Top 89 Quotes & Sayings by Shura

Some of the best songs are love songs. They're things that we all go through, and when we're going through it, we think that we're the only person in the world going through that. Having that music there sort of reminds you that you're not alone. It happens to me, too, as a music fan.

I found my own voice slowly. I don't do big tricks like Mariah Carey, so I've found this weird way of singing that works for me.

The first time I shared music was on Myspace. Then SoundCloud came along. The difference with SoundCloud is that people can comment on stuff, which was more frightening but also way more fun - especially if they liked it.

Someone will say, 'Shura's album is about being a gay woman in London.' Umm, I feel like my album's just about me. I am a gay woman, and I live in London... It's not about being a gay woman in London.

I felt that pop music didn't represent me. And that's why I made my own.

'What's It Gonna Be?' is about having a massive crush on someone, so it made sense to go back where - to school, where it all began. But it was important for us to explore those archetypal characters - The Jock, The Nerd, The Dork, The Popular Kid - and then flip expectations.

Perhaps a young boy or girl, after watching my video, can go, 'Maybe I don't have to be embarrassed. Maybe I can come out at school, maybe I can tell my best friend... and maybe I don't have to be afraid anymore.'

I started playing when I was about 13, mainly because Dad had guitars lying around the house. My dad taught me my first three chords, and I taught myself from there.

I got this advice that if you know a panic attack is happening, just sit back and go, 'Okay, this is happening to me, but it'll be over. You'll be fine. You'll live.'

After putting out songs with 26 million views on YouTube, your life changes a little bit. Suddenly everyone's like, 'Where's the album?'

There's something about rhythm and bass sections generally, how the bass and drums interact, that's basically the soul of any song.

I love scarves and hats and coats. I love it.

From collaborating with other people, you make concessions, and those concessions are great because sometimes you are definitely wrong.

I worked in a post-production facility for television, but in the machine room, so I was one of the nerds, essentially - making sure everyone had their footage in and all of that stuff.

If I fancy someone but can't tell them because I'm shy, I'll think, 'It's fine. You're not going to die. Maybe just tell them or whatever.'

Do stuff that is true to your own experiences.

My dad used to do a lot of music when he was young, so he had an 8-track MiniDisc recorder, and when he realized that I was getting on with it, he brought it upstairs to my room and showed me how to record and how, once you finished eight tracks, you can cut it down to two and have another six tracks to play with.

A lot of people think I popped out of some pink cloud fully formed, ready for action, but I've been putting songs on SoundCloud since I was 16. Five people would listen and like them. I never had any expectations for myself.

Whilst the Internet is amazing, someone with a laptop can make something amazing and send it out, but you grow up creatively in a very public way.

I don't care about how many records I sell, but the main thing is people like it.

A lot of people start by learning other people's songs, but the idea of singing someone else's music didn't excite me. I just wanted to write my own. It was really bad to begin with. It's improved slightly since.

To go from someone who would put something on SoundCloud and maybe get 15,000 plays in a year to getting 100,000 plays in one day felt very weird. I thought I was dying.

I'd written songs since I was 16, but I never thought that I would be a musician full time.

When you have a lot of gay friends, you don't think of that as being different or divisive or weird; that's just your reality.

I've had relationships before where you break up, and you think you're going to die, and then you realise you're definitely not going to die, and actually, you're probably better off without them.

I made the decision that I could either go outside in the freezing cold in the wind and rain and get muddy or just stay inside and be a rock star.

With 'White Light,' I had just finished watching 'Under the Skin' and was really obsessed with the idea of science fiction presented as normality.

Is the mainstream becoming more queer? Or is it the opposite? That artists like me are mainstreaming queer music?

You have to challenge yourself about the choices you make as an artist.

I think it's much harder now with the Internet to hone anything. It's easy to share things: you do one track, and it goes on Hype Machine; people are being exposed a lot earlier.

I'm a bit of a geek: I just love being able to play with dials and buttons.

I'm actually really impressed with everyone at Polydor.

It's really weird when you realize the people you look up to - who have influenced or inspired you - start to realize what you do.

'Nothing's Real' is about my first-ever panic attack, which I had about four months after getting my record deal.

I didn't really want anyone to know that I wanted to write music or make songs because, in a way, I didn't necessarily know if I wanted to do it for a profession. I wanted to do it to express myself.

I read interviews saying women can bring a femininity to a song, a delicacy, but some women make really aggressive music.

I'm not one of those artists that can go away for six months and tour America and have 20 producers back in London or L.A. doing everything for me and I just come home and sing on it. It would be really useful, in terms of speed, to work like that. I just wouldn't find it creatively satisfying. I have to have my hand on the remote control.

It's probably the first type of music we had, rhythm, whether it's poetry or tapping.

I want to explore my boundaries. I want to push myself and go right to the edge of what I am capable of. I don't want to ever be comfortable.

In London, I used to play 'Boys of Summer,' but it didn't feel right, because it doesn't apply to your surroundings, to the weather. I remember being in L.A. and listening to that record and going, 'Oh, I get it now.'

It's strange: I love pop music, and I really can enjoy it, but I didn't feel like the characters within pop music - like when Madonna sings 'Crazy For You', for instance, I don't feel like I would ever be the character she takes on in that song. I would never feel... I don't have that confidence in me.

I'm 23, and if I wanted to release a record when I was 17, I could have released a record, but I'm really glad I didn't.

Producing albums is 100 per cent where I would love to be, later in my career.

When I wasn't working, I was learning how to use production software on YouTube and making music.

I'm a lesbian. That's how I identify myself, but I think there's a massive spectrum for everyone.

On one level, I am a massive joker and can't take anything seriously, but on the other hand, I'm incredibly serious and a deep thinker, so I have that dichotomy within me.

It is important that you're out, and it is important that you're visible.

I don't hate my voice. I'm just not an Adele.

It was never like I had to go, 'I am gay.' Slowly, almost by osmosis, by the way I was behaving, it became obvious and accepted.

If you told teenage me that I would end up supporting Tegan and Sara for a month in North America, my head would have probably exploded.

Being part of a crowd and not standing out is way more frightening than being the person that stands out.

The best thing you can do is having to say no to putting out something that's good, because everything else is better.

I'm massively inspired by 'True Blue'-era Madonna, but she is absolutely confident and in control of the situation.

As I grew in confidence, I was able to come out and say that I'm a musician.

For me, one song is not enough to be in a person's world. I need to be in their world for 40 minutes; I want to fully experience it and immerse myself.

People like Prince or Madonna, they're kind of superhuman. You can't imagine them burning their toast, and there's something really exciting about that.

I love PJ Harvey, Patti Smith, Pixies, Portishead, and Massive Attack: a lot of what I would describe as alternative and indie music.

Sometimes we feel like we're only interacting with what's already happening; we don't actually affect anything - sometimes I feel like that, anyway.

I'm massively inspired by Janet Jackson, and I adore Whitney Houston and Madonna.

I love camping, everything about it - tents, the camping stove, sleeping bags. I'm obsessed with technology, be it synthesizers and speakers or tents and Gore-Tex.