Top 6 Quotes & Sayings by Shimon Attie

Explore popular quotes and sayings by Shimon Attie.
Last updated on December 22, 2024.
Shimon Attie

Shimon Attie is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much of Attie's works in the 90s dealt with the history of World War II. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, five monographs have been published on Attie's work, which has also been the subject of a number of films aired on PBS, BBC, and ARD. Since receiving his MFA in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art.

Born: 1957
I use contemporary media to reanimate sites and places with images of their own lost histories.
My intention is to create opportunities for reflections and meditations on history.
I think of my work as a kind of peeling back of the wallpaper of today to reveal the histories buried underneath. — © Shimon Attie
I think of my work as a kind of peeling back of the wallpaper of today to reveal the histories buried underneath.
There's this presence of these missing people and this lost community that I felt but could not see, and that was a very strange dissonance for me.
I use images as signifiers that point to layers of history, lost communities or a latent collective whispering within a certain context.
Simply because something is not visible it doesn't mean that it is not there.
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