Top 58 Quotes & Sayings by Scott Storch

You've got to continue to be patient and get all your ducks in a row in order to make a success within this business. It's not an easy thing to get into. It takes years and years and years.

Certain people, you just don't want to be around them.

I don't sample. I'm not like one of these guys who concoct some beat on my sampler and just turns it in.

I'm always making tracks. I find that when you make tons of tracks, you stumble upon genius. You can't always turn the drum machine on and right away there's a hot track. Sometimes you luck out. But it can take a lot of time between thinking about the artist, listening to music for inspiration or going to clubs.

People just want the hottest records. It's not really about all the names attached to the project. It's about the work.

My goal is get those chart positions, doing something good in music, and seeing that money in the bank.

Because I am white, I feel like certain opportunities were thrown to me through all of the people from the white community who prey on hip-hop culture.

It's great to work with a group from Miami.

People don't go to the record store anymore. It's crazy. The culture used to be so much stronger. People would go and support you, and go pick up the album. Not just for the music, but for the liner notes, for the artwork, just for the whole thing and to have it, and be able to say, 'I have this album.'

You can't count me out.

I think it's just sad in this industry that sometimes the pressures of being successful make you say things that are untrue.

Me and Dr. Dre didn't speak for a while because I was going through my problems.

I want to delve into the world of performing.

Biggie was to me the guy who was the best at painting the picture and making you visualize something, Pac was the best poet, and I feel like Jay Z is all of the above. Then Rick Ross is just, every line he spits is just perfect, and he's one of my favorite MCs of all time.

I'm crossing the EDM barrier.

I make records from top to bottom. Bring the best out of the vocalist. I deal with live instrumentation on all our records.

I had a long run for, like, probably 10 years with no vacation.

I drive something different every day. It's just my hobby.

When I work with Dre, he usually does more than 100 records and then picks his favorites.

I don't ever want to be considered some vanilla sherbet kinda guy.

As a kid, I used to sit there and figure out how to play everybody's song, and through learning all those songs I learned how to put chords together, and it evolved till I could say, 'Hey, I just wrote that.'

I watched my own father, he went bankrupt and had problems with the IRS. He was living beyond his means, and I guess I was doing the same thing and not even realizing it.

You can't be 'on' everyday, no one is a hit machine all the time. But if you're loving the music it will happen. It shouldn't be laborious.

As soon as 'Still D.R.E.' starts playing, you know what it is because of the melody. Most of the world's biggest records are less chord-driven. They have that instantly recognizable sound.

I would take one of 15 half-million-dollar cars I owned and go to the mall and spend that much money. Stupid, stupid stuff. It's like it didn't make a difference. They were ego investments. I would have been great with three or four cars. I didn't need a 117-foot boat.

If people are given the right circumstances and the right track and the right melody, it's about the conviction. It's not necessarily about being a God-given virtuoso.

Neo soul, hip-hop jazz, we started that.

I've always taken it upon myself to be a pioneer or a leader, and create a different sound, not just go by what the radio is playing at the time.

Let Me Love You' is one of my favorite records from my catalogue. It's one of those songs that just happened magically.

I've been around a lot of greats I seen in this industry that have problems, but the comeback can be that much greater.

I live in the studio and I'm inspired.

I keep my hip-hop as hip-hop, my R&B as R&B and my pop as pop. The ability to cross those boundaries and do all these things effectively is not commonly done.

Shyne's my man. I've been talking to him and I was talking to him all through his prison sentence. He's always remained a loyal person to me.

Music has changed, but there will always be a demand for amazing music.

I'm from New York. I was born in Long Island.

There's certain artists who are loyal and certain ones don't really care and don't give you the opportunity to follow through with them again. I'm insulted by a lot of the artists I delivered hits to.

Every time I hit it with Big Boi, we always have good love. I was a huge fan of the 'Shutterbugg' record he did.

I've never been to Canada in my life.

You can call me a beat-maker, but I'm a record producer.

Things that are truly great will be timeless.

I never went out. I was not the guy at the club. I was almost scared of going to the club. All of a sudden, I found myself working with certain artists from L.A. and hanging out in L.A. and being introduced to a whole new lifestyle... and getting in trouble with them.

You always want to be innovating and creating what's next. Versatility is also really important for a producer.

The touring life wasn't for me. I like to wake up in the same place most days. And I'm really into sitting behind a mixing console and listening to music all night and making music all night. I'm a studio rat.

Hip-hop is always what's the coolest, and people want to touch that. A lot of the Pop artists always want to get that stamp of approval and be down.

I think most I regret the way I treated Dr. Dre after he so graciously opened the doors to his kingdom to me.

I spend six to seven days a week in the studio making records. I don't have time to go do a lot of things that you have to play the political game to get recognition with the Grammy crew.

It's rare when you stumble upon this amazing melody. We'd love to make a 'Let Me Love You' every time we go into the studio, but it's definitely a special one.

I wanted to be the man, the King of Miami.

I would see musicians performing at weddings and bar mitzvahs, and I knew that at the very worst I could do that.

I have fallen back in love with music, which has allowed me to get back to my roots and create sounds without borders.

It's not always about working with the hottest artist. I sometimes go for challenges although people look at me strangely like, 'Why are you doing that?!' However, with a risk sometimes comes a huge reward. It's about having the vision to be able to turn a challenge into something, and then you win the Heisman.

Ne-Yo and I are great friends and we've worked on a bunch of stuff together back in the day.

You should be able to deliver what the artist you're working with wants.

I would always be going from L.A. to Miami to New York, to Russia, St-Tropez. Costs about $50,000 for a domestic flight, $250,000 for overseas. Yeah, that's an expensive habit.

When I first heard 'Let Me Love You,' I knew immediately it was going to be a hit. I believed in it and I had to literally force it down the throats of his record label, who weren't believers at first.

My father didn't believe in my music. I don't blame him.

I'm not the guy trying to be all up in the videos and be a celebrity. I feel like I'm going to lose a certain amount of my privacy if I do that.

I always said that someday I'm going to sing on a record.