Top 343 Quotes & Sayings by Sandra Cisneros
Explore popular quotes and sayings by an American author Sandra Cisneros.
Last updated on November 22, 2024.
The older I get, the more I'm conscious of ways very small things can make a change in the world. Tiny little things, but the world is made up of tiny matters, isn't it?
All of my work is influenced by fairy tales, and I hope my work shows Hans Christian Anderson's influence.
My father never wanted me to be a writer. He didn't - he came to terms with it maybe two years before he died. He wanted me to be a weather girl because when I was growing up, there were very few Latinas on television, and in the early '70s when you first started seeing Latinas on TV, they would be the weather girls.
In English, my name means hope. In Spanish, it means too many letters. It means sadness. It means waiting. It is like the number nine, a muddy color.
I always tell people that I became a writer not because I went to school but because my mother took me to the library. I wanted to become a writer so I could see my name in the card catalog.
I liked the books I read that said things like 'I shan't'. I would try to find a way to say in my life, to reply, 'I shan't do that, mother.' That was so far away from my barrio world.
I think that Mexican-American kids live in a global world. It's not even bi-, it's multi-. You know, for those of us who grew up with different countries on our block, different nationalities, you know, we moved into multiple worlds.
Sometimes I feel I can't quite master my written and spoken Spanish, because I'm too much a student of English. I would need another lifetime to learn it.
What's always a challenge for me is that my Spanish is not the level of my English. Nor do I read in Spanish the way I read in English.
Mexico is only a memory of childhood safety.
I was a terrible student. Still, I managed to get into college, but my daydreaming threatened to sabotage me. I used behavior modification to break the cycle. I started by setting an arbitrary time limit on studying: for every 15 minutes of study, I'd allow myself an hour of daydreaming. I set the alarm.
Writing is like sewing together what I call these 'buttons,' these bits and pieces.
I was raised in Chicago, so always used Latina. It's what my Father and brothers called ourselves, when we meant the entire Spanish-speaking community of Chicago.
I was a little press writer when the National Endowment for the Arts came to my rescue and gave me an award. I couldn't buy a light bulb. Almost more than the money, the awards are important because they show that someone believes in you.
I grew up listening to the Beatles and being an ardent Beatles fan when I was in third grade all the way to adulthood, and listening to all kinds of music that came to us either at the flea market or in our living rooms or on the 'Ed Sullivan' show - all these places we were influenced by.
I've always read broadly: literary fiction, sci-fi, fantasy, chick lit, historical, dystopian, nonfiction, memoir. I've even read Westerns. I prefer female protagonists.
I'm afraid I'm still trying to find that balance. Especially now that everyone wants a piece of me. I find that I have to become more and more reclusive, and pick and choose when I am public and when I am private.
I feel comfortable in Spanish, I chat like a parrot, but I don't have the confidence in Spanish that I do in English.
For a writer, for the solitude to write, you don't need a room of your own, you need a house.
One press account said I was an overnight success. I thought that was the longest night I've ever spent.
I spent my thirties living out of boxes and moving every six months to a year. It was my cloud period: I just wandered like a cloud for ten years, following the food supply. I was a hunter, gatherer, an academic migrant.
I have to understand what my strengths and limitations are, and work from a true place. I try to do this as best I can while still protecting my writer self, which more than ever needs privacy.
I felt a failure because I couldn't sustain myself from what I earned from my writing. My day jobs were what mattered, and it was hard to even get those because universities wouldn't hire me as a real writer.
I am a woman, and I am a Latina. Those are the things that make my writing distinctive. Those are the things that give my writing power.
I don't see any kind of mirror of power, male power, that is, as a form of liberation. I don't believe in an eye for an eye. I don't believe this is truly freedom.
I realize that when I moved out of my father's house I shocked and frightened him because I needed a room of my own, a space of my own to reinvent myself.
My father always defined my gender to my brothers. He'd say, 'This is your sister; you must take care of her.'
There are many Latino writers as talented as I am, but because we are published through small presses, our books don't count. We are still the illegal aliens of the literary world.
But I deal with this meditating and by understanding I've been put on the planet to serve humanity. I have to remind myself to live simply and not to overindulge, which is a constant battle in a material world.
