegaard (1954), and Nocturne (1959).

There's no reason music should be difficult for an audience to understand.
As for my own music, I've never written a book about it. I'm not pedagogical... When I write an abstract piano sonata or a concerto, I write what I feel. I'm not a self-conscious composer.
I was 7 years old when I began composing. I began composing, improvising at the piano, the usual story. — © Samuel Barber
I was 7 years old when I began composing. I began composing, improvising at the piano, the usual story.
I guess, for better or for worse, I am an American composer, and I've had a wonderful life being exactly that.
I can only say that I myself wrote always as I wished, without a tremendous desire to find the latest thing possible.
I was meant to be a composer and will be I'm sure. Don't ask me to try to forget this unpleasant thing and go play football - please.
I was supposed to be a doctor. I was supposed to go to Princeton. And everything I was supposed to do I didn't.
I think that what's been holding composers back a great deal is that they feel they must have a new style every year. This, in my case, would be hopeless. In fact, it is said that I have no style at all, but that doesn't matter. I just go on doing, as they say, my thing. I believe this takes a certain courage.
I've had little success in intellectual circles. I'm not talked about in the 'New York Review of Books,' and I was never part of the Stravinsky 'inner circle.'
He is a lyric poet . . . aloof from the swirling currents in which many of his colleagues are immersed.
How awful that the artist has become nothing but the after-dinner mint of society.
I have always believed that I need a circumference of silence. As to what happens to when I composer, I really haven't the faintest idea.
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