Top 32 Quotes & Sayings by Sarah Steele

I'm much better at things if I believe in them, and a lot of those little teenage starlet roles, they have problems, too, and a lot of movies just ignore that.

Developmental readings are actually the best part of being an actor for me. I once spent a month doing so many developmental readings at the Roundabout that we all joked that I was an 'artist in residence' there. But to me, it's such a special time to be involved with a new play.

Theater is so precious about each word - not that it's a bad thing, but you definitely never stray from the script.

When you're an insecure teenager, you build walls and defenses and masks, and those are incredibly satisfying to perform and chip away at. I mean, when I was an insecure teenager, you'd have had no idea what I was insecure about because I hid it so well. Only confident people are comfortable wearing their vulnerabilities on their sleeve.

I was obsessed with 'Jesus Christ Superstar,' and I used to reenact it in my room when no one was home.

I think I'm a character actress at heart, and I think my work is character work for the most part. I'm not the lead of any films - which is not to say that I wouldn't ever want to be; it is just to say that hasn't been my path.

Both my parents said they never got so many emails from friends and colleagues - with all the theater work that I've done - than when I was on 'The Good Wife.'

People who come to 'The Country House' are like, 'You're on 'The Good Wife' now.' But I've been on since the second season! I feel that the interest in the children in that series is almost tangential.

I see a ton of theatre whenever I'm not working to stay inspired. I love feeling like I'm a part of the theatre community and following the work of actors and writers I admire. I'm a big reader, too.

When people take themselves really seriously, I find it silly and amusing.

I did 'Spanglish' and went back home, and the next thing I did was my high school play. My agents at the time were like, 'Uh. What?'

Acting is a lot of waiting to be picked, and I like to do a lot of things at once. I think I will have to find things that are totally mine. I have so much comfort that school and my academic life are totally mine. I hope that there's not a lot of idleness in my future.

I got so much out of 'The To-Do List.' This is a joke that I say about myself sometimes, in terms of my film career: I feel like I'm always playing the kid in serious adult movies. So, for me, it was so wonderful to suddenly be working with other people my age who were doing this on film.

I was born in North Carolina but moved to a suburb just outside of Philadelphia when I was 5, so mostly grew up there. I decided I wanted to become an actor when I was 8 years old. I literally heard a friend on the playground bragging about how he was taking acting classes and thought, 'Oh! That's what I'm supposed to be doing!'

We see these cute, perfect bombshells that make me feel like I'm not good enough, I'm not pretty enough. I don't think I could pull off playing a person like that, and do I want to? I don't know.

I'll shout out to James L. Brooks. 'Terms of Endearment' always makes me cry. Also, 'Stepmom' always makes me cry. I guess, you know, mothers dying. It's a safe bet that I'm going to cry.

My advice to young people who want to act is just to do it as much as you can! Find friends who also want to do it and have readings of great plays in your apartment. You don't have to wait for someone else to tell you that you can do it. You can be getting better on your own all the time.

I needed the time to go to college and spend years with people who aren't in the business and become a person on my own in order to be the person that I am and the performer that I am. I wouldn't give that up to be in blockbusters or have more money.

I think that's also why it's so exciting. I really believe this play is important these are issues that people don't talk about. Certainly they never talked about this type of thing at my high school. That's what makes it so hard for kids. But it is something that people do go through.

You can go to these chat-lines. It's not hard it's really easy. Another thing the show makes clear is not talking about these issues is what leads kids to go on the Internet and find out the information themselves. And then they come across people like Mr. Healy wanting to meet them in the park. That's what leads to these kind of more-dangerous things.

Kids dealing with these really adult-problems. I'm making big, generalized statements but our culture doesn't acknowledge these things. Sex does lead to pregnancy! Kids don't always have an outlet or someone they can talk to about it.

What makes me happy about the show, and what I hope people take away from it is: "Just be yourself." I know that's supremely corny, but I really think that just being honest with yourself and being honest with everyone around you is the best way to live.

In high school, people are sometimes encouraged to be like everyone else. What's so great about this show is that these kids are weird and different and over-achievers. They know what they want and they're going after it. They're weird and they don't deny it. That's what makes it special.

I think that Diwata does not fit that mold. She's loud, she's a huge personality, she's imposing. I don't know if I'm the same thing in that sense, but what gives me the joy in playing her is the total rejection of needing to fit in. It's so inspiring.

They're not allowed to talk about it at school and they maybe feel uncomfortable talking about it with their parents. But instead of them not knowing about it, now we have these gadgets and we can learn about it and not tell our parents and get ourselves into potentially dangerous situations.

An example I love: Diwata auditioned for the school play by doing a big number from Once Upon A Mattress. I went home and my boyfriend plunked out the notes for me, and I had to learn and prepare that song just so I could learn and know how that feels. I've never had that kind of detail in a rehearsal process. Jason Moore is absolutely unbelievable.

I think the ultimate goal is that when we're off-stage, we know everything our character is thinking. Hopefully when we are on-stage, our thoughts are our character's thoughts because we really know that much about them.

Talk about high school and what we identify with in the play; things that have happened to us and all of our high school experiences that we could bring to this. And to talk about what everyone knows in each specific scene.

I'm taking a pretty light load. I'm doing well. Gideon and Jason are both in school too, so we find time between shows to get work done, and during the day. I really like Columbia. Unlike high school, I don't feel any pressure to get straight-As. I just like learning.

When I was a little younger, I really did love musical theatre in the same hopeless dorky way that she does. I was obsessed with Jesus Christ Superstar and I used to reenact it in my room when no one was home.

One thing is funny because my grandparents are going to come see the show and my mom was concerned that they wouldn't understand, because so much of it is Internet-based. Our generation specifically really relates to it, because we were the first people to discover the Internet and most of us can maybe navigate the Internet better than our parents can. All this information you could ever possibly know is right at our fingertips, not to mention the fact you can meet anyone!

Portraying this character [Diwata] has really given me an opportunity to get in touch with that side of myself, which I haven't been for a few years. And I do know what it's like to be different from people around you and not fit into the prototypical mold of what America sort of thinks a girl "should be."