Perhaps the greatest challenge has been trying to keep my time to myself and my private life private in order to do my job. Everything that is most mine belongs to everyone now.
I wasn't aware that 'House on Mango Street' was so influenced by Spanish until after I finished.
One of my favorite writers is Hans Christian Anderson. His stories speak to the times.
The more you speak more languages, the more you understand about yourself.
I think my family and closest friends are learning about my need to withdraw, and I am learning how to restore and store my energy to both serve the community to the best of my ability and to serve my writer's heart.
'Hispanic' is English for a person of Latino origin who wants to be accepted by the white status quo. 'Latino' is the word we have always used for ourselves.
In my youth, daydreaming nurtured me, provided a safe haven. I'd sleep for twelve hours and even when awake escape to the safe place in my mind.
I was silent as a child, and silenced as a young woman; I am taking my lumps and bumps for being a big mouth, now, but usually from those whose opinion I don't respect.
In the business world, I did fairly well, but wasn't happy. A bout of sciatica put me flat on my back. All I could do was read, listen to my mother's stories about the Sandovals, and daydream: a return to self. My writing career had begun.
I thought that strange syntax was the language of story books. I didn't realize those were poor translations... English from Edwardian times.
I try to be as honest about what I see and to speak rather than be silent, especially if it means I can save lives, or serve humanity.
And the nice thing about writing a novel is you take your time, you sit with the character sometimes nine years, you look very deeply at a situation, unlike in real life when we just kind of snap something out.
I usually say Latina, Mexican-American or American Mexican, and in certain contexts, Chicana, depending on whether my audience understands the term or not.
Revenge only engenders violence, not clarity and true peace. I think liberation must come from within.
Well, I'm Buddhist, Ray, and so part of my Buddhism has allowed me to look a little more deeply at people and the events in my life that created me. And I think a lot of that Buddhism comes out in the world view in this novel.
My feminism is humanism, with the weakest being those who I represent, and that includes many beings and life forms, including some men.
I think people should read fairy tales, because we're hungry for a mythology that will speak to our fears.
I wanted to write something in a voice that was unique to who I was. And I wanted something that was accessible to the person who works at Dunkin Donuts or who drives a bus, someone who comes home with their feet hurting like my father, someone who's busy and has too many children, like my mother.
Once people are not here physically, the spiritual remains. We still connect, we can communicate, we can give and receive love and forgiveness. There is love after someone dies.
Generally if you're a daughter in a Mexican family, no one wants to tell you anything; they tell you the healthy lies about your family.
It takes a long time for women to feel it's alright to be chingona. To aspire to be a chingona!...You are saying, 'This is my camino, this is my path and I'm gonna follow it, regardless of what culture says.' I don't think the church likes chingonas. I don't think the state likes chingonas.! And fathers definitely do not like chingonas. And boyfriends don't like chingonas. But, you know, I remain optimistic. I will meet a man who likes a chingona, one day. One day, my chingon will come.
People know when you're speaking from el corazón. You have that pain. Take that pain and do something with it. That's very powerful.
The beauty of literature is you allow readers to see things through other peoples eyes. All good books do this.
My weapon has always been language, and I've always used it, but it has changed. Instead of shaping the words like knives now, I think they're flowers, or bridges.
I am obsessed with becoming a woman comfortable in her skin.
I'm not afraid to say what I'm afraid of. Does that make me fearless?
I tell people to write the stories that you're afraid to talk about, the stories you wish you'd forget, because those have the most power. Those are the ones that have the most strength when you give them as a testimony.
You can't erase what you know. You can't forget who you are.
We need to write because so many of our stories are not being heard. Where could they be heard in this era of fear and media monopolies? Writing allows us to transform what has happened to us and to fight back against what's hurting us. While not everyone is an author, everyone is a writer and I think that the process of writing is deeply spiritual and liberatory.
If you know two cultures and two languages, that intermediate place, where the two don't perfectly meet, is really interesting.
I've put up with too much, too long, and now I'm just too intelligent, too powerful, too beautiful, too sure of who I am finally to deserve anything less.
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